Lost in the Elysian Fields, Volume Iii


Book Description

There is no available information at this time.




Lost in the Elysian Fields


Book Description




Lost in the Elysian Fields, Volume I


Book Description

This opening novel of a projected tetralogy called The Masters of Destiny examines the recurrent American conundrum, the issue of race. At the core stands two families related first by ownership and then, because of the infidelity of a plantation master, by blood, - establishing on a familial level an anguished, disorderly, and insoluble relationship paralleling the great forces of the historical. Fully engaging a social, sexual, and even violent milieu, the story portrays the clash of opposing cultures in scenes ranging from the American South to New England and Europe. The Civil War is made vivid by the sheer terror, horror, and confusion of both civilian and soldier. The book culminates with the journey made by a plantation 'heroine' and her aged slave through the collapse of the white Southern world - and the corollary release of the black - to Washington in search of her imprisoned Confederate husband. Part social mosaic, psychological analysis, historical study, and of course romance and drama, Lost in The Elysian Fields reveals the characters' personality by their response to these epical events which either compel them into action or sweep them into oblivion.




The Poems of Shelley: Volume Three


Book Description

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the third volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between autumn 1819 and autumn 1820. The poems written in response to the political crisis in England following the ‘Peterloo’ massacre in August 1819 feature largely, among them The Mask of Anarchy and 'An Ode (Arise, arise, arise!)'. The popular songs, which Shelley intended to gather into a volume to inspire reformers from the labouring classes, several accompanied by significantly new textual material recovered from draft manuscripts, are included, as are the important political works 'Ode to Liberty', 'Ode to Naples' and Oedipus Tyrannus, Shelley's burlesque Greek tragedy on the Queen Caroline affair. Other major poems featured include 'The Sensitive-Plant', 'Ode to the West Wind', 'Letter to Maria Gisborne', an exuberant translation from the ancient Greek of the Homeric 'Hymn to Mercury', and the brilliantly inventive 'The Witch of Atlas'. In addition to accompanying commentaries, there are extensive bibliographies, a chronology of Shelley’s life, and indexes to titles and first lines. Leigh Hunt's informative Preface of 1832 to The Mask of Anarchy is also included as an Appendix. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.




Elysian Fields


Book Description

Named to Kirkus Reviews' Best Books of 2013. * Winner of rare "double crown" of starred reviews from both Publishers Weekly and Kirkus Reviews. * Publishers Weekly Featured Fiction selection. Simpson Weems is a 36-year-old aspiring poet whose life has been on hold -- to the breaking point. All he needs to fulfill his potential is to move to San Francisco, but he's torn between his long-held dream of being a great artist and obligations to his aged, ailing mother and his emotionally volatile brother, the all-demanding Bartholomew. Will someone in his family have to die before he can get to California? And how might that be arranged?Written "on location" in New Orleans and set shortly before Hurricane Katrina, Elysian Fields combines menace, the comic strangeness of Flannery O'Connor, and hints of magical realism to convey vivid, original characters and a Crescent City that is both recognizable and more offbeat and seductive than visitors usually see.PRAISE FOR "ELYSIAN FIELDS""A wholly involving story with Faulknerian characters in a fully realized setting. [A] tale of brotherly love and menace. . . . LaFlaur's descriptive talent shines. Fertile imagery drips like Spanish moss: the old buildings collapsing, 'as though the humidity-sodden bricks were returning to mud,' while 'cloud stacks glowed like the battlements of heaven.' [Main character] Simpson's mental landscape is equally vivid, drawn with such empathy and depth that readers will forgive his perpetual indecision and may even root for him to carry out the removal of his near-deranged brother." --Kirkus Reviews (starred review)"[R]eaders will find the author's portrayal of New Orleans convincing and his characters fascinating and fully developed. . . . Life in the Weems family of 1999 New Orleans is anything but Elysian in this engrossing Southern Gothic snapshot." --Publishers Weekly (starred review)"A stunning debut . . . shades of Tennessee Williams, Faulkner and John Kennedy Toole. . . . LaFlaur gently and expertly pulls readers along with his characters, never flinching in the face of their foibles . . ." --Antigravity magazine (New Orleans)"[A] wonderful debut novel, a southern gothic that is at times comedic, at times heartbreaking . . . In places Elysian Fields is as heavy as summer air in New Orleans, but it most definitely has a sense of humor. . . . [A]n impressive debut that will leave readers looking forward to LaFlaur's next offering." --Self-Publishing Review




Golf Illustrated


Book Description




Book of the Dead and other Egyptian Papyri and Tablets


Book Description

The main text of this volume outlines the funerary rights of the ancient Egyptians. The funeral process for this ancient empire was long and drawn out but allowed for the soul, or Ka, to make its way to the land of the dead and back again to one day be resurrected. Also included are tablets that outline letters from various officials of missions and conquests of the Egyptians as well as stories of their gods and hymns and litanies outlining their religious beliefs.







Egyptian Literature Comprising Egyptian Tales, Hymns, Litanies, Invocations, the Book of the Dead and Cuneiform Writings


Book Description

The wonders of Egyptian archæology are the latest and most precious harvest of scholars and explorers. From Belzoni to Flinders Petrie there has been a succession of discoveries in the valley of the Nile with which it is hard for ordinary students to keep pace. Our knowledge of Egyptian life to-day is far clearer and more complete than Bentley's or Porson's acquaintance with the antiquities of Greece and Rome, and we have far more complete access to the treasures of Egyptian literature than Dante or Thomas Aquinas had to the remains of Attic poets and mystics. We know exactly how an Egyptian of the twelfth dynasty dressed; what was the position of women in Egypt; and what uniform was worn by the Egyptian soldiers who took part in the campaign against Khitasis. We can see Rameses II riding in his war-chariot; we know the very names of the horses by whose side his tame lion is running and thirsting for the blood of his master's foes. We know all about the domestic animals, the funeral customs, the trades, the gods, the agriculture of the Nile valley thirty centuries ago. We see the whole many-sided civilization portrayed in the brightest colors in the poetry, the books of ritual, the hieratic inscriptions, the tablets, papyri, and hieroglyphics which day by day come to light in exhaustless abundance from the mounds and ruins of that fertile plain that stretches from Thebes to the Mareotic lake. For instance, we can learn exact particulars about the mode in which Rameses II made war, from the poem of Penta-Our, a Theban writer of the fourteenth century b.c. It is only by a figure of speech that this poem can be called an epic; it is rather a historical narrative couched in terms of poetic exaggeration with the object of flattering the royal vanity of Pharaoh. The campaign in which Rameses then engaged was directed against Kadesh, a city built on an island in the Orontes. It is, according to Penta-Our, inhabited by a people known as Khita, whose spies are brought into the tent of Rameses and questioned as to the whereabouts of the King of Kadesh. The spies are forced by blows to answer, and they tell the Egyptian monarch that the King of the Khita “is powerful with many soldiers, and with chariot soldiers, and with their harness, as many as the sand of the seashore, and they are ready to fight behind Kadesh.” The King is very angry; for he had been deceived by false news to the effect that his enemy had fled in terror to Khilibu. “The fault is great,” he cries, “that the governors of the land and the vassal princes of Pharaoh have committed, in neglecting to watch the movements of the Khita.” He sends to bring back the legions he had sent away, and meanwhile the approach of the enemy is announced. The camp of Rameses is surprised by the Asiatics; many foot-soldiers are killed before they can seize their weapons, but a faithful band rallies in front of the royal quarters. Suddenly a cry is heard; Rameses has quickly put on his armor, seized his lance, ordered his war lion to be loosed, and dashed into the fight. Pharaoh with his master of the horse, Menni, is soon hemmed in by foes. “My Lord, O generous King!” cries Menni, “Egypt's great protector in the day of battle! behold we stand alone in the midst of the enemy, for the archers and the chariots have left us. Let us return, that our lives may be saved. Save us, O my Lord, Rameses Miamun!” Then Rameses called upon Amen, his god, and under his protection charged the enemy, and “his hand devoured them in the space of an instant.” Five times he rushed upon them, and five times they repulsed him. The sixth time he breaks their ranks and regains his own lines. Then the legions of Ptah, which had returned to the camp, join the battle, and the Asiatics are routed. The first care of Rameses is to refresh his brave horses, Victory-in-Thebes and Maut-is-Satisfied. Neither they nor Rameses and his lion are wounded, though all stained with blood and dust, while the head-plumes of the team are torn and tattered and their caparison broken.




The Virgilian Tradition II


Book Description

The Virgilian Tradition II brings together thirteen essays by historian Craig Kallendorf. The essays present a distinctive approach to the reception of the canonical classical author Virgil, that is focused around the early printed books through which that author was read and interpreted within early modern culture. Using the prefaces, dedicatory letters, and commentaries that accompanied the early modern editions of Virgil’s Eclogues, Georgics, Aeneid, and Appendix Virgiliana, they demonstrate how this paratextual material was used by early readers to develop a more nuanced interpretation of Virgil’s writings than twentieth-century scholars believed they were capable of. The approach developed throughout this volume shows how the emerging field of book history can enrich our understanding of the reception of Greek and Latin authors. This book will appeal to scholars and students of early modern history, as well as those interested in book history and cultural history. (CS 1103).




Recent Books