Leslie Hewitt


Book Description

First monograph surveying the renown American artist's oeuvre including photography, sculpture, a film collaboration with Bradford Young.




Leslie Hewitt


Book Description

This is an artist book by Leslie Hewitt, who works with photography, sculpture, and site-specific installations, which appropriate documents of the past-old photographs, forgotten films, old books-to address the way that objects are transformed by time. Her photosculptural works not only retrieve memory but question the very basis of our access to it: how it is mediated, reframed, and changed through the contingencies of space and the exigencies of time.Hewitt participated in SculptureCenter's Make it Now exhibition (2005), the 2008 Whitney Biennial, and the 2009 New Photography exhibition at the Museum of Modern Art in New York. Her work has been reviewed by Modern Painters. She was a Radcliffe Fellow at Harvard University in 2009-10 and received the 2010 Joyce Alexander Wein Artist Prize from the Studio Museum in Harlem, as well a 2010 Grants to Artists Award from the Foundation for Contemporary Arts, New York, founded by John Cage and Jasper Johns. She has completed residencies at the Studio Museum in Harlem and the Museum of Fine Arts in Houston.




Photo-poetics


Book Description

Emerging photographers working in a contemporary art context This catalogue presents an important new trend in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualize them within the history of art and culture. Drawing on the legacies of conceptual and commercial photography, these artists pursue a largely studio-based approach to still-life photography that centers on the representation of objects, often printed matter such as books, magazines and record covers. The result is images imbued with poetic and evocative personal significance--a sort of displaced self-portraiture--that resonate with larger cultural and historical meanings. Driven by a deep interest in the medium of photography, these artists investigate the nature, laws and magic of film photography at the moment of its disappearance in our digital age. They attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies, and by creating photo-sculptures and installations. Artists include Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag and Sara VanDerBeek.




Leslie Hewitt


Book Description

This is the first monograph to date dedicated to the work of artist Leslie Hewitt. Published on the occasion of her exhibition at the Contemporary Art Museum St. Louis in 2012, it focuses on four distinct yet related bodies of work—Make It Plain (2006), Midday (2009), A Series of Projections (2010), and Blue Skies, Warm Sunlight (2011). The book features texts by photographic historian Estelle Blaschke; Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement, New Museum, New York; and Dominic Molon, Chief Curator, Contemporary Art Museum St. Louis. The essays range from an exploration of Hewitt’s work in the context of the history of still-life to her engagement of photographic archives.




Hinge Pictures


Book Description

In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.




We Are Here


Book Description

Profiles and portraits of 50 artists and art entrepreneurs challenging the status quo in the art world Confidently curated by Jasmin Hernandez, the dynamic founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. A celebration of compelling intergenerational creatives making their mark, We Are Here shows a path for all who seek to see themselves in art and culture. #weareherebook




Conceptual Physical Science


Book Description

Conceptual Physical Science, Fifth Edition, takes learning physical science to a new level by combining Hewitt's leading conceptual approach with a friendly writing style, strong integration of the sciences, more quantitative coverage, and a wealth of media resources to help professors in class, and students out of class. It provides a conceptual overview of basic, essential topics in physics, chemistry, earth science, and astronomy with optional quantitative coverage.




Alma Thomas


Book Description

This exhibition features works from every period in Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections. As the work of many African-American abstractionists is only recently coming into the spotlight, this important book on Alma Thomas profiles a truly pioneering figure.




Debussy's Critics


Book Description

Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.




Taking Stakes in the Unknown


Book Description

In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre-9/11 and pre-Obama world. Nana Adusei-Poku contextualizes the term post-black in its sociohistorical and cultural context.