Little Masterpieces of English Poetry, Vol. 6


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Excerpt from Little Masterpieces of English Poetry, Vol. 6: Elegies and Hymns In the usage of the people, however, the word has taken a different course. It does not include the poetry of regret for fugitive pleasure or un requited love, nor all the forms of verse in which the poet, to follow Coleridge's phrase, treats of his subject always and exclusively with reference to himself. These are classed with the pure lyrics, or with reflective verse. But an elegy, in common parlance, has come to mean a poem dealing with the thought or the fact of death. It is not an outward, metrical shape: it is an in ward, spiritual form. It is the poetic utterance of the heart of man when he faces the sorrow of mortality. It is the voice in which he answers death and calls after the departed. It is the music with which he at once expresses and soothes the grief of the last farewell, pays tribute to vanished goodness and the memory of noble names, and encourages his own spirit to meet the end that comes to all, with fortitude and an equal mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
















A Tremendous Thing


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"Why did you do all this for me?" Wilbur asked. "I don't deserve it. I've never done anything for you.""You have been my friend," replied Charlotte. "That in itself is a tremendous thing."—from Charlotte's Web by E. B. WhiteFriendship encompasses a wide range of social bonds, from playground companionship and wartime camaraderie to modern marriages and Facebook links. For many, friendship is more meaningful than familial ties. And yet it is our least codified relationship, with no legal standing or bureaucratic definition. In A Tremendous Thing, Gregory Jusdanis explores the complex, sometimes contradictory nature of friendship, reclaiming its importance in both society and the humanities today. Ranging widely in his discussion, he looks at the art of friendship and friendship in art, finding a compelling link between our need for friends and our engagement with fiction. Both, he contends, necessitate the possibility of entering invented worlds, of reading the minds of others, and of learning to live with people.Investigating the ethics, aesthetics, and politics of friendship, Jusdanis draws from the earliest writings to the present, from the Epic of Gilgamesh and the Iliad to Charlotte's Web and "Brokeback Mountain," as well as from philosophy, sociology, evolutionary biology, psychology, and political theory. He asks: What makes friends stay together? Why do we associate friendship with mourning? Does friendship contribute to the formation of political communities? Can friends desire each other? The history of friendship demonstrates that human beings are a mutually supportive species with an innate aptitude to envision and create ties with others. At a time when we are confronted by war, economic inequality, and climate change, Jusdanis suggests that we reclaim friendship to harness our capacity for cooperation and empathy.







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The Publishers Weekly


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