Maps and Transcripts of the Ordinary World


Book Description

This “innovative” poetry collection “uses text and image to explore the strangeness inherent in everyday experience” (Publishers Weekly). “I take seven photographs turning / in a circle, a panorama, / but how will I place them hanging / on a wall back home? Something already slipping,” Kathryn Cowles writes. These poems surround a central question: how much of a moment is captured by the mechanisms we use to describe it? How much of the shore, the birds, the feeling? In pursuit of an answer, Cowles leads readers through a sequence of distinct landscapes (islands, plains, mountains, oceans), puzzling over and embracing the valley between literature and lived experience. Along the way, Cowles’s language is light but recursive, rotating around beloved places: a new house, a garden, a seemingly endless plane ride, a battery-operated spit of lamb, a photograph of a battery-operated spit of lamb, dogs, Sue, Ohio. This collection defamiliarizes and refamiliarizes the “actual world,” while navigating toward the clear and substantial stuff of living. Arresting on both visual and textual levels, Maps and Transcripts of the Ordinary World isa collection that lingers in memory and place, in the unsettled distance between reality and its transcriptions. “Deftly shows that as we struggle to transform into language what we see and hear and feel, the results are inevitably incomplete; there’s a gap between what we want to say and what we actually manage.” —Library Journal “The need to catalog, to document, and to mourn are all active forces in Cowles’s poems . . . a work of grappling with the representational and the real and the thin boundaries between them.” —Colorado Review




Mappings


Book Description

This book explores what mapping meant in the psat and how its meanings have altered. The authors investigate mappings of terrestrial space on a large scale; mapping and localism; personal mappings on and of the human body; cosmographic or imaginary mappings beyond the scale of direct earthly experience.




Narrative Networks


Book Description

"We are invited to think about the now ubiquitous everyday practices of interpreting and producing narratives across a range of modalities. The result is a text that inspires readers to think in new ways about narratives, invites them to analyse narrative texts available on the Web and, for those who wish, suggests how best to employ specialist software." - Ann Phoenix, Institute of Education, University of London "It’s high time we have a book like this. Brian Alleyne has managed to produce the best, clearest, and most comprehensive overview of narrative theory for social scientists I have yet to see. I wish I’d had access to a book like this when I was a student. It would have made my life so much easier. It will surely become the universally recognised go-to book on the subject." - David Graeber, London School of Economics & Political Science Narrative is a fundamental means whereby we make sense of our own lives and of the world around us. The stories we tell, and are being told, shape our identities, relationships and world-views. In a rapidly changing digital society where blogging and social networking have become fundamental communication channels, the platforms for the creation and exchange of all kinds of narratives have greatly expanded. This book responds to the dynamic production and consumption of stories of all kinds in popular and academic cultures. It offers a comprehensive discussion of the underlying philosophical and methodological issues of narrative and personal narrative research as well as applying these to the current digital landscape. The book provides practical guidance on data management and use of software for the narrative researcher. Illustrated with examples from a range of fields and disciplines as well as the author’s own work on hacking cultures and cultural activism, this title is a must for anyone wanting to learn about narrative approaches in social research and how to conduct successful narrative research in a digital age.







Scottish Women's Gothic and Fantastic Writing


Book Description

This book provides a critical survey of the gothic texts of late twentieth-century and contemporary Scottish women writers including Kate Atkinson, Ellen Galford, A.L. Kennedy, Ali Smith and Emma Tennant focusing on four themes: quests and other worlds, w




Foul & Fair Play


Book Description

Foul and Fair Play is an examination of classic detective fiction as a genre--an attempt to read a wide variety of texts by different authors as variations on a common and relatively tight set of conventions. Marty Roth covers the period from the "prehistory" of detective fiction in Edgar Allan Poe, Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and H. G. Wells up to the 1960s, which marked the end, he says, of the classical period--"the end of an extremely conservative paradigm." The detective fiction genre, as Roth defines it, includes analytic detective fiction, hard-boiled detective fiction, and the spy thriller. Roth insists on the structural common ground of these three types of writing and places them in the larger system of mystery fiction that preceded and surrounds them. The first part of the book consists of a reading of conventions: conventions of character (the detective, the criminal), of gender and sexuality, of narrative style, of settings, and of the curious rules of exchange and coincidence that operate in the realm where detective stories take place. The second section deals with the convoluted epistemology of mystery and detective fiction, depending as it does on other major intellectual developments of the late nineteenth century, such as psychoanalysis. An extremely original study, Foul and Fair Play offers many insights into the literary and cultural history of a popular genre.







12th Conference on British and American Studies


Book Description

This book represents a selection of papers presented by academics and researchers at the 12th Conference on British and American Studies. They are grouped in two main theme clusters, corresponding to the two chapters of the book: Languages in Contact and Languages in Use and Multidisciplinarity and Multiculturalism in Literary Studies. In the first section, language is described, in turn, as subject to influence by other language systems, as an object of learning and acquisition, and as an instrument enabling users to bridge between cultures, disciplinary domains, and people. The second part of the volume is mainly concerned with such notions as hybridity, tolerance, identity, subversion and deconstruction, as reflected in classical and contemporary Anglo-American literary texts.




Taoism and Self Knowledge


Book Description

Catherine Despeux’s book Taoism and Self Knowledge is a study of the Internal Alchemical text "Chart for the Cultivation of Perfection." It begins with an analysis of pictographic and symbolic representation of the body in early Taoism after which the author examines different extant versions of the "Chart" as it was transmitted among Quanzhen groups in the Qing dynasty. The book is comprised of four main parts: the principal parts of the body and their nomenclature in Internal Alchemy, the spirits in the human body, and the alchemical processes and procedures used in thunder rituals and self-cultivation. This is a revised, expanded edition of the original French edition Taoïsme et connaissance de soi. La carte de la culture de la perfection (Xiuzhen tu) Paris, 2012.




Geographical Review


Book Description




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