Framing Literary Humour


Book Description

Contrary to what their oppressive design would lead us to believe, might structures of imprisonment actually incite humour? Starting from the most obvious areas of imprisonment (war camps, prison cells) and moving to the less obvious (masks, bodies), Framing Literary Humour demonstrates how 20th-century humour in theory and in fiction cannot be fully understood without a careful look at its connection with the notion of imprisonment. Understanding imprisonment as a concrete spatial setting or a metaphorical image, Jeanne Mathieu-Lessard analyses selected works of Romain Gary, Giovannino Guareschi, Wyndham Lewis, Vladimir Nabokov and Luigi Pirandello to reconfigure confinement as an essential structural condition for the emergence of humour.







On Humour


Book Description

Does humour make us human, or do the cats and dogs laugh along with us? On Humour is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it's funny when people act like machines. He also looks at the darker side of humour, as rife in sexism and racism and argues that it is important for reminding us of people we would rather not be.




French Humour


Book Description




Humour, Work and Organization


Book Description

Accessible and amusing in style, Humour, Work and Organization explores the critical, subversive and ambivalent character of humour, work and comedy as it relates to organizations and organized work. It examines the various individual, organizational, social and cultural means through which humour is represented, deployed, developed, used and understood. Considering the relationship between humour and organization in a nuanced and radical way and this book takes the view that humour and comedy are pervasive and highly meaningful aspects of human experience. The richness and complexity of this relationship is examined across three related domains. They are: how humour is constructed, enacted and responded to in organizational settings how organizations and work are represented comedically in various types of popular culture media how humour is used in organizations where there is a more explicit relationship between the comedic and work. An exciting and controversial text, Humour, Work and Organization will appeal to students of all levels as well as anyone interested the full complexities of human interactions in the workplace.




The Palgrave Handbook of Humour, History, and Methodology


Book Description

This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.




Taking Humour Seriously


Book Description

First published in 1993. When do we laugh? Why do we laugh? What makes us stop? What does ‘humour’ consist of? Listen to any everyday conversation: it is full of the constant interruptions and detours of humour. Look at the TV schedules for any evening—how many of the programmes are comedies or contain a degree of humour? Humour and comedy invite our pleasure at every step we take—they are absolutely integral to any culture. In Taking Humour Seriously, Jerry Palmer argues that we must take humour seriously (as well as humorously) or fail to understand a fundamental part of culture. Taking Humour Seriously unravels the reasons why humour is a challenge for every different theoretical approach. It is multi-dimensional, it is part of personality and part of our cognitive and emotional processes; it is subject to social rules governing appropriate behaviour on different occasions. It is part of literary and audio-visual narrative; it is subject to moral and aesthetic judgment, and it is a rhetorical instrument. Palmer argues that it is only through investigating those separate dimensions that we can begin to understand the phenomenon of humour. Taking Humour Seriously examines the role humour and comedy play in many different types of society. It also looks at the many different approaches to its study—from Freud to anthropology, from literary criticism to biology. Finally it considers its limits—the things that prevent humour and comedy from delivering their usual pleasures—and explores the aesthetic value of those pleasures.




Humour in Contemporary France


Book Description

Humour and freedom of expression were widely discussed following the January 2015 Charlie Hebdo attacks. However, much analysis failed to assess the evolution of French humour in recent decades. This book examines what both Charlie Hebdo and French stand-up comedy can tell us about multiculturalism and humour in contemporary France.




Aspects of Verbal Humour in English


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Judges, Judging and Humour


Book Description

This book examines social aspects of humour relating to the judiciary, judicial behaviour, and judicial work across different cultures and eras, identifying how traditionally recorded wit and humorous portrayals of judges reflect social attitudes to the judiciary over time. It contributes to cultural studies and social science/socio-legal studies of both humour and the role of emotions in the judiciary and in judging. It explores the surprisingly varied intersections between humour and the judiciary in several legal systems: judges as the target of humour; legal decisions regulating humour; the use of humour to manage aspects of judicial work and courtroom procedure; and judicial/legal figures and customs featuring in comic and satiric entertainment through the ages. Delving into the multi-layered connections between the seriousness of the work of the judiciary on the one hand, and the lightness of humour on the other hand, this fascinating collection will be of particular interest to scholars of the legal system, the criminal justice system, humour studies, and cultural studies.