Hebrew Melodies


Book Description

A collection of poetry by 19th-century author Heinrich Heine, focusing on a return to a preoccupation with his Jewish roots, with new English translations alongside the original German.




Jewish Stories and Hebrew Melodies


Book Description

The stories, essays and poems collected in this work show the author's fascination with his ancestral religion. It provides a modern defense of the persecuted Jew.




Jewish Stories and Hebrew Melodies


Book Description

Tells the story of a medieval Jewish rabbi, discusses the Merchant of Venice, and shares a selection of Heine's poems




The Melody


Book Description

"Will you listen to me?" asks a beautiful melody. But the mountains, forests, stones, and streams have no interest. And the animals have no need for the melody either. Only when a baby hears its mother sing does the melody finally find a home. While this seems to be a simple story of a melody in search of love and acceptance, look a little closer and you will find beautiful Jewish connections. Whether seen as the story of our embracing the Torah, or as a reminder of the importance of sharing it, The Melody invites us to lift our voices and join the chorus.




A Jewish Bestiary


Book Description

“Ask the beast and it will teach thee, and the birds of heaven and they will tell thee.” —Job 12:7 In the Middle Ages, the bestiary achieved a popularity second only to that of the Bible. In addition to being a kind of encyclopedia of the animal kingdom, the bestiary also served as a book of moral and religious instruction, teaching human virtues through a portrayal of an animal’s true or imagined behavior. In A Jewish Bestiary, Mark Podwal revisits animals, both real and mythical, that have captured the Jewish imagination through the centuries. Originally published in 1984 and called “broad in learning and deep in subtle humor” by the New York Times, this updated edition of A Jewish Bestiary features new full-color renderings of thirty-five creatures from Hebraic legend and lore. The illustrations are accompanied by entertaining and instructive tales drawn from biblical, talmudic, midrashic, and kabbalistic sources. Throughout, Podwal combines traditional Jewish themes with his own distinctive style. The resulting juxtaposition of art with history results in a delightful and enlightening bestiary for the twenty-first century. From the ant to the ziz, herein are the creatures that exert a special force on the Jewish fancy.




Shedding Light on the Darkness


Book Description

Increasingly, German Studies programs include courses on the Holocaust, but suitable course materials are often difficult to find. Teachers in higher education will therefore very much welcome this volume that examines and reflects both the practical and theoretical aspects of teaching about the Holocaust. Though designed primarily by and for North American Germanists and German Studies specialists, this book will prove no less useful for teachers in other countries and associated disciplines. It presents and describes successful Holocaust-related courses that have been developed and taught at U.S. and Canadian colleges and universities, demonstrating the depth, breadth, and variety of such offerings, while remaining mindful of the instructor's special moral responsibilities. Reflecting as it does, the innovative Holocaust pedagogy in North American German and German Studies, this collection serves the needs of educators who wish to revise or update their existing Holocaust courses and of those who are seeking guidance, ideas, and resources to enable them to develop their first Holocaust course or unit.




A Book of Hebrew Letters


Book Description

The twenty-two letters of the Hebrew alphabet are not considered by the Jewish sages to be merely forms that make up words, but rather the fundamental elements that the Almighty uses to create the world. Throughout the centuries these letters have also served to release a well of Jewish creativity. Their graphic beauty and the rich folklore that surrounds them have inspired generations of Jewish artists to sublime efforts. This collection of drawings is such an achievement. Working in a mode that combines traditional Jewish styles with his own distinctive line and vision, Mark Podwal has conceived this series of twenty-two drawings, each illustrating, in Hebrew alphabetic sequence, a term deriving from Jewish tradition and experience. Thus for aleph, the first letter, the artist has chosen to portray Aleph-Beth (alphabet), a fitting introduction to this Book of Hebrew Letters. Tav, the last letter, is represented by Torah. In between are such pictures as Tallit (prayer shawl) for the letter teth, Megillah (scroll) for mem, and Shalom (peace) for shin. Dr. Mark Podwal has distinguished himself as one of the most creative and inventive Jewish artists of our time. His work appears regularly in The New York Times and has been reproduced in publications here and abroad. Dr. Podwal has also collaborated with Elie Wiesel on many projects, creating the drawings for a number of Mr. Wiesel's books. In addition, the Congressional Gold Medal that President Ronald Reagan presented to Elie Wiesel was designed by Dr. Podwal. The drawings in A Book of Hebrew Letters, accompanied by the artist's calligraphy - and enhanced by his illuminating notes - together form a cluster of visual metaphors that will both delight the eye and intrigue the mind.







Jewish Pasts, German Fictions


Book Description

Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing. What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory.




Bestiarium Judaicum


Book Description

Given the vast inventory of verbal and visual images of nonhuman animals—pigs, dogs, vermin, rodents, apes disseminated for millennia to debase, dehumanize, and justify the persecution of Jews, Bestiarium Judaicum asks: What is at play when Jewish-identified writers tell animal stories? Focusing on the nonhuman-animal constructions of primarily Germanophone authors, including Sigmund Freud, Heinrich Heine, Franz Kafka, and Gertrud Kolmar, Jay Geller expands his earlier examinations (On Freud’s Jewish Body: Mitigating Circumcisions and The Other Jewish Question: Identifying the Jew and Making Sense of Modernity) of how such writers drew upon representations of Jewish corporeality in order to work through their particular situations in Gentile modernity. From Heine’s ironic lizards to Kafka’s Red Peter and Siodmak’s Wolf Man, Bestiarium Judaicum brings together Jewish cultural studies and critical animal studies to ferret out these writers’ engagement with the bestial answers upon which the Jewish and animal questions converged and by which varieties of the species "Jew" were identified.