Laughing Bill Hyde and Other Stories (Esprios Classics)


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Rex Ellingwood Beach (September 1, 1877 - December 7, 1949) was an American novelist, playwright, and Olympic water polo player. He was born in Atwood, Michigan, but moved to Tampa, Florida, with his family where his father was growing fruit trees. Beach was educated at Rollins College, Florida (1891-1896), the Chicago College of Law (1896-97), and Kent College of Law, Chicago (1899-1900). In 1900 he was drawn to Alaska at the time of the Klondike Gold Rush. After five years of unsuccessful prospecting, he turned to writing. His second novel The Spoilers (1906) was based on a true story of corrupt government officials stealing gold mines from prospectors, which he witnessed while he was prospecting in Nome, Alaska. The Spoilers became one of the best selling novels of 1906.




Laughing Bill Hyde


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The Drapier's Letters


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The Year of Reading Dangerously


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“[A] fanciful, endearing account of his experiences tackling classic works of fiction. . . . There is plenty of hilarity in [this] intimate literary memoir.” —Publishers Weekly Nearing his fortieth birthday, author and critic Andy Miller realized he’s not nearly as well read as he’d like to be. A devout book lover who somehow fell out of the habit of reading, he began to ponder the power of books to change an individual life—including his own—and to the define the sort of person he would like to be. Beginning with a copy of Bulgakov’s Master and Margarita, he embarks on a literary odyssey of mindful reading and wry introspection. From Middlemarch to Anna Karenina to A Confederacy of Dunces, these are books Miller felt he should read; books he’d always wanted to read; books he’d previously started but hadn’t finished; and books he’d lied about having read to impress people. Combining memoir and literary criticism, The Year of Reading Dangerously is Miller’s heartfelt, humorous examination of what it means to be a reader. Passionately believing that books deserve to be read, enjoyed, and debated in the real world, Miller documents his reading experiences and how they resonated in his daily life and ultimately his very sense of self. The result is a witty and insightful journey of discovery and soul-searching that celebrates the abiding miracle of the power of reading. “An affecting tale of the rediscovery of great books . . . [by] a friendly, funny Brit.” —Boston Globe “Funny and engaging.” —Kirkus Reviews “Amiable, circumstantial, amusing, charming. . . . [Miller’s] style owes something . . . to Joe Brainard and David Foster Wallace.” —The Times (London)




The Bloater


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A rediscovered literary classic, The Bloater is a rollicking hothouse novel where love and repulsion are two paths to the same abyss Why do the only men I know carry wet umbrellas and say “Umm?” I’m being starved alive. Quick: the first bookshop for a copy of the Kama-Sutra. Min works at the BBC as a sound engineer, and in theory she’s married, but her husband George is so invisible that she accidentally turns the lights off even when he’s still in the room. Luckily, she has her friends and lovers to distract her: in Min’s self-lacerating, bracingly opinionated voice, life boils down to sex appeal—and of late she’s being courted by an internationally renowned opera singer whom she refers to as The Bloater (a swelled, salted herring). Disgusted by and attracted to him in equal measure, her dilemma—which reaches a hysterical, hilarious pitch—is whether to sleep with him or not. Rosemary Tonks—the salt and pepper of the earth—is a writer who gets her claws into the reader with all the joy of a cat and a mouse. Vain and materialistic, tender and savage, narrated in brilliant, sparkling prose, The Bloater is the perfect snapshot of London in the 1960s.




A Goat's Song


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In a wind-battered Mayo cottage, playwright Jack Ferris tries to salvage something from his broken love affair with Catherine Adams. Drink and despair drove her away; can his imagination call her back? But as he summons up her past, Jack finds he has also called up Catherine's RUC father and a whole dangerous world of opposed traditions.




Heart of the Original


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True creativity, the making of a thing which has not been in the world previously, is originality by definition. But while many claim to crave originality, they feel an obscure revulsion when confronted with it. The really new is uncomfortable and disturbing. Repetition of the familiar is preferred. The hailing of old ideas as original lowers the standard for invention and robs most creative people of the drive to do anything interesting, let alone seek out the universe of originality which is waiting, drumming its fingers, wondering why nobody calls. This is a book for all those who care not for the fashionable simulacra of the media creative, but for an understanding of the hard road to true originality. Part manual, part history of ideas, part manifesto – this a unique experimental journey around the outer limits of our culture. It debunks myths, contradicts familiar shiboleths and wages war on cliché and platitude as it has never been waged before. A rallying cry and disruptive book for those bored with merely thinking outside the box.




Treacle Walker


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Shortlisted for the 2022 Booker Prize An extraordinary, “playful, moving, and wholly remarkable” (The Guardian) coming-of-age novel filled with myth and magic from one of England's greatest living writers. An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds’ eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves.




All The Devils Are Here


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Twenty years ago, in a series of mysterious, incandescent writings, David Seabrook told of the places he knew best: the declining resort towns of the Kent coast. The pieces were no advert for the local tourist board. Here, the ghosts of murderers and mad artists crawl the streets. Septuagenarian rent boys recall the good old days and Carry On stars go to seed. Clandestine fascist networks emerge. And all the time, there is Seabrook himself - desperate perhaps, and in danger. Dark, strange and immediate, this is a classic work of sui generis British literature. There are devils here, and the reader will remember them.




The Soul Of Kindness


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INTRODUCED BY PHILIP HENSHER 'Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor's novels and short stories many times over. As a writer I've returned to her too - in awe of her achievements, and trying to work out how she does it' SARAH WATERS A brilliant novel about the damage caused by relentless 'niceness'. Uncritical, encouraging, 'the soul of kindness', Flora's help is the cruelest hindrance to those who love her most. 'Here I am!' Flora called to Richard as she went downstairs. For a second, Meg felt disloyalty. It occurred to her of a sudden that Flora was always saying that, and that it was in the tone of one giving a lovely present. Elegant, blonde and beautiful, Flora has everything under control: her perfect home, her husband Richard, her friend Meg, adoring Kit, and the writer Patrick. Flora entrances everyone, dangling visions of happiness and success before their spellbound eyes. All are bewitched by this golden tyrant. Except, that is, for the clear-eyed painter, Liz, who can see that Flora's kindness is the sweetest poison of them all.