A New Chronology of Venetian Opera and Related Genres, 1660-1760


Book Description

From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.













Opera for Everyone


Book Description

Opera for Everyone is a concise history of opera that concentrates on artistic and cultural aspects and links up to history, art, and literature, rather than potted plots, anecdotes, and biographies of composers and performers. Each of the 25 chapters deals with around three works most representative of the period, and has ample examples of listening or viewing.




Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.




Rhythmic Gesture in Mozart


Book Description

Wye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.




Ballet Music from the Mannheim Court, Part 1


Book Description

"This edition presents for the first time most of the surviving ballet music performed at Mannheim in the 1760s and 1770s. Each ballet is complete and newly engraved in full score and includes an introduction to the music, translations of scenarios, and information on the sources, composers, ballet masters and other pertinent historical background"--Pref.




Antonio Salieri and Viennese Opera


Book Description

Publisher Description




Opera


Book Description

Perfect for music students and opera-goers, this book investigates what opera is, how it works and how it has developed.