Let's Go Ghana


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Dust & Grooves


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A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.




Ghana Must Go


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A stunning novel, spanning generations and continents, Ghana Must Go by rising star Taiye Selasi is a tale of family drama and forgiveness, for fans of Zadie Smith and Chimamanda Ngozi Adichie. This is the story of a family -- of the simple, devastating ways in which families tear themselves apart, and of the incredible lengths to which a family will go to put itself back together. It is the story of one family, the Sais, whose good life crumbles in an evening; a Ghanaian father, Kweku Sai, who becomes a highly respected surgeon in the US only to be disillusioned by a grotesque injustice; his Nigerian wife, Fola, the beautiful homemaker abandoned in his wake; their eldest son, Olu, determined to reconstruct the life his father should have had; their twins, seductive Taiwo and acclaimed artist Kehinde, both brilliant but scarred and flailing; their youngest, Sadie, jealously in love with her celebrity best friend. All of them sent reeling on their disparate paths into the world. Until, one day, tragedy spins the Sais in a new direction. This is the story of a family: torn apart by lies, reunited by grief. A family absolved, ultimately, by that bitter but most tenuous bond: familial love. Ghana Must Go interweaves the stories of the Sais in a rich and moving drama of separation and reunion, spanning generations and cultures from West Africa to New England, London, New York and back again. It is a debut novel of blazing originality and startling power by a writer of extraordinary gifts. 'Ghana Must Go is both a fast moving story of one family's fortunes and an ecstatic exploration of the inner lives of its members. With her perfectly-pitched prose and flawless technique, Selasi does more than merely renew our sense of the African novel: she renews our sense of the novel, period. An astonishing debut' Teju Cole, author of Open City Taiye Selasi was born in London and raised in Massachusetts. She holds a B.A. in American Studies from Yale and an M.Phil. in International Relations from Oxford. "The Sex Lives of African Girls" (Granta, 2011), Selasi's fiction debut, appears in Best American Short Stories 2012. She lives in Rome.




Let's Go Explore


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Let's Go Explore is a picture book following two little explorers as they take on the adventure of life. Under a rock, up in a tree, they discover what it means to see and to be. From new beginnings and far adventures, this book makes a thoughtful gift for all children and adults who are young at heart. 8x8" lay-flat hardcover bookGold foil details on canvas-textured cover 50 pages of fully illustrated pages with premium matte finish




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Hearings


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A Story Teller’s Story


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“The Story Teller’s Story” details 75 years of an African-American’s jammed up life. Hawkins offers us the insights and perspectives of a very observant African-American writer, who uses his experiences as a way to reaffirm the values, the fact that all human beings are brothers and sisters. “The Story Teller’s Story” makes that premise a truth.




Hustling Is Not Stealing


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While living in West Africa in the 1970s, John Chernoff recorded the stories of “Hawa,” a spirited and brilliant but uneducated woman whose insistence on being respected and treated fairly propelled her, ironically, into a life of marginality and luck as an “ashawo,” or bar girl. Rejecting traditional marriage options and cut off from family support, she is like many women in Africa who come to depend on the help they receive from one another, from boyfriends, and from the men they meet in bars and nightclubs. Refusing to see herself as a victim, Hawa embraces the freedom her lifestyle permits and seeks the broadest experience available to her. In Hustling Is Not Stealing and its follow-up, Exchange Is Not Robbery, a chronicle of exploitation is transformed by verbal art into an ebullient comedy. In Hustling Is Not Stealing, Hawa is a playful warrior struggling against circumstances in Ghana and Togo. In Exchange Is Not Robbery, Hawa returns to her native Burkina Faso, where she achieves greater control over her life but faces new difficulties. As a woman making sacrifices to live independently, Hawa sees her own situation become more complex as she confronts an atmosphere in Burkina Faso that is in some ways more challenging than the one she left behind, and the moral ambiguities of her life begin to intensify. Combining elements of folklore and memoir, Hawa’s stories portray the diverse social landscape of West Africa. Individually the anecdotes can be funny, shocking, or poignant; assembled together they offer a sweeping critical and satirical vision.




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Take Me Home to Afrika


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This is an autobiography honestly sketched in faith and love celebrating a dream come true. This book is recommended not only for family, friends and Afrikans of the Diaspora with the desire to be in Afrika but also for those of the continent, especially Ghana, who can glean the recognition of their hospitality, and to note also the shortcomings which they take for granted and of which the author has shown understanding and tolerance. Professor G. Sodah Ayernor, PhD, President, Afrikan Renaissance Foundation In the pages that follow the reader will come to admire Adjoa for sharing so many of the intimate details of her life in Ghana! We see her grow spiritually, emotionally, socially and intellectually. This autobiography is a love story between two mature adults. It is a spiritual awakening for Adjoa who learns to trust the God within! It is an inspirational account of faith in the goodness of humanity! It is an identity narrative about discovering what it means to be African. Lastly, it is a coming of age talein Ghana Adjoa learned to embrace her own agency as a woman of African descent! Nancy J. Fairley