John Carter and the Gods of Hollywood


Book Description

It took 100 years to bring Edgar Rice Burroughs' John Carter of Mars to the big screen. It took Disney Studios just ten days to declare the film a flop and lock it away in the Disney vaults. How did this project, despite its quarter-billion dollar budget, the brilliance of director Andrew Stanton, and the creative talents of legendary Pixar Studios, become a calamity of historic proportions? Michael Sellers, a filmmaker and Hollywood insider himself, saw the disaster approaching and fought to save the project - but without success. In John Carter and the Gods of Hollywood, Sellers details every blunder and betrayal that led to the doom of the motion picture - and that left countless Hollywood careers in the wreckage. JOHN CARTER AND THE GODS OF HOLLYWOOD examines every aspect of Andrew Stanton's adaptation and Disney's marketing campaign and seeks to answer the question: What went wrong? it includes a history of Hollywood's 100 year effort to bring the film to the screen, and examines the global fan movement spawned by the film.




The Gods of Mars


Book Description

After the long exile on Earth, John Carter finally returned to his beloved Mars. But beautiful Dejah Thoris, the woman he loved, had vanished. Now he was trapped in the legendary Eden of Mars -- an Eden from which none ever escaped alive. The Gods of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the second of his Barsoom series. It was first published in The All-Story as a five-part serial in the issues for January-May 1913.[1] It was later published as a complete novel by A. C. McClurg in September, 1918. Excerpt: For moments after that awful laugh had ceased reverberating through the rocky room, Tars Tarkas and I stood in tense and expectant silence. But no further sound broke the stillness, nor within the range of our vision did aught move.At length Tars Tarkas laughed softly, after the manner of his strange kind when in the presence of the horrible or terrifying. It is not an hysterical laugh, but rather the genuine expression of the pleasure they derive from the things that move Earth men to loathing or to tears.Often and again have I seen them roll upon the ground in mad fits of uncontrollable mirth when witnessing the death agonies of women and little children beneath the torture of that hellish green Martian fete-the Great Games. I looked up at the Thark, a smile upon my own lips, for here in truth was greater need for a smiling face than a trembling chin.




John Carter of Mars


Book Description

News of the passing of a dear friend spurs John Carter, Warlord of Mars, to investigate a series of perplexing mysteries in the forbidding icy northern reaches of Barsoom. The enigmas only deepen as he embarks upon a journey to the far-flung treasure city of Gathol with his spirited daughter Tara and an unexpected stowaway. Ensnared in an insidious conspiracy that reaches from his early years on the Red Planet back into the dim recesses of the ancient past, John Carter and his trusted longsword are now all that stand in the way of a dread menace that threatens the existence of all life on Barsoom. Also includes the bonus novelette "Victory Harben: Stormwinds of Va-nah" by Ann Tonsor Zeddies Continuing her wayward journey upon the currents of spacetime, Victory Harben arrives in the strange hollow interior world of Va-nah from Edgar Rice Burroughs' classic The Moon Maid. Thrust into an uneasy alliance with a renegade Va-gas warrior and her young son, Victory must turn all her wits and skills toward survival-for she and her companions have been marked for death by the brutal the Kalkar soldiers under the reign of the vile tyrant Orthis. THE FIRST UNIVERSE OF ITS KIND A century before the term "crossover" became a buzzword in popular culture, Edgar Rice Burroughs created the first expansive, fully cohesive literary universe. Coexisting in this vast cosmos was a pantheon of immortal heroes and heroines--Tarzan of the Apes, Jane Clayton, John Carter, Dejah Thoris, Carson Napier, and David Innes being only the best known among them. In Burroughs' 80-plus novels, their epic adventures transported them to the strange and exotic worlds of Barsoom, Amtor, Pellucidar, Caspak, and Va-nah, as well as the lost civilizations of Earth and even realms beyond the farthest star. Now the Edgar Rice Burroughs Universe expands in an all-new series of canonical novels written by today's talented authors! SWORDS OF ETERNITY SUPER-ARC When an unknown force catapults inventors Jason Gridley and Victory Harben from their home in Pellucidar, separating them from each other and flinging them across space and time, they embark on a grand tour of strange, wondrous worlds. As their search for one another leads them to the realms of Amtor, Barsoom, and other worlds even more distant and outlandish, Jason and Victory will meet heroes and heroines of unparalleled courage and ability: Carson Napier, Tarzan, John Carter, and more. With the help of their intrepid allies, Jason and Victory will uncover a plot both insidious and unthinkable--one that threatens to tear apart the very fabric of the universe... The Swords of Eternity super-arc comes to our universe in a series of four interconnected novels: Carson of Venus: The Edge of All Worlds by Matt Betts Tarzan: Battle for Pellucidar by Win Scott Eckert John Carter of Mars: Gods of the Forgotten by Geary Gravel Victory Harben: Fires of Halos by Christopher Paul Carey (c) ERB, Inc. All rights reserved. All logos, characters, names, and the distinctive likenesses thereof are trademarks or registered trademarks of ERB, Inc.




The Art of Disney John Carter


Book Description

Renowned Oscar-winning director Andrew Stanton (Pixar's Wall-E, Finding Nemo) takes his audience on a visual voyage through the world of John Carter. Now, in The Art of John Carter: A Visual Journey, take part of that adventure and discover the magic from behind the scenes and what it took to bring this century old tale to life!










Superhero Synergies


Book Description

In the age of digital media, superheroes are no longer confined to comic books and graphic novels. Their stories are now featured in films, video games, digital comics, television programs, and more. In a single year alone, films featuring Batman, Spider-Man, and the Avengers have appeared on the big screen. Popular media no longer exists in isolation, but converges into complex multidimensional entities. As a result, traditional ideas about the relationship between varying media have come under striking revision. Although this convergence is apparent in many genres, perhaps nowhere is it more persistent, more creative, or more varied than in the superhero genre. Superhero Synergies: Comic Book Characters Go Digital explores this developing relationship between superheroes and various forms of media, examining how the superhero genre, which was once limited primarily to a single medium, has been developed into so many more. Essays in this volume engage with several of the most iconic heroes—including Batman, Hulk, and Iron Man—through a variety of academic disciplines such as industry studies, gender studies, and aesthetic analysis to develop an expansive view of the genre’s potency. The contributors to this volume engage cinema, comics, video games, and even live stage shows to instill readers with new ways of looking at, thinking about, and experiencing some of contemporary media’s most popular texts. This unique approach to the examination of digital media and superhero studies provides new and valuable readings of well-known texts and practices. Intended for both academics and fans of the superhero genre, this anthology introduces the innovative and growing synergy between traditional comic books and digital media.







Warlord of Mars - the Original Classic Edition


Book Description

Edgar Rice Burroughs did not intended to write a trilogy, but his 1914 pulp novel The Warlord of Mars completes the story begun in A Princess of Mars and continued in The Gods of Mars and finally brings John Carter and his beloved Dejah Thoris, Princess of Helium (i.e., no cliffhanger this time around, boys and girls). The characters are all extremely likable. John Carter is the perfect southern gentleman. Honorable, loyal, incredibly brave, respectful to women, extremely handsome; a perfect hero who is never boorish or conceited. The story picks up six months after the conclusion of The Gods of Mars, with our hero not knowing whether she is dead or alive in the Temple of the Sun of the Holy Therns where he last saw here with the blade of Phaidor was descending towards her heart as the evil Issus, queen of the First Born, had locked his mate in a cell that would not open for another year. However, it turns out that the exiled leader of the Therns has reached the trapped women to rescue his daughter and to seek revenge on Carter for exposing his evil cult. The focus of The Warlord of Mars is on Carters relentless pursuit of the villainous Thurid who have taken his beloved princess from the south pole of Barsoom across rivers, desert, jungles, and ice to the forbidden lands of the north in the city of Kadabra where the combined armies of the green, red and black races attack the yellow tribes of the north, thereby justifying the books title. It is interesting to note that Carters heroics in this novel have the same sort of over the top implausibility we find in contemporary Hollywood blockbusters as ERB pours on the action sequences one on top of another. Whether he is scaling towers in the dark of night or surviving in a pit for over a week without food and water, John Carter is a manly hero in the great pulp fiction tradition of which Edgar Rice Burroughs was an admitted master. Overall, the Martian series is Burroughs best work, avoiding the repetition that overwhelmed his Tarzan series and providing a lot more creativity (ever play Martian chess?).




The Subject of Race in American Science Fiction


Book Description

While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist constructions of racial identity, but also included a few elements of racial egalitarianism. Writing in the 1930s, George S. Schuyler revised Burroughs' normative SF triangle of white author, white audience, and white protagonist and promoted an individualistic, highly variable concept of race instead. While both Burroughs and Schuyler wrote SF focusing on racial identity, the largely separate genres of science fiction and African American literature prevented the similarities between the two authors from being adequately acknowledged and explored. Beginning in the 1960s, Samuel R. Delany more fully joined SF and African American literature. Delany expands on Schuyler's racial constructionist approach to identity, including gender and sexuality in addition to race. Critically intertwining the genres of SF and African American literature allows a critique of the racism in the science fiction and a more accurate and positive portrayal of the scientific connections in the African American literature. Connecting the popular fiction of Burroughs, the controversial career of Schuyler, and the postmodern texts of Delany illuminates a gradual change from a stable, essentialist construction of racial identity at the turn of the century to the variable, social construction of poststructuralist subjectivity today.