L'Oiseau Bleu


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La France rose et bleu


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Journal of the Society of Arts


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Journal


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Journal of the Royal Society of Arts


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Le bourgeon de Roche-Bleue


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Aurélie et Marc Soubeyran, jeune coupledynamique, vivent et travaillent à Roche-Bleue, petit village de Haute-Provence. Leurvoeu le plus cher est de devenir parents et devoir grandir leur enfant auprès d'eux.Malheureusement, au cours d'uneconsultation, le médecin soupçonne unemalformation cardiaque chez le foetus etdemande l'avis d'un grand spécialistemarseillais.Le verdict tombe : tôt ou tard, l'enfant devrasubir une greffe de coeur... Mais quand ?Comment vit-on son accouchement dansl'inquiétude d'un futur incertain ? Commentvont réagir les parents à l'annonce d'undonneur potentiel ?Ce premier roman traduit les joies, lespeines, les angoisses et les espoirs d'un coupleporté par la mobilisation de tout un village.Un bel exemple d'Amour et de solidarité.




Narratives of the Therapeutic Encounter


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This collection of essays explores the ways in which talking therapies have been depicted in twentieth century and contemporary narratives (life-writings, fiction and poetry) in French. This vibrant corpus of francophone literary engagements of therapy has so far been widely unexplored, but it offers rich insights into the connections between literature and psychoanalysis. As the number of autobiographical and fictional depictions of the therapeutic encounter is still on the rise, these creative outputs raise pressing questions: why do narratives of the therapeutic encounter continue to fascinate writers and readers? What do these works tell us about the particular culture and history in which they are written? What do they tell us about therapeutic and other human encounters? The volume highlights the important role that the creative arts have played in offering representations and explorations of our minds, our relationships, and our mental health, or more pressingly, ill-health. The volume’s focus is not only on the patient’s experience as expressed via the creative act and as counterweight to the practitioner’s “case study”, but more specifically on the therapeutic encounter, specifically the relationship between therapist and patient. The contributors here engage with ideas and methodologies within contemporary psychoanalytic thought, including, but not limited to, those of Sigmund Freud, Melanie Klein, André Green, Julia Kristeva, Jacques Lacan, and Donald Winnicott, highlighting the dynamic research culture that exists in this field and maintaining a dialogue between the humanities and various therapeutic disciplines. Narratives of the Therapeutic Encounter combines the analysis of psychoanalytic and fictional texts to explore the implications that arise from the space between the participants in therapy, including creative and aesthetic inspirations, therapeutic potentials, and ethical dilemmas.




The new pornographies


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The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.