La Cameriera Astuta


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Dante and Governance


Book Description

ante and Governance brings to the most grandiose of Dante's messages in the ivine Comedy critical viewpoints whose originality would, at any time, constitute an important addition to Dante scholarship, but the book is also notable for an approach which during the course of its compositionspontaneously evolved as pragmatic and historical, particularly when seen against much contemporary Dante cricism. It explores Dante's breathtaking ambition to convince Europe's rulers and their subjects to create and embrace a universal peace, guaranteed by Pope and Holy Roman Emperor, which mightafford serenity for mankind fully to develop its wonderful potentialities. In that context, a group of scholars, internationally known for their expertise not only in Dante studies but also in medieval literature and history, was invited to Oxford to discuss the poet's objectives. Each chose toargue a case from a close reading of Dante's own texts, using clear and jargon-free lamguage. Those deliberations created a well-focused and coherent group of papers on a variety of subjects, ranging from an aesthetic appreciation of Dante's depiction of free-will and moral responsibility, to afeminist perception of his attitude to the role of women in fourteenth-century Florentine public life.




Nineteenth-Century Italian Women Writers and the Woman Question


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Nineteenth-Century Italian Women Writers and the Woman Question focuses on the literary, journalistic and epistolary production of Italian woman writer Neera, pseudonym for Anna Radius Zuccari, one of the most prolific and successful women writers of late nineteenth-century Italy. This study proposes to bring Neera out of the shadows of literary marginality to which she has long been confined by analyzing her contribution to literary and cultural debates as testimony to the pivotal role she played in the creation of a female literary voice within the Italian fin-de-siècle context. Drawing from the Anglo-American feminist critical tradition; modern Italian feminist theory on the maternal order and sexual difference; and a close reading of Neera’s literary, theoretical and epistolary writings this volume examines Neera’s work from a three-pronged perspective: as promoter of a maternal order in contrast to the existent paternal order, as one of few women writers to participate actively in Italy’s verismo movement and as epistolary correspondent of leading representatives within fin-de-siècle Italian literary and journalistic circles. Nineteenth-Century Italian Women Writers and the Woman Question represents the first monographic volume in English dedicated exclusively to this important Italian woman writer, repositioning her within the Italian literary landscape and canon.







Opera Premieres


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A Treatise on Acting, from Memory and by Improvisation (1699)


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This 1699 Italian acting treatise includes chapters on all kinds of staged productions, scripted or improvised, sacred or secular, tragic or comic. It also addresses enunciation, diction, memorization, gestures, and stage comportment, and it describes the details important to a successful commedia dell'arte performance.




New Chapters in the History of Rhetoric


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This volume gathers over forty papers by leading scholars in the field of the history of rhetoric. It illustrates the current trends in this new area of research and offers a great richness of insights. The contributors are from fourteen different countries in Europe, America and Asia ; the majority of the papers are in English and French, some others in German, Italian, and Spanish. The texts and subjects covered include the Bible, Classical Antiquity, Medieval and Modern Europe, Chinese and Korean civilization, and the contemporary world. Word, speech, language and institutions are addressed from several points of view. One major topic, among many others, is Rhetoric and Religion.




Opera and Drama in Eighteenth-Century London


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This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.




Opera Premieres


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