Longman Anthology of World Literature by Women, 1875-1975
Author : Marian Arkin
Publisher : New York : Longman
Page : 1334 pages
File Size : 45,30 MB
Release : 1989
Category : Language Arts & Disciplines
ISBN :
Author : Marian Arkin
Publisher : New York : Longman
Page : 1334 pages
File Size : 45,30 MB
Release : 1989
Category : Language Arts & Disciplines
ISBN :
Author : Helena Forsas-Scott
Publisher : A&C Black
Page : 356 pages
File Size : 29,50 MB
Release : 2000-12-01
Category : Literary Criticism
ISBN : 1847141978
Provides a survey of women's writing in Sweden, from the beginnings of the struggle for emancipation in the 1850s to the present day. These writers are seen within the political, cultural and economic context of women's lives. Modern critical currents are also assessed and Swedish feminist criticism is considered alongside the French and American traditions.
Author : Erica Harth
Publisher : Palgrave Macmillan
Page : 318 pages
File Size : 35,59 MB
Release : 2003-05
Category : History
ISBN : 1403962308
This is a rich collection of personal histories from a wide variety of cultural backgrounds which takes readers inside the internment of Japanese-Americans during World War II.
Author : Victoria Howard
Publisher : U of Nebraska Press
Page : 266 pages
File Size : 50,41 MB
Release : 2022-03
Category : Art
ISBN : 1496230418
Edited by Catharine Mason, Clackamas Chinook Performance Art pairs performances with biographical, family, and historical content that reflects Victoria Howardʼs ancestry, personal and social life, education, and worldview.
Author : Katherine E. Kelly
Publisher : Routledge
Page : 390 pages
File Size : 21,54 MB
Release : 2002-09-11
Category : Performing Arts
ISBN : 1134802374
Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Author : Charlotte M. Wright
Publisher : Routledge
Page : 153 pages
File Size : 19,72 MB
Release : 2014-01-14
Category : Literary Criticism
ISBN : 1135706026
"If beauty is truth, is ugliness falsehood and deception? If all art need concern itself with is beauty, what need have we to explore in our literature the nature and consequences of ugliness?" In Plain and Ugly Janes, Charlotte Wright defines and explores the ramifications of a new character type in twentieth-century American literature, the "ugly woman," whose roots can be traced to the Old Maid/Spinster character of the nineteenth century. During the 1970s, stories began to appear in which the ugly woman is a figure of power-heroic not in the traditional old maid's way of quiet, passive acc
Author : Richard G. Hovannisian
Publisher : Cambridge University Press
Page : 134 pages
File Size : 13,65 MB
Release : 1997-04-13
Category : History
ISBN : 9780521573979
This book successfully defies the view that The Thousand and One Nights is not worthy of serious literary debate.
Author :
Publisher :
Page : 400 pages
File Size : 33,90 MB
Release : 1989
Category : Books
ISBN :
Author : Angela de Hoyos
Publisher : Arte Público Press
Page : 343 pages
File Size : 26,80 MB
Release : 2015-08-30
Category : Poetry
ISBN : 1518504280
In “How to Eat Crow on a Cold Sunday Morning,” renowned Mexican-American poet Angela de Hoyos suggests “you start on the wings / nibbling / apologetic-like” before moving to the dry, tough giblets and on to the “gall bladder / —that green bag of biliousness— / wants to gag your throat / in righteous retribution” making you wish that you had “learned how to eat / a pound of prudence / instead.” Tension between people—men and women, Chicanos and Anglos—is a frequent theme in de Hoyo’s work. Clear and accessible, her poems about relations between the sexes are universal in their appeal. Many eloquently convey women’s issues and feelings. “Men, she said / sometimes / in order to / say it / it is / necessary / to spit / the word.” This collection showcases the work of a beloved literary activist who gave voice to marginalized communities. Born in Mexico, de Hoyos spent most of her life in San Antonio, Texas, where she saw firsthand Chicanos’ loss of language, identity and traditions. The discrimination endured by Mexican Americans runs through her work, and in one of her most well-known poems, “Arise, Chicano!,” the poet exhorts her people to free themselves from poverty and oppression. “There is no one to succor you. You must be your own messiah.” Mostly self-educated, de Hoyos was equally adept at writing in Spanish or English, and many of her poems are written in a skillful combination of the two. Containing 80 previously published poems and several that have never been published, this volume highlights a vibrant voice that calls for equality and respect for all people, regardless of gender or ethnicity.
Author : Wendy Pollard
Publisher : Routledge
Page : 294 pages
File Size : 44,61 MB
Release : 2017-11-28
Category : Literary Criticism
ISBN : 1351149741
This study of contemporary and later critical responses to the work of the novelist Rosamond Lehmann (1901-1990) offers an original approach to twentieth-century literary history by foregrounding the cultural and commercial fields in which Lehmann's writing was situated. Wendy Pollard examines the effect recent developments in literary theory and movements from modernism to feminism have had on Lehmann's literary reception. She also considers the interpolation of a damning third category between te and popular culture, namely middlebrow; a widening gender divide in readership; controversies within book reviewing; changes in the publishing world; and the introduction of popularist means of book marketing. While considering the general privileging of male authors from the 1920s to the 1950s, Lehmann's most prolific period, Pollard argues that her novels have been unfairly subjected to specific forms of neglect, and their exclusion from many academic comparative studies is due to a diversity of form and content that can also be considered their strength.