L'oeuvre de Moreau le jeune; catalogue raisonné et descriptif, avec notes iconographiques et bibliographiques


Book Description

Jean-Michel Moreau le Jeune a été l'un des graveurs les plus importants de la fin du XVIIIe siècle en France, et ce catalogue raisonné offre une vue d'ensemble de son oeuvre. Les auteurs, Jean-Michel Moreau et Marie-Joseph-François Mahérault, offrent une analyse détaillée de chaque gravure de Moreau, en se concentrant sur les thèmes clés de son art, tels que les portraits, les illustrations de livres et la vie quotidienne. Le livre inclut également des notes iconographiques et bibliographiques qui offrent un aperçu précieux de la vie culturelle de l'époque. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



















French Master Drawings from the Collection of Muriel Butkin


Book Description

Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations