Book Description

Excerpt from Little Masterpieces of English Poetry, Vol. 3 I would not ask, then, as some critics do, that a lyric should be thoughtless and careless, void of ideas, misty in utterance, and free from the restraining touch of art. I would ask only that it should have at its heart a vital and controlling emotion expressed in a song-like way; and I would measure its rank as a lyric, by the truth and beauty, the tenderness or the power, of the feeling, and by the purity of the art, (in its most perfect result hiding the traces of its own la bour, ) by which the poem sings us into harmony with the poet's mood. It is thus that the pure lyrics in this volume have been chosen from the rich stores of English verse They range in tone from the simplest note of joy at the coming of the spring, to the deepest note of confidence and immortal hope at the passing of human life into the unknown. The Songs of Nature are lyrical expres sions of man's feeling towards the changing sea sons, the living creatures who inhabit the earth with him, the light and the darkness, the sea. And the stars. Some of the poems in this group border closely upon the region of Descriptive and Reflective Verse; and it would be possible, of course, to place them there; j ust as some of the poems which are to be included in that volume might be transferred to this. In any arrange ment or classification of poetry there is always room for variation, according to the taste or the point of view of the person who is making it. To me the nature-songs which ate. Commend. Has. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.