Cervantes' Don Quixote


Book Description

This casebook gathers a collection of ambitious essays about both parts of the novel (1605 and 1615) and also provides a general introduction and a bibliography. The essays range from Ram?n Men?ndez Pidal's seminal study of how Cervantes dealt with chivalric literature to Erich Auerbachs polemical study of Don Quixote as essentially a comic book by studying its mixture of styles, and include Leo Spitzer's masterful probe into the essential ambiguity of the novel through minute linguistic analysis of Cervantes' prose. The book includes pieces by other major Cervantes scholars, such as Manuel Dur?n and Edward C. Riley, as well as younger scholars like Georgina Dopico Black. All these essays ultimately seek to discover that which is peculiarly Cervantean in Don Quixote and why it is considered to be the first modern novel.




Folk Phenomenology


Book Description

Folk is an analog foundation in a digital world. Phenomenology is a big word about a small, impossible task: trying to imagine the real. This book describes this task in relation to its foundation. Most of all, Folk Phenomenology is a defense of the integrity and sufficiency of art--thinking, feeling, living, dying. In short, being in love. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }




Don Quijote, 2nd Norton Critical Edition


Book Description

"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex




The Polyphonic World of Cervantes and Dostoevsky


Book Description

This book is the first scholarly attempt to examine Don Quixote from the angle of dialogism and polyphony. To begin with, although Mikhail Bakhtin considered Dostoevsky the “creator of a polyphonic novel,” we believe that the first elements of polyphony can be observed in Cervantes’ Don Quixote. A preliminary objective will therefore be to articulate, without reducing the role of Dostoevsky in the creation of the polyphonic novel and relying on Bakhtin’s interpretation of polyphony, heteroglossia, and multivoicedness, that the polyphonic structure appeared and evolved to a state of relative maturity centuries before Dostoevsky. The book will subsequently explore how and why the polyphonic structure was born within the classic monophonic structure of Don Quixote, the ways in which this new structure positioned itself in relation to the classic monophonic one, and what relations it may be said to have established with it resulting in a unique amalgam—the hybrid semi-polyphonic novel. An overarching concern throughout the project will be to trace Cervantes’ search for new and more sophisticated expressive possibilities that the old, monophonic narration could not offer, while also shedding light on how Cervantes systematically and deliberately employed polyphonic structure in Don Quixote.




The Psychology of Don Quixote


Book Description

From the pen of Spanish Nobel Laureate, Santiago Ramon y Cajal (1852-1934), the visionary of science nicknamed "Don Quixote of the Microscope," comes this essay, based on a 1905 lecture during the celebrations that marked the tricentennial of the "Ingenioso hidalgo de La Mancha." It is a mighty knock and a romantic fustigator against the awkward materialism that has been reigning in modern times. The text bespeaks the Cajalian spirit in the best possible manner, the deep love for science, and a unique vision of Spanish culture. Further, it offers a new outlook on Cervantes and his hero, highly praised later by educators. In Cajal's view, Don Quixote is not a madman, but a gentleman with solid ideas who consciously chose to be madly loyal to his convictions and duties; the hidalgo is an ideal of humanity, magnificence and justice; those values, instead of being signs of illness, must always be involved in any true science."




The City of Words


Book Description

'And yet stories, even the best and truest, can't save us from our own folly. Stories can't protect us from suffering and error, from natural and artificial catastrophes, from our own suicidal greed. The only thing they can do is ... offer consolation for suffering and words to name our experience. Stories can tell us who we are ... and suggest ways of imagining a future that, without calling for comfortable happy endings, may offer us ways of remaining alive, together, on this much-abused earth.' Based on Canada's 2007 CBC Massey Lectures (to be broadcast in Australia by ABC Radio National in April 2008), Alberto Manguel's The City of Words takes a fresh look at the rise of violent intolerance in our societies. We strive to build societies with sets of values all citizens can agree on. But something has gone wrong- race riots in France, political murder in the Netherlands, bombings in Britain and Bali - are these symptoms of a multicultural experiment gone awry? Why is it so difficult for us to live together when the alternatives are demonstrably horrifying? With his trademark wit and erudition, Alberto Manguel suggests a fresh approach- we should look at what visionaries, poets, novelists, essayists and filmmakers have to say about building societies. Perhaps the stories we tell hold secret keys to the human heart. From Cassandra to Jack London, the Epic of Gilgamesh to the computer Hal in 2001- A Space Odyssey, Don Quixote to Atanarjuat- The Fast Runner, Manguel draws fascinating and revelatory parallels between the personal and political realities of our present-day world and those of myth, legend and story.







The Man Who Invented Fiction


Book Description

'In 1605 a crippled, greying, almost toothless veteran of Spain's wars against the Ottoman Empire published a book. That book, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the most widely read author in human history. Cervantes did more than just publish a bestseller, though. He invented a way of writing.' In Cervantes' time, 'fiction' was synonymous with a lie. Books were either history, and true, or 'poetry' which might be invented, but had to conform to strict principles. Don Quixote tells the story of a poor nobleman, addled from reading too many books on chivalry, who deludes himself that he is a knight errant and sets off to put the world to rights. The book was hugely entertaining, broke the existing rules, devised a new set and, in the process, created a new, modern hybrid form we know today as the novel. The Man Who Invented Fiction explores Cervantes's life and the world he lived in, showing how his life and influences converged in his work, and how his work – especially Don Quixote – radically changed the nature of literature and created a new way of viewing the world. Finally, it explains how that worldview went on to infiltrate art, politics and science, and how the world today would be unthinkable without it.




The Long Shadow of Don Quixote


Book Description

The book argues that Don Quixote and Quixotism are relevant to cultural studies. Changing interpretations of Don Quixote reveal cultural dynamics, and Quixotism is value-loaded. The soaring humanistic interest in Don Quixote stems from the experience of 20th-century totalitarianisms. Quixotism's pivotal facets are now bibliomania and evil.




Lectures on Don Quixote


Book Description

A fastidiously shaped series of lectures based on a chapter-by-chapter synopsis of the Spanish classic. Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a Preface by Fredson Bowers; photographs.