Madame Bovary's Ovaries


Book Description

Draws on the principles of evolutionary biology to provide fresh insights into the world of literature to explain why certain literary works have had a profound influence on human life, arguing that the behavior of icons of literature reveals a universal human nature that has evolved over millions of years of natural selection. Reprint.




Madame Bovary's Ovaries


Book Description

What can elephant seals tell us about Homer’s Iliad? How do gorillas illuminate the works of Shakespeare? What do bloodsucking bats have to do with John Steinbeck? MADAME BOVARY’S OVARIES A Darwinian Look at Literature According to evolutionary psychologist David Barash and his daughter Nanelle, the answers lie in the most important word in biology: evolution. Just like every animal from mites to monkeys, our day-to-day behavior has been shaped by millions of years of natural selection. So it should be no surprise to learn that the natural forces that drive animals in general and Homo sapiens in particular are clearly visible in the creatures of literature, from Henry Fielding’s Tom Jones all the way to Helen Fielding’s Bridget Jones. Seen through the lens of evolutionary biology, the witty repartee of Jane Austen’s courting couples, Othello’s tragic rage, the griping of Holden Caulfield, and the scandalous indiscretions of Madame Bovary herself all make a fresh and exciting kind of sense. The ways we fall in—and out—of love, stand by our friends, compete against our enemies, and squabble with our families have their roots in biological imperatives we share not only with other primates but with an amazing array of other creatures. The result is a new way to read, a novel approach to novels (and plays) that reveals how human nature underlies literature, from the great to the not-so-great. Using the cutting-edge ideas of contemporary Darwinism, the authors show how the heroes and heroines of our favorite stories have been molded as much by evolution as by the genius of their creators, revealing a gallery of characters from Agamemnon to Alexander Portnoy, who have more in common with birds, fish, and other mammals than we could ever have imagined. As engaging and informative as a good story, Madame Bovary’s Ovaries is both an accessible introduction to a fascinating area of science and a provocatively sideways look at our cherished literary heritage. Most of all, it shows in a delightfully enteraining way how science and literature shed light on each other.




Flaubert's Madame Bovary


Book Description

This non-academic author has previously brought you reader's guides to the depths and subtle pleasures of works by Joyce and Faulkner. With this book he brings you to the ultimate pleasures of Gustave Flaubert's masterpiece. This author treats Madame Bovary as the Zen novel, working on the reader in the same way Zen works on a disciple. He shows how Flaubert uses a radically new style in order to create a literary breakthrough of a similar order as Zen and has composed the ultimate music of this novel in the counterpoint of style and plot. The style of the novel is grounded in Zen-like detachment and freedom whereas the plot is mired in desire, illusion and determinism. In the plot the inevitable demise of Madame Bovary is driven by her passionate nature and corresponding vulnerability to illusion. By contrast Flaubert's radical style is built on the philosophy of detachment. Flaubert finds a principal enemy of human freedom deep in the guts of mankind in the tapeworm of desire. The desire tapeworm feeds on freedom and excretes dissatisfaction. Emma or Madame Bovary is not free because she has the worm. Emma wants, Emma gets, but she is quickly dissatisfied and then the worm wants more. Emma could be a poster girl for our 21st century credit card society. Flaubert's novel shows through the fate of Emma Bovary the dangers of the worm. For those without freedom fate is in charge.




Darwinian Misadventures in the Humanities


Book Description

In recent decades the humanities have been in thrall to postmodern skepticism, while Darwinists, brimming with confidence in the genuine progress they have made in the sciences of biology and psychology, have set their sights on rescuing the humanities from the ravages of postmodernism. In this volume, Eugene Goodheart attacks the neo-Darwinist approach to the arts and articulates a powerful defense of humanist criticism. E. O. Wilson, the distinguished Harvard biologist, has spoken of converting philosophy into science, substituting science for religion, and formulating a biological theory of literature and the arts in Consilence: The Unity of Knowledge. Goodheart demonstrates that Wilson's efforts, and those of his colleagues Richard Dawkins, Steven Pinker, and Daniel Dennett among others, have resulted in scientism rather than science. If, for example, Dawkins had contented himself in The Selfish Gene with the claim that Darwinism had made worthless other answers to the question of how we have evolved, he would have given offense only to creationists, but questions of meaning and purpose are of another order. Contemporary Darwinist critiques err in assuming that art and traditional criticism aspire to truths that can be codified in terms of scientific laws. If this were so, we would have to regard the speculations of Plato, Aristotle, Augustine, Montaigne, Shakespeare, and Rousseau as worthless. Goodheart exposes the philistinism of literary Darwinism, the bad faith and inverted fundamentalism of the Darwinian approach to religion, and the dangers of the eff ort to create a Darwinian ethical system. Taken together, Goodheart's arguments show that in moving beyond their area of competence, the neo -Darwinists commit an ideology, not a science.




Bioaesthetics


Book Description

In recent years, bioaesthetics has used the latest discoveries in evolutionary studies and neuroscience to provide new ways of looking at art and aesthetics. Carsten Strathausen’s remarkable exploration of this emerging field is the first comprehensive account of its ideas, as well as a timely critique of its limitations. Strathausen familiarizes readers with the basics of bioaesthetics, grounding them in its philosophical underpinnings while articulating its key components. Importantly, he delves into the longstanding problem of the “two cultures” that separate the arts and the sciences. Seeking to make bioaesthetics a more robust way of thinking, Strathausen then critiques it for failing to account for science’s historical and cultural assumptions. At its worst, he says, biologism reduces artworks to mere automatons that rubber-stamp pre-established scientific truths. Written with a sensitive understanding of science’s strengths, and willing to refute its best arguments, Bioaesthetics helps readers separate the sensible from the specious. At a time when humanities departments are shrinking—and when STEM education is on the rise—Bioaesthetics makes vital points about the limitations of science, while lodging a robust defense of the importance of the humanities.




Human Nature and the Limits of Darwinism


Book Description

This book compares two competing theories of human nature: the more traditional theory espoused in different forms by centuries of western philosophy and the newer, Darwinian model. In the traditional view, the human being is a hybrid being, with a lower, animal nature and a higher, rational or “spiritual” component. The competing Darwinian account does away with the idea of a higher nature and attempts to provide a complete reduction of human nature to the evolutionary goals of survival and reproduction. Whitley Kaufman presents the case that the traditional conception, regardless of one's religious views or other beliefs, provides a superior account of human nature and culture. We are animals, but we are also rational animals. Kaufman explores the most fundamental philosophical questions as they relate to this debate over human nature—for example: Is free will an illusion? Is morality a product of evolution, with no objective basis? Is reason merely a tool for promoting reproductive success? Is art an adaptation for attracting mates? Is there any higher meaning or purpose to human life? Human Nature and the Limits of Darwinism aims to assess the competing views of human nature and present a clear account of the issues on this most pressing of questions. It engages in a close analysis of the numerous recent attempts to explain all human aims in terms of Darwinian processes and presents the arguments in support of the traditional conception of human nature.




Evolutionary Thinking Across Disciplines


Book Description

This volume aims to clarify the epistemic potential of applying evolutionary thinking outside biology, and provides a survey of the current state of the art in research on relevant topics in the life sciences, the philosophy of science, and the various areas of evolutionary research outside the life sciences. By bringing together chapters by evolutionary biologists, systematic biologists, philosophers of biology, philosophers of social science, complex systems modelers, psychologists, anthropologists, economists, linguists, historians, and educators, the volume examines evolutionary thinking within and outside the life sciences from a multidisciplinary perspective. While the chapters written by biologists and philosophers of science address theoretical aspects of the guiding questions and aims of the volume, the chapters written by researchers from the other areas approach them from the perspective of applying evolutionary thinking to non-biological phenomena. Taken together, the chapters in this volume do not only show how evolutionary thinking can be fruitfully applied in various areas of investigation, but also highlight numerous open problems, unanswered questions, and issues on which more clarity is needed. As such, the volume can serve as a starting point for future research on the application of evolutionary thinking across disciplines.




Darwin's Screens


Book Description

Darwin's Screens addresses a major gap in film scholarship—the key influence of Charles Darwin's theories on the history of the cinema. Much has been written on the effect of other great thinkers such as Freud and Marx but very little on the important role played by Darwinian ideas on the evolution of the newest art form of the twentieth century. Creed argues that Darwinian ideas influenced the evolution of early film genres such as horror, the detective film, science fiction, film noir and the musical. Her study draws on Darwin's theories of sexual selection, deep time and transformation, and on emotions, death, and the meaning of human and animal in order to rethink some of the canonical arguments of film and cinema studies.




Psychology According to Shakespeare


Book Description

William Shakespeare has undergone psychological analyses ever since Freud diagnosed Hamlet with an Oedipus complex. But now, two psychologists propose to turn the tables by telling how Shakespeare himself understood human behavior and the innermost workings of the human mind. Psychology According to Shakespeare: What You Can Learn About Human Nature From Shakespeare's Great Plays, is an interdisciplinary project that bridges psychological science and literature, bringing together for the first time in one volume, the breadth and depth of The Bard’s knowledge of love, jealousy, dreams, betrayal, revenge, and the lust for power and position. Even today, there is no better depiction of a psychopath than Richard III, no more poignant portrayal of dementia than King Lear, nor a more unforgettable illustration of obsessive-compulsive disorder than Lady Macbeth’s attempts to wash away the damned blood spot. What has not been revealed before, however, are the many different forms of mental illness The Bard described in terms that are now identifiable in the modern manual of disorders known as the DSM-5. But, as the book shows, the playwright’s fascination with human nature extended far beyond mental disorders, ranging across the psychological spectrum, from brain anatomy to personality, cognition, emotion, perception, lifespan development, and states of consciousness. To illustrate, we have stories to tell involving astrology, potions, poisons, the four fluids called “humors,” anatomical dissections of freshly hanged criminals, and a mental hospital called Bedlam—all showing how his perspective was grounded in the medicine and culture of his time. Yet, Will Shakespeare’s intellect, curiosity, and temperament allowed him to see other ideas and issues that would become important in psychological science centuries later. Many of these connections between Shakespeare and psychology lie scattered in books, articles, and web pages across the public domain, but they have never been brought together into a single volume. So, here the authors retell of his fashioning the felicitous phrase, nature-nurture for Prospero to utter in frustration with Caliban and of how the nature-nurture dichotomy would become central in psychology’s quest to understand the tension between heredity and environment. But that was still far from all, for they discovered that his work anticipated multiple other psychological tensions. For example, in Measure for Measure, he made audiences puzzle over which exerts the greater influence on human behavior: internal traits or the external situation. And in Hamlet, he explored the equally enigmatic push-pull between reason and emotion in the mind of the dithering prince. Aside from bringing together The Bard’s known psychology, the book is unique in several other respects. It reveals how his interest in mind and behavior ranged across the full spectrum of psychology, including topics that we now call biopsychology and neuroscience, social psychology, thinking and intelligence, motivation and emotion, and reason vs intuition. Further, we show how the psychological concepts he used have evolved over the intervening centuries—for example, the Elizabethan notion of sensus communis eventually became “consciousness” and the old idea of the humors morphed into our current understanding of hormones and neurotransmitters. We also note that some of Mr. Shakespeare’s concerns seem especially timely today, as in the subplot of queer vs straight issues complicating the story of Troilus and Cressida and in Shylock’s telling of prejudices inflicted on ethnic minorities.




Cognitive Joyce


Book Description

This collection is the first book-length study to re-evaluate all of James Joyce's major fictional works through the lens of cognitive studies. Cognitive Joyce presents Joyce's relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author's "extended mind" at work, into his characters' complex and at times pathological perceptive and mental processes, and into the elaborate responses the work elicits as we perform the act of reading. This volume not only offers comprehensive overviews of the oeuvre, but also detailed close-readings that unveil the linguistic focus of Joyce's drama of cognition.