Metafictional Aspects in Novels by Muriel Spark


Book Description

Examination Thesis from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), University of Leipzig (Institute for Anglistics), language: English, abstract: ANYTHING WRITTEN IN ENGLISH IS A LIE Anything written in English is a lie. This is by no means a new idea, with many people having given thought and expression to it (recently and rather extensively so, for instance, Jeanette Winterson). One way to handle this sentence is to relate it to the idea that something written can never be reality. That then, though, some things written (or only fictional texts?; or even fictional texts?; or anything produced?) might have a reality of their own, and that finally these realities might be part of another, larger and encompassing reality – they might. There need not be such a larger idea beyond things. All novelists have been faced with the question of how to deal with this multilayered reality, novels that deal with it explicitly being called metafictional novels. Metafictional literature has come up with innumerable ways of handling and playing with the notion of what is being real and what fictitious. Anything written in English is a lie. This sentence is also putting into other words the famous paradox of the Cretan stating that all Cretans are liars. For with both, as with many other paradoxes, the paradox is a result of the statement′s self-reference. Since the statement is written in English, it denies its own truth, which it actually does not if it is a lie – it would stop being a lie then, though. Any attempt to solve the paradox will end in moving in circles. The only way not to go insane when trying to find a solution is to accept that the sentence is made up and that it cannot be true in terms of our familiar logic. Once we view it as artificial, as something that has been made up to be not solvable (which need not be the case), we adopt another perspective and for instance allow ourselves to be entertained by contemplating paradoxes. Confronted with any paradoxical or otherwise inexplicable situation human beings still feel an urge to ascribe explanations and reasons to it and often turn to religion, commonplace theories or superstition to find them. Religions explain how the Earth came into existence. If we drop a cup or spill hot milk, it happened because our boss was being a strain. If we got an unjustified salary rise, the stars would have favoured us. A religious woman might regard it as God’s punishment when she falls in love with her husband’s lover. Seldom are we at a loss for an explanation which we may well believe in but which cannot be proved to be causative...




The Comforters


Book Description

Spark’s mind-bogglingly stunning 1957 debut With easy, sunny eeriness, Spark lights up the darkest things: blackmail, a drowning, nervous breakdowns, a ring of smugglers, a loathsome busybody, a diabolic bookseller, human evil.




Loitering with Intent


Book Description

Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.




The Prime of Miss Jean Brodie


Book Description

“A perfect book”—and basis for the Maggie Smith film—about a teacher who makes a lasting impression on her female students in the years before World War II (Chicago Tribune). “Give me a girl at an impressionable age, and she is mine for life!” So asserts Jean Brodie, a magnetic, dubious, and sometimes comic teacher at the conservative Marcia Blaine School for Girls in Edinburgh. Brodie selects six favorite pupils to mold—and she doesn’t stop with just their intellectual lives. She has a plan for them all, including how they will live, whom they will love, and what sacrifices they will make to uphold her ideals. When the girls reach adulthood and begin to find their own destinies, Jean Brodie’s indelible imprint is a gift to some, and a curse to others. The Prime of Miss Jean Brodie is Spark’s masterpiece, a novel that offers one of twentieth-century English literature’s most iconic and complex characters—a woman at once admirable and sinister, benevolent and conniving. This ebook features an illustrated biography of Muriel Spark including rare photos and never-before-seen documents from the author’s archive at the National Library of Scotland.




Not to Disturb: A Novel


Book Description

Household servants and accidental guests must wait out the orders of the lords of the house: not to disturb. A winter’s night; a luxurious mansion near Geneva; a lucrative scandal. The first to arrive is the secretary dressed in furs with a bundle of cash, then the Baron, and finally the Baroness. They lock themselves in the library with specific instructions not to be disturbed for any reason. Soon, shouts and screams emerge from the library; the Baron’s lunatic brother starts madly howling in the attic; two of the secretary’s friends are left waiting in a car; a reverend’s services are needed for an impromptu wedding—and despite all that the servants obey their orders as they pass the time playing records, preparing dinner, and documenting false testimonies while a twisted murder plot unfolds upstairs.




The Abbess of Crewe


Book Description

"The short dirk in the hands of Muriel Spark has always been a deadly weapon," said The New York Times, and "never more so than in The Abbess of Crewe." An elegant little fable about intrigue, corruption, and electronic surveillance, The Abbess of Crewe is set in an English Benedictine convent. Steely and silky Abbess Alexandra (whose aristocratic tastes run to pâté, fine wine, English poetry, and carpets of "amorous green") has bugged the convent, and rigged her election. But the cat gets out of the bag, and--plunged into scandal--the serene Abbess faces a Vatican inquiry.




Metafiction


Book Description

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.




Muriel Spark


Book Description

"A substantial addition to Spark criticism, of which there has been surprisingly little published in recent years."--Aileen Christianson, University of Edinburgh --Book Jacket




The Meaning of Metafiction


Book Description

In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader. Book cover.




Lie With Me


Book Description

“I remember the movement of his hips pressing against the pinball machine. This one sentence had me in its grip until the end. Two young men find each other, always fearing that life itself might be the villain standing in their way. A stunning and heart-gripping tale.” —André Aciman, author of Call Me by Your Name A New York Times Book Review Editor’s Choice The critically acclaimed, internationally beloved novel by Philippe Besson—“this year’s Call Me By Your Name” (Vulture) with raves in The New York Times, The New Yorker, The Wall Street Journal, NPR, Vanity Fair, Vogue, O, The Oprah Magazine, and Out—about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress and writer Molly Ringwald. In this “sexy, pure, and radiant story” (Out), Philippe chances upon a young man outside a hotel in Bordeaux who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a boy named Thomas during their last year of high school. Thomas is the son of a farmer; Philippe the son of a school principal. At school, they don’t acknowledge each other. But they steal time to meet in secret, carrying on a passionate, world-altering affair. Despite the intensity of their attraction, from the beginning Thomas knows how it will end: “Because you will leave and we will stay,” he says. Philippe becomes a writer and travels the world, though as this “tender, sensuous novel” (The New York Times Book Review) shows, he never lets go of the relationship that shaped him, and every story he’s ever told. “Beautifully translated by Ringwald” (NPR), this is “Philippe Besson’s book of a lifetime...an elegiac tale of first, hidden love” (The New Yorker).