Mary Olivier: a Life


Book Description

DigiCat Publishing presents to you this special edition of "Mary Olivier: a Life" by May Sinclair. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Tree of Heaven


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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read.




The Divine Fire


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Uncanny Stories


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The Helpmate


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May Sinclair's novel, "The Helpmate," portrays the entirety of a marriage from its inception. The characters are vividly realistic, and their relationships with each other are intricate, displaying the varied and sometimes contrasting aspects of marital love. Sinclair's portrayal is emotionally profound and unpredictable, leaving readers uncertain about what will happen next.




A Defence of Idealism


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May Sinclair


Book Description

May Sinclair was a central figure in the modernist movement, whose contribution has long been underacknowledged. A woman of both modern and Victorian impulses, a popular novelist who also embraced modernist narrative techniques, Sinclair embodied the contradictions of her era. The contributors to this collection, the first on Sinclair's career and writings, examine these contradictions, tracing their evolution over the span of Sinclair's professional life as they provide insights into Sinclair's complex and enigmatic texts. In doing so, they engage with the cultural and literary phenomena Sinclair herself critiqued and influenced: the evolving literary marketplace, changing sexual and social mores, developments in the fields of psychology, the women's suffrage movement, and World War I. Sinclair not only had her finger on the pulse of the intellectual and social challenges of her time, but also she was connected through her writing with authors located in diverse regions of literary modernism's social web, including James Joyce, Ezra Pound, Ford Madox Ford, Charlotte Mew, and Dorothy Richardson. The volume is a crucial contribution to our understanding of the political, social, and literary currents of the modernist period.




The Three Brontës


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The Three Sisters


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Excerpt: ... going," Gwenda said, "because I want to. If I stayed I wouldn't marry Steven Rowcliffe, and Steven Rowcliffe wouldn't marry me." "But-I thought-I thought--" "What did you think?" "That there was something between you. Papa said so." "If Papa said so you might have known there was nothing in it." "And isn't there?" "Of course there isn't. You can put that idea out of your head forever." "All the same I believe that's why you're going." "I'm going because I can't stand this place any longer. You said I'd be sick of it in three months." "You're not sick of it. You love it. It's me you can't stand." "No, Ally-no." She plunged for another argument and found it. "What I can't stand is living with Papa." Ally agreed that this was rather more than plausible. XXXVIII The next person to be told was Rowcliffe. It was known in the village through the telegrams that Gwenda was going away. The postmistress told Mrs. Gale, who told Mrs. Blenkiron. These two persons and four or five others had known ever since Sunday that the Vicar's daughter was going away; and the Vicar did not know it yet. And Mrs. Blenkiron told Rowcliffe on the Wednesday before Alice told him. For it was Alice who told him, and not Gwenda. Gwenda was not at home when he called at the Vicarage at three o'clock. But he heard from Alice that she would be back at four. And it was Alice who told Mrs. Gale that when the doctor called again he was to be shown into the study. He had waited there thirteen minutes before Gwenda came to him. He looked at her and was struck by a difference he found in her, a difference that recalled some look in her face that he had seen before. It was dead white, and in its whiteness her blue eyes, dark and dilated, quivered with defiance and a sort of fear. She looked older and at the same time younger, as young as Alice and as helpless in her fear. Then he remembered that she had looked like that the night she had passed him in the doorway of the house at...




The Flaw in the Crystal


Book Description

Reproduction of the original: The Flaw in the Crystal by May Sinclair