Makers of Modern Tamil


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Makers of Modern Dalit History


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In late-nineteenth-century Kerala, a man flamboyantly rode a villuvandi (bullock cart) along a road. What might sound like a mundane act was, at that time, a defiant form of protest. Riding animal-pulled vehicles was a privilege enjoyed only by the upper castes. This man, hailing from the untouchable Pulaya community, was attacking caste-based discrimination through his act. He was none other than Ayyankali, a social reformer and activist. Featuring several such inspiring accounts of individuals who tirelessly battled divisive forces all their lives, this book seeks to enhance present-day India's imagination and shape its perception of the Dalit community. Based on original research on historical and contemporary figures such as B.R. Ambedkar, Babu Jagjivan Ram, Gurram Jashuva, K.R. Narayanan, Soyarabai and Rani Jhalkaribai, among many others, Makers of Modern Dalit History will be a significant addition to the Dalit discourse. This definitive volume on some of the foremost Dalit thinkers, both past and present, promises to initiate a much-needed conversation around Dalit identity, history and politics.




Tamil Literature


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Makers of Modern India


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Includes a short biographical introduction to each person, followed by excerpts from their writings.




The Smile of Murugan


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CULTURAL ASPIRATIONS Essays on the Intellectual History of the Colonial Tamil Nadu


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The construction of the past, as a historical agenda, figured prominently in the attempt of intellectuals to modernize society. They realized the importance of being sensitive to their past, which had been misrepresented by colonial rule. The investigation of the past to perceive the present and to conceive a future became integral to their intellectual endeavour. To use K.N. Panikkhar's words, "the intellectual quest in colonial India, engaged in an enquiry into the meaning of the past and thus in an assessment of its relevance to contemporary society, was an outcome of this awareness''. The construction of the past, was initially viewed as pre-requisite to reform. It subsequently turned out to be part of an ant-colonial agenda to retrieve a lost identity. This agenda become very vocal as the national movement reached its mass phase.




Rajaji


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The definitive biography of free India's first Head of State Chakravarti Rajagopalachari (1878-1972), popularly called C.R. or Rajaji, is usually remembered as free India's Governor-General, or the first Indian Head of State. At one time considered Gandhi's heir, this brilliant lawyer from Salem was regarded in pre-independence years as one of the top five leaders of the Congress along with Nehru, Prasad, Patel and Azad. This biography written by Rajaji's grandson, the noted historian and biographer Rajmohan Gandhi, highlights Rajaji's role in the events preceding Partition. A statesman and conciliator of conflicts between stalwarts, he was perhaps the sole Congress leader in the forties to admit to the likelihood of Partition. He prophesied even then that Pakistan might break up in twenty-five years! Later, C.R. became a strident critic of Nehru and the Congress. As a founder of the Swatantra party in the fifties, he attacked the 'permit-license Raj' fearing its potential for corruption and stagnation, even while the tide was in favour of Nehru's socialistic pattern. Meticulously researched, using C.R.'s private papers, his contemporaries' archives, extensive interviews with eyewitnesses and contemporary accounts and newspapers, this intensely personal, yet objective account gives us an unparalleled portrait of one of the outstanding Indians of this century.




Celluloid Classicism


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Received a special citation from The de la Torre Bueno© First Book Award Committee of the Dance Studies Association (2020). The book has been hailed as "an invaluable addition to the scholarship on Bharatanatyam." Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.




Lexicon of Tamil Literature


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Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.




Shadows at Noon


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Shadows at Noon is an ambitious synthesis of decades of research and scholarship which explores the key strands of South Asian history in the twentieth century with clarity and authority. Unlike other narrative histories of the subcontinent that concentrate exclusively on politics, here food, leisure and the household are given equal importance to discussions of nationhood, the development of the state and patterns of migration. While it tells the subcontinent's story from the British Raj to independence and partition and on to the forging of the modern nations of India, Pakistan and Bangladesh, the book's structure is thematic rather than chronological. Each of the chapters illuminates on overarching theme or sphere that has shaped South Asia over the course of the century. This format allows the reader to explore particular issues such as the changing character of nationalism or food consumption over time and in depth. Shadows at Noon is a bold, innovative and personal work that pushes back against standard narratives of 'inherent' differences between India, Pakistan and Bangladesh. Its purpose is to make contemporary South Asia intelligible to readers who are fascinated by the subcontinent's cultural vibrancy and diversity but are often perplexed by its social and political makeup. And it illuminates the many aspects that its people have in common rather than what divides them.