LES MARIONNETTES


Book Description

De nos jours, les hommes sont comme des marionnettes. Ces dernières se confondent, se déchainent. Elles passent et repassent dans le cosmos de la vie comme des fantômes. Sont-elles vivantes ? Sont-elles mortes ? Sont-elles d'ici ou d'ailleurs ?Dans la haine, dans la rage, dans la tendresse ou dans la tristesse, et à travers des poèmes, chaque marionnette est comme une ombre. Elle nous relate sa propre histoire et nous donne sa propre vision de la vie. Le 'je' est omniprésent. Chaque ombre prend la parole pour se livrer à nous. Et chaque parole est une émotion.L'âme humaine est un miroir, elle se traduit dans l'obscurité qui résume son caractère. Le monde est une complexité sauvage, acharné, il nous transporte dans son tourbillon. Et donc écouter l'histoire des autres est la meilleure chose pour s'en sortir.Naïs




Marionettes in the North of France


Book Description

The origin and development of the marionette theater, emphasizing its growth in a region where it still flourishes as a popular form of entertainment.





Book Description




Canadian Books for Young People/Livres canadiens pour la jeunesse, 3e


Book Description

This third, completely revised edition contains hundreds of new entries for a total of almost 2,000 children's books and magazines carefully selected and described by a team of children's librarians. Entries are arranged by subject, with reading levels indicated where necessary, and are also listed in a separate author-title index. A list of prize-winning Canadian children's books and a basic book list for librarians, teachers, and parents are included in this charmingly illustrated volume.




Authenticity and Legitimacy in Minority Theatre


Book Description

Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.




Europa! Europa?


Book Description

The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-garde and experimental modernism. How did the avant-garde and modernism in (and outside) Europe give shape to local, national and pan-European forms of identity and community? To what extent does the transnational exchange and cross-fertilisation of aesthetic tendencies illustrate the well-rehearsed claim that the avant-gardes form a typically European phenomenon? Dealing with canonised as well as lesser known exponents of modernism and the avant-garde throughout Europe, this book will appeal to all those interested in European cultural, literary and art history.




Surrealism and the Book


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Reading Between the Lines


Book Description

This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.




Pinocchio, Puppets, and Modernity


Book Description

The concept of this book is to reassess Pinocchio originally, alongside puppets and marionnettes within modernity, as a figure characterized by a ‘fluid identity’, informed with transition, difference, joie de vivre, otherness, displacement and metamorphosis. As such, Pinocchio is a truly modern, indeed a postmodern and posthuman cultural icon.




Le Guide Musical


Book Description