Jefferson's Fine Arts Library


Book Description




Thomas Jefferson's Library


Book Description










Thomas Jefferson's Library


Book Description

Painstaking Reconstruction of Jefferson's Library Catalogue Sold to the Library of Congress in 1815 to replace volumes burned by the British during their occupation of Washington, Jefferson's library, comprising 6,700, volumes was one of the finest in the United States. The taxonomically arranged catalogue that accompanied these books was a remarkable work, one that offered great insight into the broad and systematic nature of Jefferson's mind. Unfortunately, it was lost. Using Jefferson's notes and the first edition of the Library of Congress catalogue, Gilreath and Wilson recreated Jefferson's original compilation. It contains an extensive collection of legal books arranged under the general heading "Philosophy." Beginning with the broad designations of "Ethics," "Moral Philosophy," "Law of Nature and Nations" and "Religion" Jefferson proceeds to such topics as "Common Law," "Maritime Law and "Foreign Law." It is valuable both for its insights into Jefferson's legal mind and as a guide to the titles one would want to include in a first-class American law library of the period. James Gilreath was an American history specialist at the Library of Congress rare book and special collections division. Douglas L. Wilson is George A. Lawrence Distinguished Service Professor Emeritus; Co-director, Lincoln Studies Center, Knox College Galesburg, Illinois. CONTENTS Foreword Introduction Selected Reading List Editorial Note Catalogue I. Memory 1. Antient History 2. Modern History. Foreign 3. Modern History. British 4. Modern History. American 5. History-Ecclesiastical 6. Natural Philosophy 7. Agriculture 8. Chemistry 9. Surgery 10. Medicine 11. Animals. Anatomy 12. Animals. Zoology 13. Botany 14. Mineralogy 15. Occupations of Man. Technical Arts II. Philosophy 16. Ethics Moral Philosophy Law of Nature and Nations 17. Religion 18. Jurisprudence. Equity 19. Jurisprudence. Common Law 20. Jurisprudence. Law-Merchant 21. Jurisprudence. Law-Maritime 22. Jurisprudence. Law- Ecclesiastical 23. Jurisprudence. Foreign Law 24. Politics 25. Mathematics. Pure. Arithematic 26. Mathematics. Pure. Geometry 27. Physico-Mathematics. Mechanics, Statics, Dynamics, Pneumatics, Phonics, Optics 28. Astronomy 29. Geography III. Fine Arts 30. Architecture 31. Gardening, Painting, Sculpture 32. Music 33. Poetry. Epic 34. Romance, Tales-Fables 35. Pastorals, Odes, Elegies 36. Didactic 37. Tragedy 38. Comedy 39. Dialogue-Epistolary 40. Logic, Rhetoric, Orations 41. Criticism. Theory 42. Criticism. Bibliography 43. Criticism. Languages 44. Polygraphical Appendix Some pages from the printed catalogue of 1815




Thomas Jefferson on Taste and the Fine Arts


Book Description

Jefferson tended to classify the books of his libraries under the Baconian headings of memory, reason, and imagination, which corresponded to history, philosophy, and the fine arts. Thus, education in the Fine Arts, which Jefferson listed as eight, was considered an indispensible part of the life of an educated person—especially a Virginian. An educated person needed knowledge of architecture, gardening, painting, sculpture, rhetoric, belle lettres, poetry music, and criticism, considered as a sort of meta-art. Knowledge of such arts was indispensible because each person, thought Jefferson, was equipped with a faculty of taste as well as ratiocination and a moral-sense faculty—each of which required cultivation for human thriving. An uncultivated imagination would severely impair ratiocination and moral sensitivity. This book is the first book-length attempt to flesh out and critically assess Jefferson’s views on taste and the Fine Arts. It is a must read for any serious biographer of Jefferson.







Origins, Imitation, Conventions


Book Description

Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.




The Cambridge Companion to Thomas Jefferson


Book Description

This Companion forms an accessible introduction to the life and work of Thomas Jefferson, third President of the United States and author of the Declaration of Independence. Essays explore Jefferson's political thought, his policies towards Native Americans, his attitude to race and slavery, as well as his interests in science, architecture, religion and education. Contributors include leading literary scholars and historians; the essays offer up to date overviews of his many interests, his friendships and his legacy. Together, they reveal his importance in the cultural and political life of early America. At the same time these original essays speak to abiding modern concerns about American culture and Jefferson's place in it. This Companion will be essential reading for students and scholars of Jefferson, and is designed for use by students of American literature and American history.




A Fine Arts Library


Book Description