Mam'zelle Nitouche


Book Description




Mam'zelle Nitouche


Book Description

Williamson & Musgrove presents, "The Royal Comic Opera Company", including Miss Nellie Stewart, in "Mam'zelle Nitouche", playing at the Princess Theatre, [1894?].




Mam'zelle Nitouche./ by Hervé


Book Description

Williamson & Musgrove presents, "The Royal Comic Opera Company", by Alfred Plumpton, including Miss Nellie Stewart, in "Mam'zelle Nitouche", playing at the Princess Theatre, 13th September 1895.




Mam'zelle Nitouche


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







Operetta


Book Description

Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.







Madcap May


Book Description

May Yohe was a popular entertainer from humble American origins who married and then abandoned a wealthy English Lord who owned the fabled Hope diamond--one of the most valuable objects in the world and now exhibited at the Smithsonian Institution in Washington, D.C. May was a romantic who had numerous lovers and at least three husbands--though the tabloids rumored twelve. One included the playboy son of the Mayor of New York. May separated from him--twice--and cared for her next husband, a South African war hero and invalid whom she later shot. Crossing the paths of Ethel Barrymore, Boris Karloff, Oscar Hammerstein, Teddy Roosevelt, Consuelo Vanderbilt, and the Prince of Wales, May Yohe was a foul-mouthed, sweet-voiced showgirl who drew both the praise and rebuke of Nobel laureate George Bernard Shaw. Nicknamed "Madcap May," she was a favorite of the press. In later years she faced several maternity claims and a law suit which she won. She was hospitalized in an insane asylum and escaped. She ran a rubber plantation in Singapore, a hotel in New Hampshire, and a chicken farm in Los Angeles. When all else failed, she washed floors in a Seattle shipyard, and during the Depression held a job as a government clerk. Shortly before her death, she fought, successfully, to regain her lost U.S. citizenship. How was this woman, May Yohe, able to charm her way to international repute, live an impossible life, and also find the strength to persevere in light of the losses she suffered--in wealth, citizenship, love, and sanity? Madcap May, assembled from her writings and historical interviews, archival records, newspaper stories, scrapbooks, photographs, playbills, theatrical reviews, souvenirs, and silent film, tells her heretofore lost story.




Pick-me-up


Book Description




Entertaining Lisbon


Book Description

During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author João Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.