Lion of Petra (Unabridged)


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This eBook edition of "Lion of Petra (Unabridged)" has been formatted to the highest digital standards and adjusted for readability on all devices. A renegade sheik named Ali Higg, known as the "Lion of Petra," has become a danger to British interests in Palestine. Jimgrim is an American secret agent working for British Intelligence who seeks to undermine Ali Higg's plans to raid British controlled territory and win him as an ally instead. He is joined by his compatriots Jeff Ramsden and Narayan Sing, a Sikh, who is very dangerous warrior.




Antiquarian Bookman


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The Lion of Petra


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The Lion of Petra


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.







Rewriting Germany from the Margins


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The "margins" in Petra Fachinger's work are occupied largely by second-generation migrant writers from Spain, Italy, and Turkey, German Jewish writers of diverse ethnic origins, and writers born in the GDR. She demonstrates that during the 1980s and 1990s writers from various cultural backgrounds engaged in oppositional discourse to construct their own version of Germany and write back to the German canon. While most studies of texts by minority writers in Germany favour content over form, Fachinger focuses on identifying counter-discursive strategies, and applies postcolonial theory concerned with textual resistance to the German situation. In doing so, this study effectively relates marginal writing in Germany to similar forms of writing in other national and cultural contexts. The oppositional impulse, whether manifested in counter-canonical discourse, postcolonial picaresque, hybridity, rewriting of genre, or grotesque realism, is prompted by the exclusionary politics of the dominant culture. The discursive strategies used by the authors discussed to rewrite Germany expose the assumptions that underlie German public discourse and destabilise notions of Germanness, Jewishness, and Turkishness. Fachinger's reading of texts by marginal writers in Germany, all of whom endeavour to resist marginalisation while simultaneously experiencing or even celebrating the margin as a site of empowerment, was motivated by the absence of comparative studies of such writing. Rewriting Germany from the Margins demonstrates the necessity and usefulness of comparative approaches to minority discourses across national and cultural borders.




The NRSV Concordance Unabridged


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Provides easy access to every word and its reference in the NRSV and includes an index to alternate and "literal" translations found in the footnotes of the NRSV, also features a phrase concordance and topical index.




Billboard


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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.




The Lion of Petra


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"Allah Makes All Things Easy!" This isn't an animal story. No lions live at Petra nowadays, at any rate, no four-legged ones; none could have survived competition with the biped. Unquestionably there were tamer, gentler, less assertive lions there once, real yellow cats with no worse inconveniences for the casual stranger than teeth, claws, and appetites. The Assyrian kings used to come and hunt near Petra, and brag about it afterward; after you have well discounted the lies they made their sculptors tell on huge stone monoliths when they got back home, they remain a pretty peppery line of potentates. But for imagination, self-esteem, ambition, gall, and picturesque depravity they were children-mere chickens-compared to the modern gentleman whom Grim and I met up with A.D. 1920. You can't begin at the beginning of a tale like this, because its roots reach too far back into ancient history. If, on the other hand, you elect to start at the end and work backward the predicament confronts you that there wasn't any end, nor any in sight.







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