A Cultural History of Fairy Tales in the Modern Age


Book Description

How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.




The World of Theatre


Book Description

The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.




Translating Canada


Book Description

In the last thirty years of the twentieth century, Canadian federal governments offered varying degrees of support for literary and other artistic endeavour. A corollary of this patronage of culture at home was an effort to make the resulting works available for audiences elsewhere in the world. Current developments in the study of translation and its influence as cultural transfer have made possible new assessments of such efforts to project a national image abroad. Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers -- novelists and poets, playwrights and children's authors, literary and social critics. Above all, the book maps for its readers a number of significant, though frequently unsuspected, roles that translation assumes in the intercultural negotiation of national images and values. The chapters in this collection will be of value to students, teachers, and scholars in a number of fields. Informed lay readers, too, will appreciate the authors’ insights into the different ways in which translation has contributed to German reception of Canadian books and culture.







Voices from Canada


Book Description

Voices from Canada introduces the reader to thirty Canadian plays in the form of overviews.




French VII Bibliography


Book Description




Translating Canada


Book Description

Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers.




The Jones 1st-5th Readers


Book Description




Monsters of Our Own Making


Book Description

In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.




The Warrior's Bane


Book Description

"A promising start to an epic, mythical adventure, with great characters and solid world building." –Rosemary's Books Brisbane Alaezdar thought he had found a perfect home in a small farming community of Valewood. Here he hoped he could bury his past and hide from his mercenary guild that has a death price on his head. His hopes are shattered when an evil sorceress, a wizard, and his goblin-like bloodthirsty followers raid the village and kidnap a teenage girl and take her deep into the goblin tribes forest for a sacrifice. During the raid, the villagers see Alaezdar’s skills with his magic sword, Bloodseeker. In desperation to save the girl, the villagers convince Alaezdar to attempt a rescue so dangerous that they will all most likely die. Before the ordeal is over, he will also learn much more about his role in an ancient elven prophecy where he is the catalyst to the realm’s destruction, and where his death is imminent if he is to turn the prophecy around.