The Art of Mantua


Book Description

"Although most of Mantua's artistic treasures were sold or claimed as war spoils upon the decline of the Gonzaga family, the rich cultural legacy of this fascinating city lives on in the city's many surviving frescoes and in the collections of some of the world's premier museums These priceless works of art are reunited in the pages of this beautifully illustrated volume."--BOOK JACKET.




The University of Mantua, the Gonzaga, and the Jesuits, 1584–1630


Book Description

Universities were driving forces of change in late Renaissance Italy. The Gonzaga, the ruling family of Mantua, had long supported scholarship and dreamed of founding an institution of higher learning within the city. In the early seventeenth century they joined forces with the Jesuits, a powerful intellectual and religious force, to found one of the most innovative universities of the time. Paul F. Grendler provides the first book in any language about the Peaceful University of Mantua, its official name. He traces the efforts of Duke Ferdinando Gonzaga, a prince savant who debated Galileo, as he made his family’s dream a reality. Ferdinando negotiated with the Jesuits, recruited professors, and financed the school. Grendler examines the motivations of the Gonzaga and the Jesuits in the establishment of a joint civic and Jesuit university. The University of Mantua lasted only six years, lost during the brutal sack of the city by German troops in 1630. Despite its short life, the university offered original scholarship and teaching. It had the first professorship of chemistry more than 100 years before any other Italian university. The leading professor of medicine identified the symptoms of angina pectoris 140 years before an English scholar named the disease. The star law professor advanced new legal theories while secretly spying for James I of England. The Jesuits taught humanities, philosophy, and theology in ways both similar to and different from lay professors. A superlative study of education, politics, and culture in seventeenth-century Italy, this book reconsiders a period in Italy’s history often characterized as one of feckless rulers and stagnant learning. Thanks to extensive archival research and a thorough examination of the published works of the university's professors, Grendler's history tells a new story.




Mantua


Book Description

Mantova (Mantua), the capital of Matilde di Canossa and the Gonzaga family, is an enchanted island surrounded by three lakes formed by the Mincio. The impressive scenography of the Gonzaga period, the marvelous frescoes of the Mantegna family, the fabulous inventions of Giulio Romano in the Tea Palace, the churches, the patrician houses narrate the history. A few kilometers from Mantova, we can admire the beautiful Sanctuary of the Beata Vergine alle Grazie, the Benedictine Abbey of Polirone, in San Benedetto Po, the small village parishes, and the old courts. Mirage in the fertile countryside is Sabbioneta, the "small Athens" of Vespasiano Gonzaga. Mantova history According to legend, the town was founded by the soothsayer Manto when he fled from Thebes; Mantua enters history with the Etruscans. It goes from Roman rule to the barbarian invasions until around 1000 A.D. it becomes part of the feudal dominions of the Canossa. It becomes a free commune in the XII and XIII centuries, continuing to grow while the unhealthy marsh by which it is surrounded is drained and reclaimed. In 1237 Pinamonte Bonacolsi came to power and consolidated its economic prosperity until 1328 when control passes to Luigi Gonzaga, founder of the dynasty to which Mantua owes most of its artistic beauty. In fact, under Gonzaga's rule, Mantua becomes notably more critical politically, enjoys economic prosperity, and is acknowledged as a primary center of culture and Renaissance art. The family residence soon becomes one of the largest and most magnificent palaces in Europe. This is a guide to the art city of Mantua for a visit lasting one, two, three, or more days. Includes a visit to the towns of Sabbioneta and Castellaro Lagusello, and a description of the Flora and Fauna of Mantua Lakes. There are extensive descriptions and photos of the attractions: museums, churches, piazzas. There are descriptions of how to get to Mantua by train, driving, or flying to the city. The guide is divided into sections covering short visits to the "must-see" attractions and an itinerary for a multi-day complete stop to all the attractions available.




Mantua and its province


Book Description




Women, Art and Architectural Patronage in Renaissance Mantua


Book Description

Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua.




Music and Patronage in Sixteenth-Century Mantua: Volume 1


Book Description

Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.




Private Collectors in Mantua, 1500-1630


Book Description

Case studies of private art collections recorded during the sixteenth and early seventeenth centuries in Mantua. This work seeks to show how the collectors' taste changed during this period and how these changes are reflected in the collections' display, and also seeks to contribute to the understanding of the original context of works of art in sixteenth and early seventeenth century private houses in a courtly city.




Music at the Gonzaga Court in Mantua


Book Description

In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.




Rabbi Judah Moscato and the Jewish Intellectual World of Mantua in the 16th-17th Centuries


Book Description

Judah ben Joseph Moscato (c.1533–1590) was one of the most distinguished rabbis, authors, and preachers of the Italian-Jewish Renaissance. This volume is a record of the proceedings of an international conference, organized by the Institute of Jewish Studies at Halle-Wittenberg (Germany), and Mantua’s State Archives. It consists of contributions on Moscato and the intellectual world in Mantua during the 16th and 17th centuries.




Ariadne in Mantua


Book Description