Language, Custom and Nation in the 1790s


Book Description

Language, Custom and Nation in the 1790s shows for the first time how the radical 'Jacobin' poets, and their ideas of a 'revolutionary' poetry, were impelled - even 'invented' - by the seventeenth-century English philosopher John Locke. For too long the revolutionary Romanticism and poetic experiments of the 1790s have been understood as responses to the American and French revolutions or attributed to the intellectual influence of Rousseau. The author counters these assumptions, by tracing threads of influence from Locke's ideas of 'arbitrary' language and tyranny, through Tooke's attacks on terms such as 'majesty' and 'law', to the supposedly 'real language' of Wordsworthian Romanticism. She breaks new ground in establishing Maria Edgeworth's place in Locke's anti-authoritarian tradition, contending that Edgeworth's work, produced in the shadow of the United Irishmen uprising, revives the politicisation of the idea of common language displaced in Wordsworth's neutralizing of Locke's radical impulse in the preface to Lyrical Ballads. The author's original and engaging book will appeal to scholars of 1790s radicalism, eighteenth-century linguistic theory, women's writing, and the relations between Britain and Ireland.




Language, Custom and Nation in the 1790s


Book Description

Language, Custom and Nation in the 1790s shows for the first time how the radical 'Jacobin' poets, and their ideas of a 'revolutionary' poetry, were impelled - even 'invented' - by the seventeenth-century English philosopher John Locke. For too long the revolutionary Romanticism and poetic experiments of the 1790s have been understood as responses to the American and French revolutions or attributed to the intellectual influence of Rousseau. The author counters these assumptions, by tracing threads of influence from Locke's ideas of 'arbitrary' language and tyranny, through Tooke's attacks on terms such as 'majesty' and 'law', to the supposedly 'real language' of Wordsworthian Romanticism. She breaks new ground in establishing Maria Edgeworth's place in Locke's anti-authoritarian tradition, contending that Edgeworth's work, produced in the shadow of the United Irishmen uprising, revives the politicisation of the idea of common language displaced in Wordsworth's neutralizing of Locke's radical impulse in the preface to Lyrical Ballads. The author's original and engaging book will appeal to scholars of 1790s radicalism, eighteenth-century linguistic theory, women's writing, and the relations between Britain and Ireland.




The Routledge Companion to Romantic Women Writers


Book Description

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.




Bard of Liberty


Book Description

This is the first full-scale study of the political radicalism of Iolo Morganwg, the renowned Welsh romantic whose colourful life as a Glamorgan stonemason, poet, writer, political activist and humanitarian made him one of the founders of modern Wales. This path-breaking volume offers a vivid portrait of a natural contrarian who tilted against the forces of the establishment for the whole of his adult life. Known as the ‘Bard of Liberty’ or the ’little republican bard’, he moved in highly-politicized circles, embraced republicanism, founded the Gorsedd of the Bards of the Isle of Britain, threw in his lot with Unitarians, promoted a sense of cultural nationalism, and supported the anti-slave trade campaign and the anti-war movement during years of war, oppression and cruelty.




Imperial Babel


Book Description

At the heart of every colonial encounter lies an act of translation. Once dismissed as a derivative process, the new cultural turn in translation studies has opened the field to dynamic considerations of the contexts that shape translations and that, in turn, reveal translation’s truer function as a locus of power. In Imperial Babel, Padma Rangarajan explores translation’s complex role in shaping literary and political relationships between India and Britain. Unlike other readings that cast colonial translation as primarily a tool for oppression, Rangarajan’s argues that translation changed both colonizer and colonized and undermined colonial hegemony as much as it abetted it. Imperial Babel explores the diverse political and cultural consequences of a variety of texts, from eighteenth-century oriental tales to mystic poetry of the fin de siecle and from translation proper to its ethnological, mythographic, and religious variants. Searching for translation’s trace enables a broader, more complex understanding of intellectual exchange in imperial culture as well as a more nuanced awareness of the dialectical relationship between colonial policy and nineteenth-century literature. Rangarajan argues that while bearing witness to the violence that underwrites translation in colonial spaces, we should also remain open to the irresolution of translation, its unfixed nature, and its ability to transform both languages in which it works.




Blake on Language, Power, and Self-Annihilation


Book Description

Against a historical backdrop that includes eighteenth-century language theory, children's literature and education, debates on the French Revolution, Biblical interpretation, and print culture, Blake on Language, Power, and Self-Annihilation breaks new ground in the study of William Blake. This book analyzes the concept of self-annihilation in Blake s work, using the language theories of Mikhail Bakhtin to elucidate the ways in which his discourse was open to the viewpoints of others, undermines institutional authority, and restores dialogue. This book not only uncovers the importance of self-annihilation to Blake's thinking about language and communication, but it also develops its centrality to Blake's poetic practice.




John Thelwall and the Materialist Imagination


Book Description

John Thelwall and the Materialist Imagination reassesses Thelwall's eclectic body of work from the perspective of his heterodox materialist arguments about the imagination, political reform, and the principle of life itself, and his contributions to Romantic-era science.




United Islands? The Languages of Resistance


Book Description

This is the first title in a new series called Poetry and Song in the Age of Revolution. This series will appeal to those involved in English literary studies, as well as those working in fields of study that cover Enlightenment, Romanticism and Revolution in the last quarter of the eighteenth century.




Strange Vernaculars


Book Description

"While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's 'Dictionary' to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. 'Strange Vernaculars' delves into how these published works presented the supposed lexicons of the 'common people' and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from 'The New Canting Dictionary' to Francis Grose's 'Classical Dictionary of the Vulgar Tongue'--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others"--Front jacket flap.




Literature and the Growth of British Nationalism


Book Description

This book explores how British Romantic poetry--the writing, reading, and critical reception of it--reinforced British nationalism in the 19th century, ripening the political processes of nationhood that began with the first Act of Union in 1707. Using archival research on literary collections, criticism and reviews, this study documents the rise of bardic criticism in the 18th century, a style of literary criticism that reinvented the vernacular poet as a national bard and established a national role for poetry. Within this context, this book offers a new reading of major works by Romantic poets from Wordsworth and Coleridge to Felicia Hemans and Anna Letitia Barbauld, illuminating the ways they corroborated the public image of poets as bona fide national bards and advanced British nationalism, even when they intentionally set out to oppose or reform the politics of state.