Milano 1816: Carlotta e Ludovico


Book Description

La storia d'amore tra lo scrittore Ludovico Di Breme e l'attrice Carlotta Marchionni presenta tutte le caratteristiche dell'amore "romantico" passione, contrasti, lontananza e, in conclusione, morte di uno dei due innamorati, ancora relativamente giovane, a causa della tisi. Ludovico Di Breme era stato ordinato sacerdote nel 1806, ma aveva un cuore "amante" che gli rendeva difficile rispettare gli obblighi della sua condizione. La fonte principale per ricostruire la storia d'amore tra lo scrittore torinese Ludovico Di Breme e l'attrice Carlotta Marchionni, sono le lettere di Silvio Pellico, amico di Ludovico, ma anche di Carlotta, che il Pellico ammira per la sua capacità di dare un anima ed uno spessore ai personaggi che interpreta sul palcoscenico




Autophagy


Book Description

Starting in the early 1970s, a type of programmed cell death called apoptosis began to receive attention. Over the next three decades, research in this area continued at an accelerated rate. In the early 1990s, a second type of programmed cell death, autophagy, came into focus. Autophagy has been studied in mammalian cells for many years. The recen




The Devotion and Promotion of Stigmatics in Europe, C. 1800-1950


Book Description

"In the nineteenth century a new type of mystic emerged in Catholic Europe. While cases of stigmatisation had been reported since the thirteenth century, this era witnessed the development of the 'stigmatic': young women who attracted widespread interest thanks to the appearance of physical stigmata. To understand the popularity of these stigmatics we need to regard them as the 'saints' and religious 'celebrities' of their time. With their 'miraculous' bodies, they fit contemporary popular ideas (if not necessarily those of the Church) of what sanctity was. As knowledge about them spread via modern media and their fame became marketable, they developed into religious 'celebrities'"--




Europe (in Theory)


Book Description

Europe (in Theory) is an innovative analysis of eighteenth- and nineteenth-century ideas about Europe that continue to inform thinking about culture, politics, and identity today. Drawing on insights from subaltern and postcolonial studies, Roberto M. Dainotto deconstructs imperialism not from the so-called periphery but from within Europe itself. He proposes a genealogy of Eurocentrism that accounts for the way modern theories of Europe have marginalized the continent’s own southern region, portraying countries including Greece, Italy, Spain, and Portugal as irrational, corrupt, and clan-based in comparison to the rational, civic-minded nations of northern Europe. Dainotto argues that beginning with Montesquieu’s The Spirit of Laws (1748), Europe not only defined itself against an “Oriental” other but also against elements within its own borders: its South. He locates the roots of Eurocentrism in this disavowal; internalizing the other made it possible to understand and explain Europe without reference to anything beyond its boundaries. Dainotto synthesizes a vast array of literary, philosophical, and historical works by authors from different parts of Europe. He scrutinizes theories that came to dominate thinking about the continent, including Montesquieu’s invention of Europe’s north-south divide, Hegel’s “two Europes,” and Madame de Staël’s idea of opposing European literatures: a modern one from the North, and a pre-modern one from the South. At the same time, Dainotto brings to light counter-narratives written from Europe’s margins, such as the Spanish Jesuit Juan Andrés’s suggestion that the origins of modern European culture were eastern rather than northern and the Italian Orientalist Michele Amari’s assertion that the South was the cradle of a social democracy brought to Europe via Islam.




The Torlonia Marbles


Book Description

A sublime volume about one of the most important collections of ancient marble sculptures in the world, an astonishing private trove largely hidden to scholars and the public until now. Last published in a nineteenth-century catalog, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works--marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors--is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome's last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades. This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.




The Fabrication of Leonardo da Vinci’s Trattato della pittura (2 vols.)


Book Description

The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.










Art in Rome in the Eighteenth Century


Book Description

"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Man Verdi


Book Description

In this classic biography of composer Giuseppe Verdi, Frank Walker reveals Verdi the man through his connections with the individuals who knew him best. “Walker focuses on some of the more significant people in Verdi’s life and carefully scrutinizes his relationships with them. His wife, Giuseppina Strepponi; his student and amanuensis, Emanuele Muzio; the conductor who first fully understood Verdi’s mature art, Angelo Mariani; the great prima donna, Teresa Stolz; the incomparable librettist and friend of his old age, Arrigo Boito—each passes before our eyes in Walker’s meticulous reconstruction. As we learn more about them, we learn more about Verdi. We see him through the eyes of his closest friends, we watch his daily activities, his daily thoughts, his habits, his warmth, his domestic tyranny. The myth dissolves and a human being stands before us.”—Philip Gossett, from the introduction