The Nation


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The Artist as Animal in Nineteenth-Century French Literature


Book Description

The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.




The Wonders of Life


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"The publication of the present work on The Wonders of Life has been occasioned by the success of The Riddle of the Universe, which was written five years prior to this volume. Within a few months of the issue of this study of the monistic philosophy, in the autumn of 1899, ten thousand copies were sold. The clear opposition of the author's monistic philosophy, based as it was on the most advanced and sound scientific knowledge, to the conventional ideas and to an outworn "revelation," led to the publication of a vast number of criticisms and attacks. The present work on the wonders of life is, as the title indicates, a supplementary volume to The Riddle of the Universe. While the latter undertook to make a comprehensive survey of the general questions of science--as cosmological problems--in the light of the monistic philosophy, the present volume is confined to the realm of organic science, or the science of life. It seeks to deal connectedly with the general problems of biology, in strict accord with the monistic and mechanical principles which had been laid down by the author in 1866 in his work titled, General Morphology. In the latter publication, special stress was placed on the universality of the law of substance and the substantial unity of nature, which had been further treated in the second and fourteenth chapters of The Riddle of the Universe. The arrangement of the vast material for this study of the wonders of life was modeled on that of the Riddle. Retained in the present volume is the division into larger and smaller sections and the synopses of the various chapters. Thus the whole biological content falls into four sections and twenty chapters"--Preface. (PsycINFO Database Record (c) 2010 APA, all rights reserved).




Pure and Applied Science Books, 1876-1982


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Over 220,000 entries representing some 56,000 Library of Congress subject headings. Covers all disciplines of science and technology, e.g., engineering, agriculture, and domestic arts. Also contains at least 5000 titles published before 1876. Has many applications in libraries, information centers, and other organizations concerned with scientific and technological literature. Subject index contains main listing of entries. Each entry gives cataloging as prepared by the Library of Congress. Author/title indexes.




Last Words on Evolution


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The Problem of Immortality


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The Breath of Life


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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.