Les avantguardes i la renovació teatral


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Cultural Terms in King Alfred's Translation of the Consolatio Philosophiae


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This is a shortened versión of my doctoral thesis which examines cultural words in Latin and their translation into Old English. To this end, a definition and classification of cultural words is offered and applied to the study of King Alfred’s translation of the ‘Consolidatio Philosophiae’. Alfred’s method of translation is explored in the light of the skopos theory and assessed in terms of adequacy to the socio-cultural and political context of 9th century Anglo-Saxon Wessex. Naturally, the initial format of the thesis has been made so as to facilitate reading for a more general public.




Homenatge a César Simón


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Narrativa i història


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Aprendizaje y enseñanza de una segunda lengua


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El tratamiento de la lengua oral en los manuales de francés para españoles / Castellví, Josefa Ma. / - Variantes comunicativas para el trabajo con la escritura en inglés / Coello Tissert, Juana Lidia / - La corrección de errores como proceso interactivo en el aula : reflexiones teóricas desde la perspectiva contrastiva alemán-español / Ferrer Mora, Hang / - Hacia una formación lingüística integral en la enseñanza del español como L2 / García Valle, Adela y Ricós, Amparo / - Las unidades fraseológicas del español : una propuesta metodología para la enseñanza de las locuciones en la clase E.L.E / Gómez Molina, José R. / - La destreza auditiva dentro de un marco interactivo / Jáuregui Ondarra, Kristi / - Variación lingüística en la adquisición de una segunda lengua / Martín Viaño, Ma del Mar / - La categoría verbal del tiempo : problemas de adquisición en francés como lengua extranjera / Olivares Pardo, Ma Amparo / - Un enfoque didáctico de la fraseología española para extranjeros / Ruiz ...




Humor i literatura


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Bulletin hispanique


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Cultural Organizations, Networks and Mediators in Contemporary Ibero-America


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This book proposes an innovative conceptual framework to explore cultural organizations at a multilateral level and cultural mediators as key figures in cultural and institutionalization processes. Specifically, it analyzes the role of Ibero-American mediators in the institutionalization of Hispanic and Lusophone cultures in the first half of the 20th century by means of two institutional networks: PEN (the non-governmental writer’s association) and the International Institute of Intellectual Cooperation (predecessor to UNESCO). Attempting to combine cultural and global history, sociology, and literary studies, the book uses an analytical focus on intercultural networks and cultural transfer to investigate the multiple activities and roles that these mediators and cultural organizations set in motion. Literature has traditionally studied major figures and important centers of cultural production, but other regions and localities also played a crucial role in the development of intellectual cooperation. This book reappraises the place of Ibero-America in international cultural relations and retrieves the lost history of key secondary actors. The book will appeal to scholars from international relations, global and cultural history, sociology, postcolonial Studies, world and comparative literature, and New Hispanisms. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9780429299407, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.




Miró


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A survey of Joan Miro's career from 1918, the date of his first solo exhibition, to his last works. Its guiding thread is the idea of "Earth" in its widest sense. For Miro, "Earth" meant his native region of Catalunya, but the word also functioned for the artist as a key to certain ideas and values characteristic of rural culture such as fertility, sexuality, fable and excess. In addition, it is related to the quest for the ancestral and the primitive. In pictorial terms, the earthly can be seen as a mistrust of form and a tendency to experiment with material. These stylistic features, which the exhibition aims to highlight, allow us to see Miro as the great forerunner of Informalism and Abstract Expressionism, trends that prevailed in mid-20th-century art.