Lulu Phezulu


Book Description

Lulu Phezulu (or 'Lulu on top') is the name of the home of Leigh ('Lulu') Voigt, the well-known artist and book illustrator who lives with her artist husband in the house they built for themselves on a mountain top in a nature reserve in Mpumalanga. This treasure of a book is at one level a personal account of her and her family's move from the city to the country and their serendipitous encounters with nature and the local people. It is also a breathtakingly beautiful natural history notebook filled with Leigh's watercolours and drawings as well as a wealth of anecdotes, curiosities, lore, and legend about the natural world. Lulu Phezulu has grown over many years out of Leigh's need to express, in both words and pictures, the bush and its fascination, highlighting the oddities and complexities of some of its engaging characters, both human and animal. It will appeal to all who have a love of nature and a love of life, both the ordinary and the extraordinary.




Two for the Road


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The Journal of Commonwealth Literature


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One number each year includes Annual bibliography of Commonwealth literature.




South African Botanical Art


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Birds in Art


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Birds of Namibia


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Signed, Sealed, and Delivered


Book Description

A fascinating look at the women whose involvement in the pop music scene ranges from those who make the music to those who package the records; from TV performers to women in the pressing and packing factories; from women in the 50s to today.




Beyond Memory


Book Description

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.