Jews, Germans, and Allies


Book Description

In the immediate aftermath of World War II, more than a quarter million Jewish survivors of the Holocaust lived among their defeated persecutors in the chaotic society of Allied-occupied Germany. Jews, Germans, and Allies draws upon the wealth of diary and memoir literature by the people who lived through postwar reconstruction to trace the conflicting ways Jews and Germans defined their own victimization and survival, comprehended the trauma of war and genocide, and struggled to rebuild their lives. In gripping and unforgettable detail, Atina Grossmann describes Berlin in the days following Germany's surrender--the mass rape of German women by the Red Army, the liberated slave laborers and homecoming soldiers, returning political exiles, Jews emerging from hiding, and ethnic German refugees fleeing the East. She chronicles the hunger, disease, and homelessness, the fraternization with Allied occupiers, and the complexities of navigating a world where the commonplace mingled with the horrific. Grossmann untangles the stories of Jewish survivors inside and outside the displaced-persons camps of the American zone as they built families and reconstructed identities while awaiting emigration to Palestine or the United States. She examines how Germans and Jews interacted and competed for Allied favor, benefits, and victim status, and how they sought to restore normality--in work, in their relationships, and in their everyday encounters. Jews, Germans, and Allies shows how Jews were integral participants in postwar Germany and bridges the divide that still exists today between German history and Jewish studies.




Why the Germans? Why the Jews?


Book Description

A provocative and insightful analysis that sheds new light on one of the most puzzling and historically unsettling conundrums Why the Germans? Why the Jews? Countless historians have grappled with these questions, but few have come up with answers as original and insightful as those of maverick German historian Götz Aly. Tracing the prehistory of the Holocaust from the 1800s to the Nazis' assumption of power in 1933, Aly shows that German anti-Semitism was—to a previously overlooked extent—driven in large part by material concerns, not racist ideology or religious animosity. As Germany made its way through the upheaval of the Industrial Revolution, the difficulties of the lethargic, economically backward German majority stood in marked contrast to the social and economic success of the agile Jewish minority. This success aroused envy and fear among the Gentile population, creating fertile ground for murderous Nazi politics. Surprisingly, and controversially, Aly shows that the roots of the Holocaust are deeply intertwined with German efforts to create greater social equality. Redistributing wealth from the well-off to the less fortunate was in many respects a laudable goal, particularly at a time when many lived in poverty. But as the notion of material equality took over the public imagination, the skilled, well-educated Jewish population came to be seen as having more than its fair share. Aly's account of this fatal social dynamic opens up a new vantage point on the greatest crime in history and is sure to prompt heated debate for years to come.




Germans Against Germans


Book Description

Among the many narratives about the atrocities committed against Jews in the Holocaust, the story about the Jews who lived in the eye of the storm—the German Jews—has received little attention. Germans against Germans: The Fate of the Jews, 1938–1945, tells this story—how Germans declared war against other Germans, that is, against German Jews. Author Moshe Zimmermann explores questions of what made such a war possible? How could such a radical process of exclusion take place in a highly civilized, modern society? What were the societal mechanisms that paved the way for legal discrimination, isolation, deportation, and eventual extermination of the individuals who were previously part and parcel of German society? Germans against Germans demonstrates how the combination of antisemitism, racism, bureaucracy, cynicism, and imposed collaboration culminated in "the final solution."




Stranger in My Own Country


Book Description

A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.




Germans No More


Book Description

Most books on Nazi Germany focus on the war years. Much less is known about the preceding years although these give important clues with regard to the events after November 1938, which culminated in the Holocaust. This book is based on eyewitness accounts chosen from the many memoirs that Harvard University received in 1940 after it had sent out a call to German-Jewish refugees to describe their experiences before and after 1933. These invaluable documents became part of the Harvard archives where the editors of this volume discovered them fifty years later. These memoirs, written so soon after the emigration when the impressions were still vivid, movingly describe the gradual deterioration of the situation of the Jews, the daily humiliations and insults they had to suffer, and their desperate attempts to leave Germany. An informative introduction puts these accounts into a wider framework.




An Eye For An Eye


Book Description

The Book They Can't Suppress Not for sixty years has a book been so brutally (and, in the end, unsuccessfully) suppressed as An Eye for an Eye. One major newspaper, one major magazine, and three major publishers paid $40,000 for it but were scared off. One printed 6,000 books, then pulped them. Two dozen publishers read An Eye for an Eye and praised it. "Shocking, "Startling," "Astonishing," "Mesmerizing," "Extraordinary," they wrote to Author John Sack. "I was rivited," "I was bowled over," "I love it," they wrote, but all two dozen rejected it. Finally, BasicBooks published An Eye for an Eye. It "sparked a furious controversy," said Newsweek. It became a best-seller in Europe but was so shunned in America that it also became, in the words of New York Magazine, "The Book They Dare Not Review." Since then, both 60 Minutes and The New York Times have corroborated what Sack wrote: that at the end of World War II, thousands of Jews sought revenge for the Holocaust. They set up 1,255 concentration camps for German civilians -- German men, women, children and babies. There they beat, whipped, tortured and murdered the Germans.




They Thought They Were Free


Book Description

National Book Award Finalist: Never before has the mentality of the average German under the Nazi regime been made as intelligible to the outsider.” —The New York TImes They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Milton Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” These ten men were not men of distinction, according to Mayer, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune. A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.




German as a Jewish Problem


Book Description

The German language holds an ambivalent and controversial place in the modern history of European Jews, representing different—often conflicting—historical currents. It was the language of the German classics, of German Jewish writers and scientists, of Central European Jewish culture, and of Herzl and the Zionist movement. But it was also the language of Hitler, Goebbels, and the German guards in Nazi concentration camps. The crucial role of German in the formation of Jewish national culture and politics in the late nineteenth century has been largely overshadowed by the catastrophic events that befell Jews under Nazi rule. German as a Jewish Problem tells the Jewish history of the German language, focusing on Jewish national movements in Central and Eastern Europe and Palestine/Israel. Marc Volovici considers key writers and activists whose work reflected the multilingual nature of the Jewish national sphere and the centrality of the German language within it, and argues that it is impossible to understand the histories of modern Hebrew and Yiddish without situating them in relation to German. This book offers a new understanding of the language problem in modern Jewish history, turning to German to illuminate the questions and dilemmas that largely defined the experience of European Jews in the age of nationalism.




Turks, Jews, and Other Germans in Contemporary Art


Book Description

The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.




The Invisible Wall


Book Description

The Invisible Wall is one man's quest to understand the failure of the German-Jewish relationship and to explain the character and attitudes of Germany's assimilated Jews over a three hundred-year period. He found rich and remarkable stories in the lives of six Blumenthal ancestors--all of whom happened to be major figures in German-Jewish history. Jost Liebmann, an itinerant peddler of trinkets and cheap jewels who became court jeweler to the Brandenburg nobility; Rahel Varnhagen von Ense, whose Berlin salon was the meeting place of Prussia's intellectual elite; Giacomo Meyerbeer, a celebrated composer of grand opera who dealt with the antisemitism he encountered by ceaselessly striving for success; Louis Blumenthal, a respected businessman and founder of his town's bank; Arthur Eloesser, a scholar and literary critic in the heyday of Weimar; and Ewald Blumenthal, the author's father. Once a decorated soldier in the Kaiser's elite guards, he was later a prisoner at Buchenwald. By recounting the stories of these individuals within the historical context of three centuries, Blumenthal presents a portrait of German Jews from the birth of Christianity to the eve of the Holocaust, revealing how Jews of various generations tried but failed to pierce the prejudice that separated them from other Germans.