L'Esprit Créateur


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Ridley's The Vulva


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Bridging the gap between dermatology and gynaecology in the studyof vulval diseases, this new edition is an exceptional referencetext, offering the most up-to-date guidance on diagnosis andmanagement. The last 10 years have seen an enormous increase in interest ingenital skin disease along with a much needed expansion in thenumber of clinics dedicated to the diagnosis and treatment ofvulval disorders. This new third edition of Marjorie Ridley’sThe Vulva contains all the topics covered in the originalbook, but now includes the many advances that have been made sincethe last publication. Now entitled Ridley’s The Vulva, this is acomprehensive textbook that specialises in the diagnosis andmanagement of this wide-ranging area. Many chapters have beenextensively revised, and illustrations are all now in full colour,significantly enhancing some of the detail of both the clinical andhistological appearances.




Sport


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La Grande Encyclopédie


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The Encyclopedists as Individuals


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Although the Encyclop die is one of the landmarks of eighteenth-century thought and one of the most famous encyclopedias of all time, most of its collaborators are scarcely known. This is unfair and misleading: the editors, Diderot and d'Alembert, were able directors and prolific contributors, but they needed the help of many others to complete such an ambitious and trying enterprise. This biological dictionary also seeks to deepen our knowledge of the Encyclopedists. Scholars frequently generalise about the contributors' social background, politics, religious beliefs, and other matters without being able to speak knowledgeably about many more than a dozen Encyclopedists. But, as we shall see, the Encyclopedists do not lend themselves to stereotypes. They were not a sect of like-minded thinkers, even though contemporaries and later historians believed otherwise. Some of them met at such salons as the baron d'Holbach's and madame d'Epinay's or at such learned societies as the Paris Acad mie royale des sciences or the Acad mie fran aise; but others did not know each other, and they certainly did not try to co-ordinate policies. Even if they had, they would have failed. These biographical profiles indicate that the Encyclopedists were not united by a common social background, occupation, or ideology. Dissimilarities among the Encyclopedists are not surprising considering how they came to write for the enterprise. At the start, the publishers and their first editor, Jean-Paul de Gua de Malves, recruited people to help them revise and translate Ephraim Chambers' Cyclopaedia. After Diderot and d'Alembert had assumed the editorship, the work took on a polemical purpose - to reform the Old Regime. But it also remained a general encyclopedia requiring contributors with a knowledge of such non-controversial subjects as the harp, wood engraving, or bridge building. Also, on controversial subjects, the editors accepted contributions that differed from their own opinions. Scholars pursuing research in prosopography, social history, and many facets of the eighteenth century will find something of value in profiles of so many men of letters, clergymen, artisans, physicians, and scientists.




Dictionary Of World Literature - Criticism, Forms, Technique


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The dictionary of world literature: criticism-forms-technique presents a consideration of critics and criticism, of literary schools, movements, forms, and techniques-including drama and the theatre-in eastern and western lands from the earliest times; of literary and critical terms and ideas; with other material that may provide background of understanding to all who, as creator, critic, or receptor, approach a literary or theatrical work.




The Ophthalmoscope


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