Mozart's Così Fan Tutte


Book Description

A groundbreaking new approach proposes answers to many of the opera's unresolved questions.




W. A. Mozart: Così Fan Tutte


Book Description

At once the most light-hearted and disturbing of Mozart and Da Ponte's Italian comic works, the opera has provoked widely differing reactions from listeners for more than two centuries. This study provides a detailed account of the libretto's complex origins in myth and Italian literary classics.




Così Fan Tutte


Book Description




Mozart's Così Fan Tutte


Book Description

A couple of smooth army officers in metropolitan Naples become increasingly horrified as they find that they are losing their bet with a misogynist philosopher. The wager? That their fiancées will be faithful. Their disguise as Albanians in an attempt to entrap their fiancées, and the complicity of the naughty maid, who feigns as a lawyer organising their ‘marriage’, provide hilarious moments in an opera full of favourite tunes. Lorenzo da Ponte’s libretto was long considered indecent and unsuitable to stage. But today it is regarded as providing one of the greatest illustrations of Mozart’s art of musical characterisation, even if the story is somewhat politically incorrect. The ways in which Mozart’s music contrasts the two ‘provincial’ sisters, Fiordiligi and Dorabella, and presents their capitulation, can justify his reputation as possibly the greatest classical composer of all time. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, ‘Short Guides to Great Operas’ are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other ‘Short Guides to Great Operas’ that you may enjoy include The Marriage of Figaro and Don Giovanni.




Three Modes of Perception in Mozart


Book Description

This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples.




Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791


Book Description

ASCAP-Deems Taylor Award winner A fresh look at the life of Mozart during his imperial years by one of the world's leading Mozart scholars. "I now stand at the gateway to my fortune," Mozart wrote in a letter of 1790. He had entered into the service of Emperor Joseph II of Austria two years earlier as Imperial-Royal Chamber Composer—a salaried appointment with a distinguished title and few obligations. His extraordinary subsequent output, beginning with the three final great symphonies from the summer of 1788, invites a reassessment of this entire period of his life. Readers will gain a new appreciation and understanding of the composer's works from that time without the usual emphasis on his imminent death. The author discusses the major biographical and musical implications of the royal appointment and explores Mozart's "imperial style" on the basis of his major compositions—keyboard,chamber, orchestral, operatic, and sacred—and focuses on the large, unfamiliar works he left incomplete. This new perspective points to an energetic, fresh beginning for the composer and a promising creative and financial future.







The Man Who Wrote Mozart: The Extraordinary Life of Lorenzo Da Ponte


Book Description

“During his picaresque, chameleon career, [Da Ponte] was always on the move. Jew and Catholic, priest and womaniser, poet and bankrupt, shopkeeper and university professor, he began his long life in and around Venice and ended it in New York. It is hard to imagine a more flamboyant personal history, a gift to the biographer Anthony Holden, who relishes his subject’s sheer exuberance.” — Lucasta Miller, The Guardian “Lorenzo da Ponte was, at various times, a Catholic priest, a gambler, a philanderer, an entrepreneur, a poet, a friend of Casanova, an enemy of the Venetian state, a teacher, a shopkeeper, a courtier and a troublemaker. The tangled yarn of his life would be worth spinning even had he not also written the libretto for Mozart’s three greatest operas. In The Man Who Wrote Mozart, Anthony Holden unravels the full nine decades of Da Ponte’s picaresque life, eight of which did not involve his friend Wolfgang... Holden’s narrative verve spans continents and centuries. His life of Da Ponte is engrossing and bound to be definitive.” — Rafael Behr, The Guardian “[T]he writer who evokes Mozart’s world most vividly - albeit obliquely - is the journalist and music critic Anthony Holden... Da Ponte’s life... is certainly a rollicking yarn... a riproaring read.” — Hugh Canning, Sunday Times “Anthony Holden writes extremely well, telling the racy story energetically... He provides a rattlingly good read, filled with vivid anecdotes.” — Spectator “Anthony Holden steers through this incredible picaresque story with elan, well paced gusto and a gentle, if not uncritical, eye... Anthony Holden’s book is a fine achievement.” — The Oldie “Anthony Holden’s... biography, brings assiduous new research to Da Ponte’s early and late life and tells his story in journalistic deadpan.” — The Tablet “Holden’s companionable new biography is a refreshing take on an old story.” — Mail on Sunday “[E]ntertaining.” — The Herald “He writes with a sincere enthusiasm about the creative partnership with Mozart.” — Sunday Telegraph “The trajectory of Lorenzo Da Ponte’s life was remarkable.” — London Review of Books “This is a tale of a literary adventurer, full of mystery... Holden does his readers a favour by making his subject interesting to an audience beyond opera lovers.” — Sunday Business Post “[A] genuine pleasure. At turns amusing, poignant and instructive, it engagingly captures the chemistry between librettist and composer that produced those masterpieces of the operatic repertoire.” — Irish Times “Phew! The only problem with this sparkling biography is keeping up with the headlong pace set by what was really an extraordinary life.” — Classic FM Magazine “Anything biographical or musical that Anthony Holden writes is automatically worth reading, and this exquisitely written book sees him discourse eruditely on both topics.” — Observer “Clear, impartial, accessible and concise.” — The Times “An enjoyable biography of a remarkable man.” — The Sunday Times “Anthony Holden’s compelling narrative does justice to the man and to the highs and lows of his unusually varied career.” — Waterstone’s Books Quarterly