Local Color


Book Description

How to understand color’s impact on our perception of a place—and capture its palette in watercolor landscapes and cityscapes. Whenever we first encounter a new place, whether landscape or cityscape, one of the most immediate and powerful sensations comes from its colors, or the palette of colors, which profoundly influence our reaction to and sense of a space. In Local Color, designer and educator Mimi Robinson teaches us not only how to see the colors around us but also how to capture and record them in watercolor. Regardless of your level of painting expertise, Robinson will quickly have you creating personal memories of time, place, and travel through a series of self-guided exercises and illustrated examples.







Producing Local Color


Book Description

In big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals—from cutting-edge artists to collectors to municipal planners—who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow.




Setting in the American Short Story of Local Color, 1865–1900


Book Description

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.




Southern Local Color


Book Description

Conflict, exoticism, sensuality, eccentricity, and the sheer differences of the American South pervade this anthology, which focuses on the 19th century tradition of "southern local color". It contains 31 stories, spanning the 1870s through the early 1900s.




European Local-Color Literature


Book Description

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Local Color in the Selected Philippine Short Fiction


Book Description

Realistic, plausible, and definitely didactic masterpieces of Villa, Arguilla, and Rivera-Ford! They are indeed short story writers of local color. Their creative works mirror the mannerisms, language, characteristics, and particularly the style of the Filipinos. This research book will unveil the sense of regionalism and local identity of the select stories written by the aforementioned authors, which are hoped to provide a reference for a literature major students, educators, critics, and researchers.




Migrant Sites


Book Description

A unique comparative study of immigrant and diaspora literatures in America





Book Description




Painting Class


Book Description

Nearly all the greatest modern painters have favored oils for their rich hues and expressive texture, but you don't have to be Van Gogh or Monet to make oils work for you. This step-by-step, gorgeously illustrated entry into the popular "Painting Class "series introduces all the materials, techniques, and styles needed to become comfortable with this versatile medium. Find out about the properties and ingredients of oil paint, as well as how to mix your own and work with solvents and dryers. Instructions tell when and how to use brushes and spatulas to shape the paint; how to create realistic fleshtones; and how to "model" oils without blending brushstrokes. You'll also learn the characteristics of warm, cool, and neutral colors, and how to approach figure drawing, still lifes, and landscapes.