JUNJO ROMANTICA Volume 2: (Yaoi)


Book Description

Misaki and Usagi have been living together for over a month now, but when a beautiful female editor named Aikawa enters the picture, will Misaki question his love for Usagi? Later, things get rocky in Hiroki and Nowaki's relationship when Nowaki contemplates leaving to study abroad! Will anything give these couples a happy ending?




JUNJO ROMANTICA Volume 11


Book Description

Misaki just can't catch a break when it comes to the Usami family. Just when he thinks he escaped one mess, he falls right into another one. Will Akihiko be able to rescue him when their relationship is on the line?




JUNJO ROMANTICA Volume 12


Book Description

Misaki knows that living with Akihiko Usami, the ever popular boys love novelist, can be challenging. Being in a relationship with this egotistical (and sadistic) man turns the challenge into mission impossible! And when Akihiko's jealous, pushy cousin moves in and tries to wreck havoc into Misaki's already chaotic life, all hell breaks loose!




JUNJO ROMANTICA Volume 9


Book Description

Misaki is struggling to pass his college entrance exams and has taken up a tutor, Akihiko. Misaki realizes he may be developing feelings for the older man.




JUNJO ROMANTICA Volume 7


Book Description

Miyagi finds closure to his first love by confessing to his second. But such passion and emotion may be too much for Shinobu, taking away the young lover's independence. Can the two find a balance between being together and being themselves? Meanwhile, Misaki receives a shocking confession from a rival love, and the Egoists play a round of give-and-take while planning a date!




Asian Comics


Book Description

Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black-and-white illustrations and detailed information on comics of sixteen countries and regions—their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan. The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, Asian Comics brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.




JUNJO ROMANTICA Volume 6: (Yaoi)


Book Description

It's the day of the award ceremony for Usami, but Usami's older brother, Haruhiko, can't keep his hands off Misaki. A series of events leads to a kidnapping as Haruhiko drags Misaki off to his rich estate and locks him up.




The World's Greatest First Love, Vol. 1


Book Description

A fresh start turns sour after a manga editor's new boss turns out to be his ill-fated first love! When Ritsu Onodera changes jobs, looking for a fresh start, he's not exactly thrilled when his new boss turns out to be his old flame. Ritsu's determined to leave all that in the past—but how can he when his boss is just as determined that they have a future? Tired of accusations that family connections got him his current position, Ritsu Onodera quits his job as an editor at his father's company and transfers to Marukawa Publishing. Once there, he is assigned to the shojo manga editorial department—something he has no interest in and no experience with! Having sworn he'd never fall in love again, the last thing he wants to do is work on love stories. To make matters worse, it turns out that his overbearing boss, Masamune Takano, is actually his first love from high school!




Yotsuba&!, Vol. 4


Book Description

*sniffle* Yotsuba thinks grown-ups are mean. Daddy plays all kinds of neat games with Yotsuba, but he ALWAYS WINS! Even when Yotsuba TELLS him to be paper in Rock-Paper-Scissors, he doesn't listen! Even then! Yotsuba never, ever wants to be a big meanie grown-up, nuh-uh! But grown-ups get to buy ice cream all by themselves, so...um...maybe it's okay to be a grown-up sometimes?




Boys Love Manga and Beyond


Book Description

Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of “boys love,” and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.