L' ange bleu


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L'ange bleu


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Truffaut on Cinema


Book Description

“The writings reveal a Truffaut who was as incisive and direct in assessing his own work as he was in assessing the work of other directors.” —Choice Between 1959 and 1984, French film director François Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut’s films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the circumstances surrounding the shooting of each film. These texts, originally assembled by Anne Gillain and published in French in 1988, are presented here in a montage arranged chronologically by film. This compilation includes an impressive array of reflections on cinema as an art form. Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the films made by their predecessors and including comments that encompass the entire history of cinema. Truffaut on Cinema provides commentary on contemporary events, a wealth of biographical information, and Truffaut’s own artistic itinerary.




International Dictionary of Films and Filmmakers: Films


Book Description

Greatly revises and expands the 1984 first edition of Volume one of the astute and elegant five-volume reference to the world's most significant films and filmmakers. One hundred new films have been added, bringing the total to 650, arranged in crisp, clean entries on large 81/2x11"pages, and illustrated with luminous stills. In addition to complete production credits, cast lists, and excellent select bibliographies, each entry includes an expository essay by a significant critic, the essays being models of thoughtful, unpretentious scholarship and love of film. Annotation copyrighted by Book News, Inc., Portland, OR




Paris in the Dark


Book Description

In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Drawing on a wealth of journalistic sources, Smoodin recounts the ways films moved through the city, the favored stars, and what it was like to go to the movies in a city with hundreds of cinemas. In a single week in the early 1930s, moviegoers might see Hollywood features like King Kong and Frankenstein, the new Marlene Dietrich and Maurice Chevalier movies, and any number of films from Italy, Germany, and Russia. Or they could frequent the city's ciné-clubs, which were hosts to the cinéphile subcultures of Paris. At other times, a night at the movies might result in an evening of fascist violence, even before the German Occupation of Paris, while after the war the city's cinemas formed the space for reconsolidating French film culture. In mapping the cinematic geography of Paris, Smoodin expands understandings of local film exhibition and the relationships of movies to urban space.




Images from the Roger Therond collection


Book Description

Cet ouvrage vous invite à la visite privée d'une des plus importantes collections du monde. (Abbott, André, Bellmer, Boucher, Brassaï, Cartier-Bresson, Doisneau, Henri, Hugnet, Izis, Kertesz, Krull, Lartigue, Lipnitzki, Lotar, Maar, Man Ray, Mesens, Parry, Rudomine, Tabard, Ubac, Vigneau ...)