Edmund Campion


Book Description




Edmund Campion


Book Description

Some illustrations. An inspiring dramatic account of the colorful and courageous life and death of the martyr, St. Edmund Campion, "hero of God's underground" during the persecution of Catholics in England in the 1500's.




St Edmund, King and Martyr


Book Description

The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show. St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings and spawned a rich array of visual, literary, musical and political artefacts. Celebrated throughout England, especially at the abbey of Bury St Edmunds, it also inspired separate cults in France, Iceland and Italy. The essays in this collection offer a range of readings from a variety of disciplines - literature, history, music, art history - and of sources - chronicles, poems, theological material - providing an overview of the multi-faceted nature of St Edmund's cult, from the ninthcentury to the early modern period. They demonstrate the openness and dynamism of a medieval saint's cult, showing how the saint's image could be used in many and changing contexts: Edmund's image was bent to various political andpropagandistic ends, often articulating conflicting messages and ideals, negotiating identity, politics and belief. CONTRIBUTORS: ANTHONY BALE, CARL PHELPSTEAD, ALISON FINLAY, PAUL ANTONY HAYWARD, LISA COLTON, REBECCA PINNER, A.S.G. EDWARDS, ALEXANDRA GILLESPIE




Saint Edmund Campion


Book Description

For adventure, suspense, and sheer drama, Evelyn Waugh's biography of St. Edmund Campion rivals Braveheart. And it's told with the grace and skill that won Waugh millions of fans for his Brideshead Revisited. High adventure and holiness: it's a sure winner with all readers.







Anyone for Edmund?


Book Description

Under tennis courts at a ruined Suffolk abbey, archaeologists make a thrilling find: the remains of St Edmund, king and martyr. He was venerated for centuries as England's patron saint, but his body has been lost since the closure of the monasteries. Culture Secretary Marina Spencer, adored by those who don't know her, jumps on the bandwagon. Egged on by her downtrodden adviser Mark Price, she promotes St Edmund as a new patron saint for the United Kingdom, playing up his Scottish, Welsh, and Irish credentials. Unfortunately these credentials are a fiction, invented by Mark in a moment of panic. As crisis looms, the one person who can see through the whole deception is Mark's cousin Hannah, a dig volunteer. Will she blow the whistle or help him out? And what of St Edmund himself, watching through the baffling prism of a very different age? Splicing ancient and modern as he did in The Hopkins Conundrum and A Right Royal Face-Off, Simon Edge pokes fun at Westminster culture and celebrates the cult of a medieval saint in this beguiling and utterly original comedy.




The Life of St. Edmund


Book Description

The first English translation of an important Latin text by the 13th century chronicler Mathew Parsis. A valusable, previously inaccesible source, it documents the life and canonization of St. Edmund of Abingdon, Archbishop of Canterbury 1233-40, and the first teacher at Oxford about whom anything is known.




The Cult of St Edmund in Medieval East Anglia


Book Description

An investigaton of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.




St. Edmund of Abingdon


Book Description

Abingdon lsr copy kept in glass case.




Ten Reasons Proposed To His Adversaries For Disputation In The Name Of The Faith And Presented To The Illustrious Members Of Our Universities


Book Description

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.