Robert Bage's Hermsprong, Or, Man as He is Not


Book Description

The first edited and fully annotated edition of Robert Bage's Hermsprong or Man As He Is Not (1796), this book will make accessible in accurate form an English novel that is lively in the reading and important in its historical interest. Walter Scott, Jane Austen, and Thomas Love Peacock, among others, were attracted to it. As Professor Tave's introduction shows, Hermsprong has political and social interest because it is in part a witty response to the English attitude toward the French Revolution and to the rights of man and woman. The novel was reviewed enthusiastically by Mary Wollstonecraft, and it was considered dangerous politically and morally by some of its nineteenth-century critics. This edition has a critical and historical introduction, bibliography, chronology of the author's life, a note on the text, the text itself with full annotations and textual notes. Both the text and the commentary will be valuable to those who have an interest in the English novel or in the literature and the history of the late 18th and early 19th centuries.




Man as He is Not


Book Description




Hermsprong


Book Description

Robert Bage’s Hermsprong satirizes English society of the 1790s targeting, in particular, corrupt clergymen, grasping lawyers and wicked aristocrats. The protagonist, a European raised among Native Americans, visits Europe and is dismayed by what he encounters. While such satire might seem conventional enough, Hermsprong is distinguished from other political novels of the period by its comedy, and it is a measure of Bage’s success that he won the admiration of writers as different in political outlook as Mary Wollstonecraft and Sir Walter Scott. Indeed, Hermsprong is built around debate, and celebrates the pleasures of the lively exchange of ideas. This Broadview edition contains extensive primary source appendices including material by William Godwin, Benjamin Franklin, Pierre de Charlevoix, and Voltaire.




Hermsprong


Book Description




The British Novelists


Book Description




Novel Beginnings


Book Description

In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course.




Her Bread To Earn


Book Description

Much criticism has posited an all-powerful patriarchy that effectively marginalized and disempowered women until well into the nineteenth century. In a startling revisionist study, Mona Scheuermann refutes these stereotypes, finding that the images presented by eighteenth- and early nineteenth-century novelists are of functioning, capable women whose involvement with the getting, keeping, and investing of money provides a ubiquitous theme in the novels of the period. Her Bread to Earn focuses on the images presented by the major novels of the eighteenth and early nineteenth century, those works that form the core of the canon or that define an important trend at a particular time. Moving through Defoe through Richardson, Fielding, Holcroft, Godwin, Bage, Inchbald, and Wollstonescaft to Austen, Scheuermann demonstrates that novelists of this period depicted women as relatively independent persons, many of whom managed property, shaped and directed events, and controlled their own destinies. These are intelligent women, eager to learn, and ready, sometimes aggressively ready, to act. Scheuermann's eighteenth-century women is drawn in the grays of reality, not in the black and white of ideology. The images she presents go far beyond the patriarchal prison into which modern criticism has sometimes forced the female characters. Certain to spark controversy, this book marks a major shift in received opinion.




THE ENGLISH NOVEL


Book Description




Unusual Suspects


Book Description

Robespierre's Reign of Terror spawned an evil little twin in William Pitt the Younger's Reign of Alarm, 1792-1798. Terror begat Alarm. Many lives and careers were ruined in Britain as a result of the alarmist regime Pitt set up to suppress domestic dissent while waging his disastrous wars against republican France. Liberal young writers and intellectuals whose enthusiasm for the American and French revolutions raised hopes for Parliamentary reform at home saw their prospects blasted. Over a hundred trials for treason or sedition (more than ever before or since in British history) were staged against 'the usual suspects' - that is, political activists. But other, informal, vigilante means were used against the 'unusual suspects' of this book: jobs lost, contracts abrogated, engagements broken off, fellowships terminated, inheritances denied, and so on and on. As in the McCarthy era in 1950s America, blacklisting and rumor-mongering did as much damage as legal repression. Dozens of 'almost famous' writers saw their promising careers nipped in the bud: people like Helen Maria Williams, James Montgomery, William Frend, Gilbert Wakefield, John Thelwall, Joseph Priestley, Dr. Thomas Beddoes, Francis Wrangham and many others. Unusual Suspects tells the stories of some representative figures from this largely 'lost' generation, restoring their voices to nationalistic historical accounts that have drowned them in triumphal celebrations of the rise of English Romanticism and England's ultimate victory over Napoleon. Their stories are compared with similar experiences of the first Romantic generation: Coleridge, Wordsworth, Southey, Lamb, Burns, and Blake. Wordsworth famously said of this decade, 'bliss was it in that dawn to be alive, but to be young was very heaven!' These young people did not find it so-and neither, when we look more closely, did Wordsworth.