Don't Tell a Soul


Book Description

The New York Times bestselling author of If You Only Knew shares the true-crime story of a babysitter murdered to hide a mother's dark secret. Cherry Walker was a devoted, trusting, uncommonly innocent young woman who loved caring for a neighbor's little boy. But when she was asked to testify in court against his abusive mother, Cherry never got the chance. She couldn't lie if her life depended on it—and it did. Cherry's body was found on the side of a Texas road, after being doused with lighter fluid and set aflame. Attractive, manipulative, and violent, mother of four Kim Cargill had a wealth of dirty secrets she'd do anything to keep hidden. This in-depth account by bestselling investigative journalist M. William Phelps takes you inside Cargill's shocking trial—and into the mind of one of the most conniving female psychopaths in recent history—and on death row. Praise for M. William Phelps “One of America's finest true-crime writers.” —Vincent Bugliosi, New York Times bestselling author of Helter Skelter “Phelps is the Harlan Coben of real-life thrillers.” —Allison Brennan, New York Times bestselling author of Tell No Lies “Anything by Phelps is an eye-opening experience.” —Suspense Magazine “Phelps is the king of true crime.” —Lynda Hirsch, Creators Syndicate columnist Includes sixteen pages of shocking photos




Women and Capital Punishment in the United States


Book Description

The history of the execution of women in the United States has largely been ignored and scholars have given scant attention to gender issues in capital punishment. This historical analysis examines the social, political and economic contexts in which the justice system has put women to death, revealing a pattern of patriarchal domination and female subordination. The book includes a discussion of condemned women granted executive clemency and judicial commutations, an inquiry into women falsely convicted in potentially capital cases and a profile of the current female death row population.




Kimberly Cargill, Murderess


Book Description

'Bad Choices' that End in Murder'I'd kill for my child.' It's a bit of a cliché, one that rolls off the tongue glibly enough but also with a touch of traction. We would do anything for our kids; they become central to all that we do, everything we are.But the point is that most of us wouldn't, or would need the most impossibly extreme circumstances, kill or be killed, to carry out the threat. Where that impossibly extreme point falls is, of course, a matter of personal interpretation - something made up of many contributing factors. Kimberly Cargill is headed for the gurney. At some point the State of Texas will execute her. Something it does with more frequency than many other states in the US, although less often for women than for men. But had Kimberly not lost the justice system's zip code lottery, she might be anywhere now from death row, to prison without the chance of parole, through to being in receipt of psychological support, most probably (but not definitely) in a secure environment.Cargill's case is one with many facets. Are her claims of what happened a touch over ten years ago actually correct? Did she carry out the crime for which she was convicted?




Michelle Knotek, Killer


Book Description

Michelle and David Knotek lived just outside of Raymond, Washington. Their home was one of the better ones in the area - on the outside at least. Theirs was a large and beautiful farmhouse sitting in its own four acre plot. The idyll was furthered by the large number of well cared for animals that roamed the farmhouse's extensive grounds. But inside the warm walls life was very different; three people were murdered viciously within that plot; two following months of monstrous torture after which their bodies simply stopped working.




The Turn of the Screw


Book Description

The Turn of the Screw by Henry James is a classic ghost story that continues to captivate readers over a century after its initial publication. Set in the late 19th century, the novella follows a young governess who is hired to care for two young children, Flora and Miles, at the remote and eerie Bly Manor. As the governess begins her duties, she becomes increasingly convinced that the manor is haunted by the spirits of the previous governess, Miss Jessel, and her lover, Peter Quint, who both died under mysterious circumstances. The story unfolds as the governess tries to protect the children from the malevolent ghosts, while also questioning her own sanity and the motives of the children in their interactions with the spirits. One of the most intriguing aspects of The Turn of the Screw is its unreliable narrator. The story is told through the perspective of the governess, whose mental state and perceptions of events are constantly called into question. This creates a sense of ambiguity and uncertainty, leaving readers to question whether the ghosts are real or just figments of the governess's imagination. James masterfully plays with the theme of perception and reality, leaving readers to draw their own conclusions about the events at Bly Manor. Another striking element of the novella is its use of Gothic elements. The isolated location, the decaying mansion, and the presence of ghosts all contribute to the eerie atmosphere of the story. James also incorporates psychological horror, as the governess's fears and paranoia intensify throughout the story, building tension and suspense. The Turn of the Screw is a prime example of Gothic literature, with its exploration of the dark side of human nature and the blurred lines between the living and the dead. One of the most controversial aspects of the novella is its ambiguous ending. The governess's final confrontation with the ghosts and the fate of the children are left open to interpretation, inviting readers to ponder the true meaning of the story. Some critics argue that the ghosts are a product of the governess's overactive imagination, while others believe that they are real and that the children are in danger. This open-ended conclusion has sparked countless debates and interpretations, making The Turn of the Screw a thought-provoking and enduring piece of literature. In addition to its literary merits, The Turn of the Screw also offers insight into the societal norms and expectations of the time period in which it was written. James explores themes of gender roles and class distinctions through the character of the governess, who is expected to be subservient and obedient to her male employer and to maintain the social hierarchy between herself and the children. The story also touches on the taboo subject of sexual relationships, particularly in regards to the ghosts and their influence on the children. Ultimately, The Turn of the Screw is a haunting and enigmatic work that continues to captivate readers with its complex characters, Gothic atmosphere, and thought-provoking themes. It is a testament to Henry James's mastery of storytelling and his ability to create a sense of unease and suspense that lingers long after the final page. A must-read for anyone interested in Gothic literature, psychological thrillers, or the blurred lines between reality and the supernatural.




Central to Their Lives


Book Description

Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn




The Death of Innocents


Book Description

Sr Helen Prejean has accompanied five men to execution since she began her work in 1982. She believes the last two, Dobie Williams in Louisiana and Joseph O'Dell in Virginia, were innocent, but their juries were blocked from seeing all the evidence and their defence teams were incompetent. 'The readers of this book will be the first "jury" with access to all the evidence the trail juries never saw', she says. The Death of Innocents shows how race, prosecutorial ambition, poverty and publicity determine who dies and who lives. Prejean raises profound constitutional questions about the legality of the death penalty.




Dangerous Ground


Book Description

The bestselling author of Targeted shares the identity of the serial killer who co-starred with him on Dark Minds and the story of their intriguing bond. In September 2011, M. William Phelps made a decision that would change reality-based television—and his own life. He asked a convicted serial killer to act as a consultant for his TV series. Under the code name “Raven,” the murderer shared his insights into the minds of other killers and helped analyze their crimes. As the series became an international sensation, Raven became Phelps's unlikely confidante, ally—and friend. In this deeply personal account, Phelps traces his own family's dark history, and takes us into the heart and soul of a serial murderer. He also chronicles the complex relationship he developed with Raven. From questions about morality to Raven's thoughts on the still-unsolved, brutal murder of Phelps's sister-in-law, the author found himself grappling with an unwanted, unexpected, unsettling connection with a cold-blooded killer. Drawing on over seven thousand pages of letters, dozens of hours of recorded conversations, personal and Skype visits, and a friendship five years in the making, Phelps sheds new light on Raven's bloody history, including details of an unknown victim, the location of a still-buried body—and a jaw-dropping admission. All this makes for an unforgettable journey into the mind of a charming, manipulative psychopath that few would dare to know—and the determined journalist who did just that. Praise for New York Times bestselling author M. William Phelps “Anything by Phelps is an eye-opening experience.” —Suspense Magazine “Phelps is the king of true crime.” —Lynda Hirsch, Creators Syndicate columnist




Deadly Secrets


Book Description

Describes the murder of Susan Fassett, who was gunned down on her way home from choir practice and whose killing revealed that she had been living a secret life that, once revealed, shocked the residents of her quiet town.




Lud-in-the-Mist


Book Description

"The single most beautiful, solid, unearthly, and unjustifiably forgotten novel of the twentieth century ... a little golden miracle of a book." —Neal Gaiman Hope Mirrlees penned Lud-in-the-Mist--a classic fantasy, and her only fantasy novel--in 1926. When the town of Lud severs its ties to a Faerie land, an illegal trade in fairy fruit develops. But eating the fruit has horrible and wondrous effects. "Helen Hope Mirrlees was born in England in 1887. Mirrlees was a close friend of such literary lights as Walter de la Mare, T.S. Eliot, André Gide, Katharine Mansfield, Lady Ottoline Morrell, Bertrand Russell, Gertrude Stein, Virginia Woolf, and William Butler Yeats. Under her own name, she published three novels: Madeleine— One of Life's Jansenists (1921); The Counterplot (1924); and her 1926 classic fantasy Lud-in-the-Mist, which has acknowledged inspiration to the likes of Neil Gaiman, Mary Gentle, Elizabeth Hand, Johanna Russ, and Tim Powers."--SF Site "Hope Mirrlees' writing, usually underrated, moves between gently crazy humour, poetic snatches, real menace, and real poignancy."—The Encyclopedia of Fantasy