Maxwell Street


Book Description

What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.




Maxwell Street


Book Description

Maxwell Street is an open-air market on Chicago's West Side, the center of a ghetto about a mile square, where thousands of Jewish immigrants fleeing pogroms and persecution in Eastern Europe settled and first set up business in America between 1880 and 1924. This engrossing, lively and richly illustrated chronicle recreates the color, the diversity and the personality of Maxwell Street both through the author's recollections of his own childhood experience and the actual stories of many for whom Maxwell Street was the first taste of America.




Jewish Maxwell Street Stories


Book Description

Anyone who has seen Maxwell Street has a story about Maxwell Street. You didn't have to shop there, work there, or eat there. You didn't have to be Jewish. You just had to go there, or merely pass-by, in order to experience something that stuck in your mind forever. Only a few blocks south of Chicago's downtown, Maxwell Street was predominately a Jewish enclave, but you could also hear the Blues, bargain with Gypsies, and find bargain hunters from all walks of life. This book focuses on the stories of the last Jewish generations that lived and worked in the Maxwell Street market area. Beginning in the late 19th century, it was there that thousands of Jewish immigrants first grasped the American dream. The descendents of those first Jewish peddlers absorbed the legacies left them; some went on to be among the most notable and successful personalities of the 20th century. On Maxwell Street, the best merchandise was knowledge.




Chicago's Maxwell Street


Book Description

Presents a collection of photographs that depict the history of Maxwell Street in Chicago.




Maxwell Street


Book Description

What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.




Mobilizing Hospitality


Book Description

The concept of ’mobility’ has sparked lively academic debate in recent years. Drawing on research from the fields of anthropology, geography, sociology and tourism studies, this volume examines the intersection between mobility and hospitality, highlighting the issues that emerge as we encounter strangers in a mobile world. Through a series of diverse empirical accounts, it focuses on the transnational movement of people in the contexts of migration and tourism and examines how hospitality serves as a way of promoting and policing encounters, questioning how these relations are marked by exclusion as well as inclusion, and by violence as well as by kindness. In addition to exploring the power relations between mobile populations (hosts and guests) and attitudes (hospitality and hostility), the book also examines spaces of hospitality and mobility, such as cities, hotels, clubs, cafes, spas, asylums, restaurants, homes and homepages. In doing so, it makes a significant contribution to the political and ethical dimensions of mobile social relations.




BluesSpeak


Book Description

This incomparable anthology collects articles, interviews, fiction, and poetry from the Original Chicago Blues Annual, one of music history's most significant periodical blues publications. Founded and operated from 1989 to 1995 by African American musician and entrepreneur Lincoln T. Beauchamp Jr., OCBA gave voice to the blues community and often frankly addressed contentious issues within the blues such as race, identity, prejudice, wealth, gender, and inequity. OCBA often expressed an explicitly black perspective, but its contributors were a mix of black and white, American and international. Likewise, although OCBA's roots and main focus were in Chicago, Beauchamp's vision for the publication (and his own activities as a blues performer and promoter) embraced an international dimension, reflecting a broad diversity of blues audiences and activities in locations as farflung as Iceland, Poland, France, Italy, and South Africa. This volume includes key selections from OCBA's seven issues and features candid interviews with blues luminaries such as Koko Taylor, Eddie Boyd, Famoudou Don Moye, Big Daddy Kinsey, Lester Bowie, Junior Wells, Billy Boy Arnold, Herb Kent, Barry Dolins, and many more. Also featured are heartfelt memorials to bygone blues artists, insightful observations on the state of the blues in Chicago and beyond, and dozens of photographs of performers, promoters, and other participants in the worldwide blues scene.




Chicago's Maxwell Street


Book Description

"For the Maxwell Street Historic Preservation Coalition in association with the Chicago Historical Society."




The Maxwell Street Blues


Book Description

A PI combs the seedy Chicago streets to untangle a web of old feuds that may have turned fatal: “This series is a small treasure” (Booklist). Chicago private eye Paul Whelan is hired by an elderly jazz musician to find a missing street hustler named Sam Burwell. As Whelan delves into Burwell’s past, in the world of sidewalk vendors and corner musicians, he uncovers old enmities and love affairs, but his search for Burwell comes up empty. That is, until Burwell is found murdered—and Whelan is swept up into a whirlwind of old feuds, dark pasts, unlikely romances . . . and a killer hiding in plain sight. “There is method as well as charm in the congenial manner of Mr. Raleigh’s detective, who manages to conduct a very thorough investigation by winning over grumpy bartenders, crabby waitresses and wary old men on benches. He likes these people—and that’s good enough reason to like him.” —Marilyn Stasio, The New York Times “The smells and the sounds are evocative: the greasy food that Whelan thrives on, the dank workingman’s bars and the ever-present rattle of the el overhead . . . Raleigh presents a genuine good guy in the luckless Whelan and offers a knockout supporting cast.” —Publishers Weekly




Young Black Street Masculinities


Book Description

This book describes how young Black men on a disadvantaged housing estate in London navigate the estate’s expectations for their behaviour as they operate within a street code that endorses violence, knife-carrying and challenging masculinity. This street code informs the men’s masculine identities by promoting values of misogyny, violence and the possession of expensive material objects while subduing any performance or features deemed as weak or feminine. Chapters detail the daily pressure on young men to gain respect and perform the estate’s street code while also providing examples of young men who have escaped or rejected its influence. King also outlines how youth workers can support those trapped by the estate’s street code by embodying personalised or caring masculinity features that seek to transform the dominant masculinity.