Make Your Script Sellable


Book Description

Cara J. Russell is a prolific screenwriter with a background in journalism. Her movies can currently be seen on Netflix, Amazon Prime, Hallmark Channel, Hallmark Drama, Lifetime, UPtv, PixL TV, and more. As of this writing, she has 10 + screenplay projects in development with various producers and production companies. In addition to her screenwriting, Cara works as a Creative Development Executive for MPCA (Motion Picture Corporation of America), a film production company in Los Angeles that is a world-leading producer of Christmas and family-themed movies and television entertainment. As a Creative Development Executive, Cara has read and given extensive notes on hundreds of scripts. She works on the production side of film and TV projects for networks and streamers from the initial pitches through the shooting drafts. A large part of her job is working with writers and helping them get their scripts into sellable shape for buyers such as Netflix, Hallmark Channel, Hallmark Movies and Mysteries, Paramount, ABC, CBS, HBO Plus, NBC Peacock, Disney Plus, Lifetime, and many more. Working on both sides of the table gives Cara a unique perspective. She found herself giving the same notes over and over again to new writers and decided to write a screenwriting book. The purpose of this book is to help screenwriters who already understand basic structure and story elements but their scripts need a lot more work to get them into sellable shape. Cara explains the notes that are commonly given to writers by Development Executives on their submitted scripts to help you identify and solve those issues before you submit your script to a production company or studio. Knowing the right people, people who are willing to read your spec and/or are looking to hire writers for open writing assignments, doesn't do you any good unless you can deliver a strong, professionally formatted, well-written, amazing script. You usually only get one shot to have your project read, and it is important to make sure your screenplay is in the best possible shape! Although glamorous, the entertainment industry is a business. In addition to understanding the elements of what makes a successful, sellable screenplay, it is equally important to have a basic understanding of the business side of the movie industry. This includes knowing how to pitch your project, handling notes meetings, and delivering subsequent revised and properly formatted drafts to the production company. The good news is that everyone in Hollywood is looking for an amazing script, and with streamers changing the game, there has never been a better time or opportunity for new writers to break into the industry and sell their screenplays. This is the book Cara would have wanted and needed when she was first starting out in her professional screenwriting career. Take it from someone who has been there, and works on both sides of this wonderful, maddening, exhilarating, creative industry, you can make your screenwriting dreams come true!




Writing Screenplays That Sell


Book Description

Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.




Selling Your Screenplay


Book Description

Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.




The 1-3-5 Story Structure Made Simple System


Book Description

Hundreds of books claim they can teach you how to write the perfect script. Listen up: your script doesnt need to be perfect to sell! It does need to include nine standard story elements. Producer, writer and story analyst Donna Michelle Anderson, best known in the industry as DMA, has been hammering this point home for more than a decade at UCLA Extension Writers Program, film fests, production companies and more, and as the founder and screenwriting instructor of the Movie in a Box one-day filmmaking seminars.With this concise guide, DMA brings you the simplest steps to unifying a theme, character arc and spine, then streamlining those elements into a sellable script. She calls it The 1-3-5 System. Youre going to call it a miracle.




The Complete Idiot's Guide to Screenwriting


Book Description

Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.




Lew Hunter's Screenwriting 434


Book Description

For decades, Lew Hunter's Screenwriting 434 class at UCLA has been the premier screenwriting course, launching a generation of the industry's most frequently produced writers. Here, he shares the secrets of his course on the screenwriting process by actually writing an original script, step by step, that appears in the book.




The Craft of Scene Writing


Book Description

A professional screenwriter’s master class in writing the most critical and challenging script element―the individual scene.




The Idea


Book Description

Multiple Emmy Award-winning screenwriter Erik Bork (HBO's BAND OF BROTHERS) presents the seven fundamental characteristics of a great story in any medium. Writers tend to jump into the writing too quickly, without knowing they have a flawed central idea. This book is all about ensuring that doesn't happen!




Good in a Room


Book Description

Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.




Creating Blockbusters!


Book Description

A guide to creating "ever-cool" entertainment. An asset to entertainment executives or anyone aiming to create the next big hit, this book offers guidelines for developing concepts and marketing blockbusters. Whether it is a best-selling novel, a video game, or a high-tech toy, blockbusters play a big part in American society. Despite the prominence of these breakthrough hits, most entertainment ventures do not survive in today's competitive market. This guide identifies the key principles that will ensure lasting success.