Japanese Hokkus


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Japan


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Little Pictures of Japan


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From the Foreword: Friends of Moon and Winds-so were the Japanese poets called who wrote the tiny poems that comprise the greater part of this book. Dewdrops of smallest compass are they, yet mirroring in vivid flashes the whole of Japanese life. In few words of primitive, childlike simplicity these old sages sang, for the little hokku poems are gems of only three lines comprising no more than seventeen syllables, the tiniest poems in the world. These minute gems, however, usher one into that atmosphere of tender sympathy with all that has life, that world of benign serenity where dwelt the ancient poets of Japan. Cricket, butterfly, bee, and frog, stars, flowers, winds-these were the things of which they sang. What could be more simple or within the understanding of the smallest child? Yet here is real poetry, and not mere doggerel, the finest poetry of Japan. -- Provided by publisher.




Japan and America


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The American Diary of a Japanese Girl


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The American Diary of a Japanese Girl (1901) is a novel by Yone Noguchi. Published in New York alongside illustrations by Genjiro Yeto, the novel was styled as a fascinating tell-all written by a young Japanese tourist. Composed with the assistance of Léonie Gilmour and Blanche Partington, The American Diary of a Japanese Girl was Noguchi’s first novel and a major departure from his poetry at the time. An 18-year-old Japanese woman going by the name Miss Morning Glory embarks on a journey from her native country to the United States. Accompanied by her uncle, a wealthy industrialist, Morning Glory arrives in San Francisco via steamship. She soon befriends the American wife of a Japanese diplomat, who introduces her to minstrel shows and vaudeville. Left to her own devices, Morning Glory takes over a local cigar shop in Chinatown and begins to assimilate into American life and culture. When she meets Heine, an older poet from Oakland, Morning Glory is inspired to pursue a career as a writer. As she travels across the expansive American landscape with her uncle, she comments on the people and places she encounters along the way. Through her eyes we see the country in a strange new light, perhaps more truth than fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Yone Noguchi’s The American Diary of a Japanese Girl is a classic of Japanese American literature reimagined for modern readers.




The American Letters of a Japanese Parlor-Maid


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With a beautifully redesigned cover, The American Letters of a Japanese Parlor Maid is a classic novel that captures a young immigrant’s transition to life in the United States – its traditions, quirks, frustrations, and glorious delusions. Accompanied by her uncle, a wealthy industrialist, Morning Glory arrives in San Francisco via steamship. She eventually makes her way to New York City, where she becomes interested in the lives of the working class and decides to test the waters of the American Dream for herself. Despite her fortunate background, she settles for a role as a parlor maid. With her abundant wit and humorous outlook, Morning Glory records in her letters a foreigner’s view of American life. Through her eyes we see the country in a strange new light, perhaps more truth than fiction.




A Collector's Guide to Books on Japan in English


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Provides and invaluable and very accessible addition to existing biographic sources and references, not least because of the supporting biographies of major writers and the historical and cultural notes provided.




The Japanese Effect in Contemporary Irish Poetry


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The Japanese Effect in Contemporary Irish Poetry provides a stimulating, original and lively analysis of the Irish-Japanese literary connection from the early 1960s to 2007. While for some this may partly remain Oscar Wilde's 'mode of style', this book will show that there is more of Japan in the work of contemporary Irish poets than 'a tinkling of china/ and tea into china.' Drawing on unpublished new sources, Irene De Angelis includes poets from a broad range of cultural backgrounds with richly varied styles: Seamus Heaney, Derek Mahon, Ciaran Carson and Paul Muldoon, together with younger poets such as Sinéad Morrissey and Joseph Woods. Including close readings of selected poems, this is an indispensable companion for all those interested in the broader historical and cultural research on the effect of oriental literature in modernist and postmodernist Irish poetry.




Crisis


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