Louis XIV: The Golden Age of France


Book Description

📖 Louis XIV: The Golden Age of France 📖 ✨ Unveil the Grandeur of the Sun King's Reign ✨ Journey into the heart of 17th century France and explore the life and legacy of Louis XIV, the monarch who elevated France to unparalleled heights of power and culture. Brought to you by the ChatStick Team, this book offers a vivid portrayal of the era that came to be known as the Golden Age of France. What Awaits You in This Book: Absolute Power: Discover how Louis XIV consolidated power and redefined the monarchy. Versailles: Delve into the splendor of the Palace of Versailles and its significance in French history. Military Dominance: Understand the pivotal wars and military strategies that shaped Europe. Cultural Renaissance: Explore the flourishing of arts, literature, and music during Louis XIV’s reign. Economic Strategies: Learn about the policies that fueled the grandeur and their impact on the common people. Life in France: Gain insights into the daily lives of citizens under Louis XIV’s rule. This book is a must-read for history buffs, students, and anyone fascinated by the power dynamics and cultural transformations of early modern Europe. "Louis XIV: The Golden Age of France" brings the Sun King's reign to life, offering a captivating narrative that will transport you to an era of opulence, intrigue, and enduring legacy. ✨ Immerse yourself in the world of Louis XIV and witness the splendor of France’s Golden Age! ✨




French Painting in the Golden Age


Book Description

The 17th century has always been considered the golden age - the grand siècle - of French culture. The reigns of Louis XIII and Louis XIV witnessed an unprecedented flowering of literature and philosophy, of music, architecture and art. The poetic history painting of Poussin, the landscapes of Claude Lorrain, the portraits of Philippe de Champaigne, and the celebratory art of Le Brun at the court of Louis XIV at Versailles were among its greatest achievements. Yet the subject-matter and formal conventions most prized at the time can make it difficult for the modern viewer to appreciate the artists’ aims and to judge success or failure. Thanks to new research, it is now possible to set the major figures within the framework of the concerns and theoretical debates of the grand siècle itself. Christopher Allen, one of the few authorities on the subject outside the French-speaking world, brilliantly enables us to see beyond mere form to the meanings the artists intended us to enjoy.




The Reign of Louis XIV


Book Description




A Kingdom of Images


Book Description

Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.




Woven Gold


Book Description

Meticulously woven by hand with wool, silk, and gilt-metal thread, the tapestry collection of the Sun King, Louis XIV of France, represents the highest achievements of the art form. Intended to enhance the king’s reputation by visualizing his manifest glory and to promote the kingdom’s nascent mercantile economy, the royal collection of tapestries included antique and contemporary sets that followed the designs of the greatest artists of the Renaissance and Baroque periods, including Raphael, Giulio Romano, Rubens, Vouet, and Le Brun. Ranging in date from about 1540 to 1715 and coming from weaving workshops across northern Europe, these remarkable works portray scenes from the bible, history, and mythology. As treasured textiles, the works were traditionally displayed in the royal palaces when the court was in residence and in public on special occasions and feast days. They are still little known, even in France, as they are mostly reserved for the decoration of elite state residences and ministerial offices. This catalogue accompanies an exhibition of fourteen marvelous examples of the former royal collection that will be displayed exclusively at the J. Paul Getty Museum at the Getty Center from December 15, 2015, to May 1, 2016. Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field.




The Splendid Century


Book Description

“The Splendid Century,” penned by the brother of famous author C. S. Lewis (“Alice in Wonderland”), is a depiction of various aspects of life in France during the reign of Louis XIV, gleaned through the author’s thorough research of records, correspondence, and journals of the time. Using anecdotal evidence, the book probes in detail various facets of life in France during this time, including the lives of nobles (particularly those at court) as well as commoners, religious institutions and conflicts, the organization of the French army and its restructuring, rural life and city life, what life was like on galley ships and passenger sailing ships, how doctors were trained, and the state of women’s education. The author also discusses the background behind Louis XIV’s policies, illustrating their impact on French civilization, both during this time and for generations to come. A must-read for anyone interested in French history.







King of the World


Book Description

Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close. Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it. King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life. This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.




The Sun King


Book Description

A “devastatingly witty” biography of Louis XIV and the Court of Versailles—at once a historical record of late 17th- and early 18th-century France and a gossip-filled narrative of lovers and rivals, artists and warriors (The New York Times) The Sun King is a dazzling double portrait of Louis XIV and Versailles, the opulent court from which he ruled. With characteristic élan, Nancy Mitford reconstructs the daily life of king and courtiers during France’s golden age, offering vivid sketches of the architects, artists, and gardeners responsible for the creation of the most magnificent palace Europe had yet seen. Mitford lays bare the complex and deadly intrigues in the stateroom and the no less high-stakes power struggles in the bedroom. At the center of it all is Louis XIV himself, the demanding, mercurial, but remarkably resilient sovereign who guided France through nearly three quarters of the Grand Siècle. Brimming with sumptuous detail and delicious bons mots, and written in a witty, conversational style, The Sun King restores a distant glittering century to vibrant life.




Antiquarianism and the Visual Histories of Louis XIV


Book Description

Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.