Lautréamont's Maldoror
Author : comte de Lautréamont
Publisher :
Page : 218 pages
File Size : 17,58 MB
Release : 1983
Category :
ISBN :
Author : comte de Lautréamont
Publisher :
Page : 218 pages
File Size : 17,58 MB
Release : 1983
Category :
ISBN :
Author : Lautr
Publisher : Ramble House
Page : 354 pages
File Size : 11,58 MB
Release : 2018-09-20
Category : Poetry
ISBN : 9781605439549
'Les Chants de Maldoror' was virtually ignored when first published in 1869, a year before the author's death in Paris in 1870. Decades later the Surrealists discovered the work and hailed Lautr
Author : Maurice Blanchot
Publisher : Stanford University Press
Page : 204 pages
File Size : 42,94 MB
Release : 2004
Category : Literary Criticism
ISBN : 9780804750356
In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.
Author :
Publisher : BRILL
Page : 423 pages
File Size : 28,14 MB
Release : 2018-11-26
Category : Literary Criticism
ISBN : 9004385169
Biological Time, Historical Time presents a new approach to 19th century thought and literature: by focussing on the subject of time, it offers a new perspective on the exchanges between French and German literary texts on the one hand and scientific disciplines on the other. Hence, the rivalling influences of the historical sciences and of the life sciences on literary texts are explored, texts from various scientific domains – medicine, natural history, biology, history, and multiple forms of vulgarisation – are investigated. Literary texts are analysed in their participation in and transformation of the scientific imagination. Special attention is accorded to the temporal dimension: this allows for an innovative account of key concepts of 19th century culture.
Author : Richard Milward
Publisher : White Rabbit
Page : 508 pages
File Size : 20,5 MB
Release : 2023-03-16
Category : Fiction
ISBN : 1399602039
'A major talent' Irvine Welsh 'Remarkable, beautiful, magic. Like Ulysses for those who can't cope with reading Ulysses' Paolo Hewitt 'We're all in the gutter but some of us are ogling the sparkles.' Set at the fag-end of the 1960s and framed as a novel within a novel published by a seedy London purveyor of pulp fiction, MAN-EATING TYPEWRITER is a homage to the avant-garde counterculture of the 20th century. Told in Polari, it is the story of an anarchist named Raymond Novak and his plan to commit a 'fantabulosa crime' in 276 days that will revolt the world. A surrealistic odyssey that stretches from occupied Paris to the cruise-liner SS Unmentionable to lawless Tangier before settling in Swinging London, the book casts Novak as an agitator and freedom fighter - but, as his memoirs become more and more threatening, his publishers find themselves far more involved in his violent personality cult than they ever intended. Constructed like a hallucinogenic cocktail of A Clockwork Orange, Pale Fire and Jean Genet's jailbird fantasies, MAN-EATING TYPEWRITER is an act of seductive sedition by a writer with unfathomable literary talent and boldness. Wild, transgressive, erotic and resolutely uncompromising, this marks the return of a writer who is out there on an island of his own making; a book that will be talked about, celebrated and puzzled over for decades.
Author : Suzanne Guerlac
Publisher : Stanford University Press
Page : 284 pages
File Size : 12,33 MB
Release : 1990
Category : Literary Criticism
ISBN : 9780804717861
The question of the sublime, which links the idea of aesthetic force with rhetorical impact and moral law, has been an important topic in discussion of eighteenth- and nineteenth-century art and the shift between them. This book argues that the sublime is equally important in understanding the shift from romanticism to modernism later in the century. The author studies the work of three French authors conventionally considered pivotal figures in the trajectory from romanticism to modernism: Hugo, father of romanticism; Baudelaire, precursor of symbolist modernism; and Lautreamont, hero of (post) modernism. She traces this literary-historical as Hugo's Quatre-vingt-treize and L'Homme qui rit, Baudelaire's Spleen de Paris and Petits poemes en prose, and Lautreamont's Chants de Maldoror and Poesies - all seen from a perspective of the aesthetics of the sublime. This perspective is developed through analyses of the treatises on the sublime by Longinus, Boileau, Burke, and Kant.
Author : David S. Rubin
Publisher :
Page : pages
File Size : 32,81 MB
Release : 2018-06
Category :
ISBN : 9780998529332
Author : Georges Bataille
Publisher : City Lights Books
Page : 230 pages
File Size : 28,81 MB
Release : 1989-06
Category : Art
ISBN : 9780872862227
The Tears of Eros is the culmination of Georges Bataille's inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de Rais, Erzebet Bathory, the Marquis de Sade, El Greco, Gustave Moreau, Andre Breton, Voodoo practitioners, and Chinese torture victims, Bataille reveals their common obsession: death. This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art. In it Bataille examines death--the ""little death"" that follows sexual climax, the proximate death in sadomasochistic practices, and death as part of religious ritual and sacrifice. Georges Bataille was born in Billom, France, in 1897. He was a librarian by profession. Also a philosopher, novelist, and critic he was founder of the College of Sociology. In 1959, Bataille began The Tears of Eros, and it was completed in 1961, his final work. Bataille died in 1962.
Author : Mark Polizzotti
Publisher :
Page : 74 pages
File Size : 13,7 MB
Release : 1994-01-01
Category : French poetry
ISBN : 9781897722718
Author : Sapho (princesse)
Publisher : Atlas Press LLC
Page : 0 pages
File Size : 34,3 MB
Release : 2013
Category : Fiction
ISBN : 9781900565639
The Tutu is a genuine literary mystery: a lost masterpiece. Published in 1891, it never made it to bookshops. Its existence was only revealed in 1966, by a famous literary hoaxer. It is the ultimate decadent novel', but also outlandishly modern; it is excessive, repellent, infantile and riotously funny. Yet despite its absurdities, its eccentricities and its extravagance, in the end it somehow manages to appear compassionate, poetic, tender... even rational.'