Islam in the African-American Experience


Book Description

Malcolm X and, more recently, Louis Farrakhan are two of the more visible signs of Islam's influence in the lives and culture of African Americans. Yet, as Richard Brent Turner shows, the involvement of black American with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the 'Prophets of the City'--the leaders of the new urban-based African-American Muslim movements in the twentieth century.




African American Islam


Book Description

Islam is a vital, growing religion in America. Little is known, however, about the religion except through the biased lens of media reports which brand African American Muslims as "Black Muslims" and portray their communities as places of social protest. African American Islam challenges these myths by contextualizing the experience and history of African American Islamic life. This is the first book to investigate the diverse African American Islamic community on its own terms, in its own language and through its own synthesis of Islamic history and philosophy.




Islam in the African-American Experience, Second Edition


Book Description

" Sure to become] a classic in the field. Highly recommended." --Library Journal "... full of surprises and intrigues and written in a beautiful style.... a breath of fresh air on the African-Islamic-American connection." --Journal of the American Academy of Religion The involvement of black Americans with Islam reaches back to the earliest days of the African presence in North America. Part I of the book explores these roots in the Middle East, West Africa, and antebellum America. Part II tells the story of the "Prophets of the City"--the leaders of the new urban-based African American Muslim movements in the 20th century. Turner places the study of Islam in the context of the racial, ethical, and political relations that influenced the reception of successive presentations of Islam, including the West African Islam of slaves, the Ahmadiyya Movement from India, the orthodox Sunni practice of later immigrants, and the Nation of Islam. This second edition features a new introduction, which discusses developments since the earlier edition, including Islam in a post-9/11 America.







Islam and the Black Experience: African American History Reconsidered


Book Description

Examines a facet of African history and blackness that often goes unexamined: a substantial portion of its roots lie in Islam. This publication analyzes the effect of Islamic blackness upon African America, from slavery to pop culture and its evolution in between.




Islamic Societies in Practice


Book Description

"When Americans look at the Muslim world, they see a uniform culture (Arab) with a single language (Arabic) communicated through a uniform religious belief and practice (Islam). Fluehr-Lobban shows us how simplistic and mistaken this view is."--Library Journal "Islamic Societies in Practice is an eloquent, thought-provoking antidote to the American media's attempts to reduce the complexity of the Muslim world to 30-second sound bytes. Fluehr-Lobban proffers insights which are the result of an open mind and long-term field experience. She addresses the misconceptions which many Westerners have about the Middle East, not only with fact and historical content, but also with anecdotal material about her own experience there, an unbeatable combination."--Middle East Women's Studies Review "An accessible primer on Islamic society, providing a good historical overview with a focus on how Islam is practiced. . . . The author's descriptions of Islamic values and social practices, gender relations, and the tensions within the umma, or the world Muslim community, are effectively filtered through her own experience."--Publishers Weekly "A wonderful contribution to the field . . . a concrete set of images and stories that offer many opportunities for discussions of the politics of ordinary life, as well as the opportunities in the region for increasing democracy, greater human rights, and expanded women's roles."--International Journal of Middle East Studies Originally written in the wake of the Gulf War, this book introduced the West to everyday Arab-Islamic cultures and societies, humanizing the region and its people. It ventured behind the headlines to offer a positive, constructive view of Islam and Muslims, showing how Islam is lived and practiced in daily life. Now revised and expanded in the wake of the 9/11 attacks and the wars in Afghanistan and Iraq, Islamic Societies in Practice embraces the breadth of global Islam with significant new material on Islam in Africa, Asia, Europe, and the United States, as well as the Middle East. New maps and illustrations are included, detailing the diversity and representation of Islam and Muslims throughout the world. Additional material includes discussions of male and female relations; folk Islam, popular expressions of faith, and the five pillars; Sufism, including the Turkish Dervishes; ethnic and racial differences in the Muslim world; Islamic law and the application of harsh punishments; political Islam and the future of the state in the Islamic world; and the many voices of progressive Muslims--feminists, human rights activists, and anti-extremist writers. Carolyn Fluehr-Lobban is professor of anthropology at Rhode Island College.




Black Crescent


Book Description

Beginning with Latin America in the fifteenth century, this book, first published in 2005, is a social history of the experiences of African Muslims and their descendants throughout the Americas, including the Caribbean. The record under slavery is examined, as is the post-slavery period into the twentieth century. The experiences vary, arguably due to some extent to the Old World context. Muslim revolts in Brazil are also discussed, especially in 1835, by way of a nuanced analysis. The second part of the book looks at the emergence of Islam among the African-descended in the United States in the twentieth century, with successive chapters on Noble Drew Ali, Elijah Muhammad, and Malcolm X, with a view to explaining how orthodoxy arose from varied unorthodox roots.




Black Pilgrimage to Islam


Book Description

Drawing on hundreds of interviews, Dannin provides an unprecedented look inside the fascinating and little understood world of black Muslims. He examines the tension between the Nation of Islam and Islamic orthodoxy, visits mosques and prisons, and ponders the effect of the assassination of Malcolm X.




Soundtrack to a Movement


Book Description

**FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.