Medieval Women's Visionary Literature


Book Description

These pages capture a thousand years of medieval women's visionary writing, from late antiquity to the 15th century. Written by hermits, recluses, wives, mothers, wandering teachers, founders of religious communities, and reformers, the selections reveal how medieval women felt about their lives, the kind of education they received, how they perceived the religion of their time, and why ascetic life attracted them.




Authority and Authorship in Medieval and Seventeenth Century Women's Visionary Writings


Book Description

In medieval and early modern times, female visionary writers used the mode of prophecy to voice their concerns and ideas, against the backdrop of cultural restrictions and negative stereotypes. In this book, Deborah Frick analyses medieval visionary writings by Julian of Norwich and Margery Kempe in comparison to seventeenth-century visionary writings by authors such as Anna Trapnel, Mary Carey, Anne Wentworth and Katherine Chidley, in order to investigate how these women authorised themselves in their writings and what topoi they use to find a voice and place of their own. This comparison, furthermore, and the strikingly similar topoi that are used by the female visionaries not only allows to question and examine topics such as authority, authorship, images of voice and body; it also breaks down preconceived and artificial boundaries and definitions.




Medieval Women's Visionary Literature


Book Description

These pages capture a thousand years of medieval women's visionary writing, from late antiquity to the 15th century. Written by hermits, recluses, wives, mothers, wandering teachers, founders of religious communities, and reformers, the selections reveal how medieval women felt about their lives, the kind of education they received, how they perceived the religion of their time, and why ascetic life attracted them.




Maps of Flesh and Light


Book Description

This work offers interdisciplinary perspectives by women scholars on the diverse cultural contributions of medieval women mystics.




Body and Soul


Book Description

Opening a window onto a long-neglected world of women's experience, this text features eleven essays that examine the writings of medieval women mystics from England, France, Germany, Italy, and the Low Countries, providing close readings of a number of important texts from the viewpoint ofdifferent literary theories. Surveying various styles of hagiographical writing, the author offers ground-breaking scholarship on a broad range of topics such as how medieval holy women may have appeared to their contemporaries, medieval antifeminism, comparisons between earlier and later Christianmystical writing, the relationship between male confessors and female penitents in the Middle Ages, and the process by which these extraordinary women produced their work. For courses in religious, medieval, or women's studies, this unique text fills a conspicuous gap in an important and fascinatingfield of literature.




Translating Christ in the Middle Ages


Book Description

This study reveals how women’s visionary texts played a central role within medieval discourses of authorship, reading, and devotion. From the twelfth to the fifteenth centuries, women across northern Europe began committing their visionary conversations with Christ to the written word. Translating Christ in this way required multiple transformations: divine speech into human language, aural event into textual artifact, visionary experience into linguistic record, and individual encounter into communal repetition. This ambitious study shows how women’s visionary texts form an underexamined literary tradition within medieval religious culture. Barbara Zimbalist demonstrates how, within this tradition, female visionaries developed new forms of authorship, reading, and devotion. Through these transformations, the female visionary authorized herself and her text, and performed a rhetorical imitatio Christi that offered models of interpretive practice and spoken devotion to her readers. This literary-historical tradition has not yet been fully recognized on its own terms. By exploring its development in hagiography, visionary texts, and devotional literature, Zimbalist shows how this literary mode came to be not only possible but widespread and influential. She argues that women’s visionary translation reconfigured traditional hierarchies and positions of spiritual power for female authors and readers in ways that reverberated throughout late-medieval literary and religious cultures. In translating their visionary conversations with Christ into vernacular text, medieval women turned themselves into authors and devotional guides, and formed their readers into textual communities shaped by gendered visionary experiences and spoken imitatio Christi. Comparing texts in Latin, Dutch, French, and English, Translating Christ in the Middle Ages explores how women’s visionary translation of Christ’s speech initiated larger transformations of gendered authorship and religious authority within medieval culture. The book will interest scholars in different linguistic and religious traditions in medieval studies, history, religious studies, and women’s and gender studies.




Visionary Women


Book Description

The author, a feminist theologist, discusses the range and complexity of female imagery in the work of the three medieval mystics Hildegard of Bingen (1098-1179), Mechtild of Magdeburg (1210-1283), and Julian of Norwich (1342-?). -- Provided by publisher.




The Visual and the Visionary


Book Description

A bew interpretation of the role of the visual arts in the spiritual lives of women in late medieval monastic communities. The Visual and the Visionary adds a new dimension to the study of female spirituality, with its nuanced account of the changing roles of images in medieval monasticism from the twelfth century to the Reformation. In nine essays embracing the histories of art, religion, and literature, Jeffrey Hamburger explores the interrelationships between the visual arts and female spirituality in the context of the cura monialium, the pastoral care of nuns. Used as instruments of instruction and inspiration, images occupied a central place in debates over devotional practice, monastic reform, and mystical expression. Far from supplementing a history of art from which they have been excluded, the images made by and for women shaped that history decisively by defining novel modes of religious expression, above all, the relationship between sight and subjectivity. With this book, the study of female piety and artistic patronage becomes an integral part of the general history of medieval art and spirituality.




The Virgin Mary's Book at the Annunciation


Book Description

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.




God's Words, Women's Voices


Book Description

An examination of awareness of the ecclesiastical doctrine of discretio spirituum, the means of testing whether visions were truly of divine origin, in the works of medieval women visionaries from Bridget of Sweden to Joan of Arc.