Malanggan Art of New Ireland and Adjacent Islands
Author : Richard Hansen
Publisher :
Page : 312 pages
File Size : 34,8 MB
Release : 1955
Category : Art
ISBN :
Author : Richard Hansen
Publisher :
Page : 312 pages
File Size : 34,8 MB
Release : 1955
Category : Art
ISBN :
Author : K. Sykes
Publisher : Springer
Page : 205 pages
File Size : 25,19 MB
Release : 2008-12-22
Category : Social Science
ISBN : 0230617956
Rather than measure the actions of their subjects by reference to either universal rationality or cultural relativism, contributors in this volume describe ordinary people as they value human relationships and reason through the commonplace contradictions of their local way of life in a global age.
Author : Dorothy K. Billings
Publisher : Lexington Books
Page : 286 pages
File Size : 10,46 MB
Release : 2002-05-23
Category : Political Science
ISBN : 9780739110706
Dorothy K. Billings' unique ethnography is based on thirty-five years of anthropological fieldwork in Papua New Guinea. Cargo Cult as Theater offers anthropologists, and anyone interested in the Johnson cult, careful insight into this unlikely cultural phenomenon.
Author : Marilyn Strathern
Publisher : Cambridge University Press
Page : 248 pages
File Size : 49,38 MB
Release : 2005-10-24
Category : Law
ISBN : 9780521849920
Examines Euro-American kinship as the kinship of a specifically knowledge-based society.
Author : Philip J. C. Dark
Publisher : University of Hawaii Press
Page : 286 pages
File Size : 45,17 MB
Release : 1993-09-01
Category : Art
ISBN : 9780824815738
“The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts
Author : Matei Candea
Publisher : Routledge
Page : 501 pages
File Size : 32,39 MB
Release : 2015-12-14
Category : History
ISBN : 131731221X
Gabriel Tarde was a highly influential figure in 19th century French sociology: a prolific and evocative writer whose understanding of the social differed radically from that of his younger opponent Emile Durkheim. Whereas Durkheimian sociology went on to become the core of the social scientific canon throughout much of the 20th century, Tarde’s sociology fell out of the picture, and he was remembered mostly through a few footnotes in which Durkheim dismissed him as an individualist, a psychologist and a metaphysician. The social sciences and humanities are now being swept by a Tardean revival, a rediscovery and reappraisal of the work of this truly unique thinker, for whom ‘every thing is a society and every science a sociology’. Tarde is being brought forward as the misrecognised forerunner of a post-Durkheimian era. Reclaimed from a century of near-oblivion, his sociology has been linked to Foucaultian microphysics of power, to Deleuze's philosophy of difference, and most recently to the spectrum of approaches related to Actor Network Theory. In this connection, Bruno Latour hailed Tarde’s sociology as "an alternative beginning for an alternative social science". This volume asks what such an alternative social science might look like. This second edition has been expanded to include, alongside the original chapters, two key essays by Gabriel Tarde himself - Monadology and Sociology and The Two Elements of Sociology, as well as a significantly revised and extended introduction by the editor.
Author : Julia A. Hendon
Publisher : Duke University Press
Page : 311 pages
File Size : 29,18 MB
Release : 2010-04-22
Category : Social Science
ISBN : 0822391724
In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.
Author : Justine M. Cordwell
Publisher : Walter de Gruyter
Page : 832 pages
File Size : 38,23 MB
Release : 2011-06-15
Category : Social Science
ISBN : 3110810247
Author : Marilena Alivizatou
Publisher : Routledge
Page : 241 pages
File Size : 32,31 MB
Release : 2016-06-16
Category : Social Science
ISBN : 1315426358
In this comparative, international study Marilena Alivizatou investigates the relationship between museums and the new concept of “intangible heritage.” She charts the rise of intangible heritage within the global sphere of UN cultural policy and explores its implications both in terms of international politics and with regard to museological practice and critical theory. Using a grounded ethnographic methodology, Alivizatou examines intangible heritage in the local complexities of museum and heritage work in Oceania, the Americas and Europe. This multi-sited, cross-cultural approach highlights key challenges currently faced by cultural institutions worldwide in understanding and presenting this form of heritage.
Author : Graeme Were
Publisher : University of Hawaii Press
Page : 217 pages
File Size : 27,78 MB
Release : 2010-08-31
Category : Social Science
ISBN : 0824860489
Building on historical and contemporary literature in anthropology and art theory, Lines That Connect treats pattern as a material form of thought that provokes connections between disparate things through processes of resemblance, memory, and transformation. Pattern is constantly in a state of motion as it traverses spatial and temporal divides and acts as an endless source for innovation through its inherent transformability. Graeme Were argues that it is the ideas carried by pattern’s relational capacity that allows Pacific islanders to express their links to land, genealogy, and resources in the most economic ways. In doing so, his book is a timely and unique contribution to the analysis of pattern and decorative art in the Pacific amid growing debates in anthropology and art history. This striking and original study brings together objects and photographs, historical literature and contemporary ethnographic case studies to explore pattern in its logical workings. It presents the first-ever analysis of the well-known patterned shell valuable called kapkap as revealed in New Ireland mortuary feasts. Innovative research in the study of Christianity and the Baha’i faithful in the region shows how pattern has been appropriated in new religious communities. Were argues that pattern is used in various guises in performances, church architecture, and funerary images to contrasting effect. He explores the conditions under which pattern facilitates a connecting of old and new ideas and how missionary processes are implicated in this flow. He then considers the mechanisms under which pattern is internalized, paying particular attention to its embeddedness in spatial and numerical thinking. Finally, he examines how pattern carries new materials and technologies, which in turn provide new resources for sustaining old beliefs. Drawing on a multitude of fields (anthropology; art history; Pacific, museum, and religious studies; education; ethnomathematics), Lines That Connect raises key questions about the capacity of pattern across the Pacific to bind and sustain ideas about place, body, and genealogy in the most logical of ways.