Translating Life


Book Description

The identification of reading with translation has a distinguished literary pedigree. This volume, comprising many individual but conceptually interrelated studies, sets out to multiply perspectives on the concept of translation.




The Limits of Familiarity


Book Description

What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.




The Fortnightly


Book Description




Metaromanticism


Book Description

This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.




Romanticism and the Painful Pleasures of Modern Life


Book Description

An exploration of the Romantic obsession with power, submission and masochism, through readings of Byron, Keats, Burney and others.




Legacies of Romanticism


Book Description

This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.




Metropolitan Art and Literature, 1810–1840


Book Description

Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh Hunt and Keats in the 1810s and the early works of Charles Dickens in the 1830s. Through an examination of literary history, art history, urban history and social history, this book identifies the early nineteenth-century figure of the Cockney as the true ancestor of modernity.




Paper Pellets


Book Description

`innovative...a brilliant and original study that is essential reading for scholars of the Romantic period.' Orianne Smith, Year's Work in English Studies --




The Far Side of a Kiss


Book Description

"When William Hazlitt published Liber Amoris, his 'book of love', in 1823, scandal rocked the literary world. He had chosen as the object for his grand Romantic passion a mere serving maid - thinking her the epitome of innocence and beauty - and she had disappointed him by proving just as tawdry as all the rest. But what of Sarah Walker, the subject of Hazlitt's unfortunate obsession? In a magnificent work of imaginative sympathy, Anne Haverty rescues her from silence and obscurity to let her tell her side of the story. 'He has put me in a book,' she says. 'He has used but a steel nib for his weapon but he has destroyed me as sure as if he used a blade and impaled me upon it.' She describes her gradual seduction by the wild man of letters, day by day, hour by hour, as she tries to ward off inappropriate advances without offending him and can't help but be fascinated by his stories of revolutionary France and the pleasures of Italy. With an extraordinary lightness of touch, Haverty summons up London life in an early nineteenth century boarding house and the mutual incomprehension between the literary world above-stairs and the more practical, le