Love


Book Description

Love is a little word with a universe of meanings and has engaged people's interest throughout human history. The need to give and receive love lies deep within human nature. Philosophers, poets, theologians, sociologists, and scientists have all attempted to explain its exact origin, but is it an evolutionary adaptation, or a social construct?Walsh discusses that the nature of and need for love has biological origins. He draws upon Darwin's sexual selection theory to define the perceptions of love by infants through the process of experience-dependent brain wiring. He observes that mother love makes a child capable of loving and that father love makes a child feel worthy of love. He appraises the origin and purpose of romantic love in his discussions on sexual reproduction by looking at chemical and neurological responses to love and the influence of love on one's physical and mental health.With frequent quotes from literary masters like Shakespeare to orient one's scientific and humanistic understanding of love, Walsh goes on to explore various styles of romantic love, including monogamy, promiscuity, bartering love, and betrayed love; the effects of a skewed sex ratio on dating and mating practices; and the age-old quest for a perfect society populated by perfect people obeying the biblical command to "love one another."




Charles Williams and C. S. Lewis


Book Description

This study of the literary relationship between Charles Williams and C. S. Lewis during the years 1936-1945 focuses on the theme of 'co-inherence' at the centre of their friendship. The idea of 'co-inherence' has long been recognized as an important contribution of Williams to theology, and had significant influence on the thought of Lewis. This account of the two writers' conviction that human persons 'inhere' or 'dwell' both in each other and in the triune God reveals many inter-relationships between their writings that would otherwise be missed. It also shows up profound differences between their world-views, and a gradual, though incomplete, convergence onto common ground. Exploring the idea of co-inherence throws light on the fictional worlds they created, as well as on their treatment (whether together or separately) of a wide range of theological and literary subjects: the Arthurian tradition, the poetry of William Blake and Thomas Traherne, the theology of Karl Barth, the nature of human and divine love, and the doctrine of the Trinity. This study draws for the first time on transcriptions of Williams' lectures from 1932 to 1939, tracing more clearly the development and use of the idea of co-inherence in his thought than has been possible before. Finally, an account of the use of the word 'co-inherence' in English-speaking theology suggests that the differences that existed between Lewis and Williams, especially on the place of analogy and participation in human experience of God, might be resolved by a theology of co-inherence in the Trinity.




Negative Certainties


Book Description

Now in paperback, Jean-Luc Marion's groundbreaking philosophy of human uncertainty. In Negative Certainties, renowned philosopher Jean-Luc Marion challenges some of the most fundamental assumptions we have developed about knowledge: that it is categorical, predicative, and positive. Following Descartes, Kant, and Heidegger, he looks toward our finitude and the limits of our reason. He asks an astonishingly simple—but profoundly provocative—question in order to open up an entirely new way of thinking about knowledge: Isn’t our uncertainty, our finitude, and rational limitations, one of the few things we can be certain about? Marion shows how the assumption of knowledge as positive demands a reductive epistemology that disregards immeasurable or disorderly phenomena. He shows that we have experiences every day that have no identifiable causes or predictable reasons and that these constitute a very real knowledge—a knowledge of the limits of what can be known. Establishing this “negative certainty,” Marion applies it to four aporias, or issues of certain uncertainty: the definition of man; the nature of God; the unconditionality of the gift; and the unpredictability of events. Translated for the first time into English, Negative Certainties is an invigorating work of epistemological inquiry that will take a central place in Marion’s oeuvre.




John Donne's Lyrics


Book Description

John Donne's Lyrics was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Combining modern insight with historical perspective, Professor Stein offers a fresh interpretation of Donne's lyric poems. His method is cumulative; it includes cross references to the religious writing, analysis of individual poems, and their relationship to larger patterns which reflect Donne's poetic mind. Among the specific problems he deals with are those which concern metaphor, symbol, myth, wit, "fictions." "negative theology," consciousness-and-simplicity, "binary" and "ternary" form in poetry, meter and meaning, rationalism and affective language, the visual and the auditory. Professor Stein demonstrates that to gain insight into the integrity of Donne's poetic mind it is necessary to take seriously two propositions: that Donne is a poetic logician endowed with a talent and love for the unity of imaginative form; and that Donne's poetry, though it is not simple, nevertheless deeply and persistently engages important problems which concern "simplicity." In one of his sermons, Donne wrote: "The eloquence of inferiours is in words, the eloquence of superiours is in action." Professor Stein maintains that in his best poems Donne aspires to the eloquence of action and never to the eloquence of words. Although the study is focused on Donne's lyrics, the interpretation is based on a long study of all the poems and the prose and on background and foreground materials. In a postscript the author discusses Donne's "modern career."




Donne the Craftsman


Book Description




Compelling Engagements


Book Description

After decades of rape law reform, it is still being argued that the criminal justice system fails rape victims, that too few cases are prosecuted and too few prosecutions result in conviction. Compelling Engagements is a ground-breaking work which investigates the narratives of rape law and of romance fiction, and explores the outmoded and strikingly similar depictions of their normative female subjects. These are women who are not only vulnerable but also evidently worthy of the protections or rewards promised: punishment of the rapist or the hero's love. Larcombe's analysis explores: the definitions of "rape" in the criminal law and "romance" in Harlequin Mills and Boon fiction; the feminine subjects represented in the texts of rape law and romance fiction; the feminised subject positions the texts produce: the rape complainant and the romance reader; particular fictionalisations of the rape complainant and the romance reader: the false rape complainant and the ideal romance consumer; and how these fictionalisations serve the interests of the criminal justice system and the romance publishing industry. Larcombe shows how the legal construction of gender and subjectivity in rape law is still working to disempower victims. She suggests feminism's failure to accommodate women's investment in heroines of romance fiction has limited their effectiveness in transforming rape law. Compelling Engagements is an original and engaging analysis, and fascinating reading for anyone who deals with rape as part of the criminal justice system.




Humanotorial


Book Description

HUMANOTORIAL - ISSN 2600-7533 is a free magazine to contribute back to society by sharing knowledge and insights in the area of psychology, economics, behaviour, business, productivity, research and consultancy.




Love, Power, and Gender in Seventeenth-Century French Fairy Tales


Book Description

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.




Three Philosophies of Life


Book Description

"I've been a philosopher for all my adult life and the three most profound books of philosophy that I have ever read are Ecclesiastes, Job, and Song of Songs." These are the opening lines of Kreeft's Three Philosophies of Life. He reflects that there are ultimately only three philosophies of life and each one is represented by one of these books of the Bible-life is vanity; life is suffering; life is love. In these three books Kreeft shows how we have Dante's great epic The Divine Comedy played out, from Hell to Purgatory to Heaven. But it is an epic played out in our hearts and lives, here and now. Just as there is movement in Dante's epic, so there is movement in these books, from Ecclesiates to Job, from Job to Song of Songs. Love is the final answer to Ecclesiastes' quest, the alternative to vanity, and the true meaning of life. Finally, Kreeft sees in these books the epitome of theological virtues of faith, hope and love and "an esstential summary of the spiritual history of the world".




The Art of Marvell's Poetry


Book Description

First Published in 1966, The Art of Marvell's Poetry presents J.B. Leishman’s appreciation of Andrew Marvell’s poems by demonstrating a sensitive understanding of attitudes peculiar to the seventeenth century and to Marvell. Leishman calls Marvell an "inveterate imitator and experimenter". His success depended on originality of combination rather than originality of invention. But while such phrases as "Musick, the Mosaique of the Air,’’ "Desarts of vast Eternity,"- and "a green Thought in a green shade" were certainly inspired by others, they are distinctively and unquestionably Marvell’s own. Marvell’s poetry is shown to be the work of a man living at a certain moment in history; it is poetry which could not have been written at any other time, and its affinities to the work of contemporary poets are clearly demonstrated. The Art of Marvell's Poetry is a must read for scholars and researchers of English poetry, English literature, and European literature.